The diverse culture of Ivory Coast, a coastal West African country bordered by Ghana, Liberia, Mali, Burkina Faso, and Guinea, is exemplified by a multitude of ethnic groups, events, festivals, music, and art.
More than sixty indigenous ethnic groups are often cited, although this number may be reduced to seven clusters of ethnic groups, by classifying small units together on the basis of their cultural and historical characteristics, which differ somewhat from one to the next. These may be further reduced to four major cultural regions – the East Atlantic (primarily Akan), West Atlantic (primarily Kru), Voltaic, and Mandé – differentiated in terms of environment, economic activity, language, and overall cultural characteristics. In the southern half of the country, the East Atlantic and West Atlantic cultures, separated by the Bandama River, each make up almost one-third of the indigenous population. Roughly one-third of the indigenous population lives in the north, including Voltaic peoples in the northeast and Mandé in the northwest. Ethnic groups
The population of Ivory Coast includes more than sixty ethnic groups, commonly grouped into broader ethnolinguistic categories, including Akan, Kru, Gur, and Mande peoples. Major ethnic groups include the Baoulé, Bété, Dioula, Dan, and Senufo.
Several groups in southern and central Ivory Coast, including the Abron, Akye, Anye, Aowin, and Baoulé, are part of the Akan group.
Languages spoken in Ivory Coast include Akan languages such as Akye, Anyi, Aowin, Baule, and Bono Twi, as well as Dan, a Mande language.
Art Among the Akan-speaking people of southern Ghana and adjacent Ivory Coast, ritual pottery and figurative terracottas are used in connection with funeral practices that date at least to the 17th century.
The Baoule create art in several different media, including gold and brass casting (similar to their Asante ancestors), wooden sculptures, and mask and figure carving such as wooden masks. The mask is a primary art form in the Ivory Coast. Baoule sculpture or masks are hidden from the public if the item holds high importance. Sacred sculptures are not raised off the floor and are covered in cloth. These sacred objects such as the Goli Glin Mask can potentially harm a person if looked at.
Woodcarving, pottery, and weaving are all art forms of the Akye. The stools carved are seen as “seats of power” and akuaba (wooden dolls) are associated with fertility. The traditions of pottery and weaving are extensive and long lasting throughout the Akan people. Woven on behalf of royalty, Kente cloth has come to symbolize African power all over the world.
Funerary images and monuments hold special importance among the Anye people; artistic expression is focused on creating such art forms, as the beauty of the monument is seen to reflect the depth of respect for the deceased. Through these types of grave monuments, dedicated to the ancestors, families can demonstrate their affluence and dedication at the same time.
Much of the Senufo's sculpted work is made in the poro, or school. Brass sculptures, wood carvings, and masks are mostly made there, and sold to local artisans. They are expert mask makers, but since farming is the highest profession possible, artists and musicians are low in the caste system (musicians are bottom).
Art and music are enormous parts of Dan culture. The primary art form of the Dan is their masks, which emulate virtually every aspect of Dan society. Dan sculptors use masks to represent war, peace, social regulation, and entertainment. Mancala game boards and stylized wooden spoons are also made with wood carving.
Contemporary art is well developed in Ivory Coast. Some of the major artists are:
Ananias Leki Dago (photographer, 1970): Winner of the First Prize of PhotoAfrica context in Spain in 2009, and Distinction Award from the Critical Photography French Kodak Price in 2004 Christian Lattier (sculptor, 1925–1978): Winner of the grand prize of "World Festival of Black Arts" in Dakar. 19 pieces of Lattier's sculptures are currently in the collection of the Musée National de Ivory Coast in Abidjan. Yacouba Konaté (curator, writer, art critic, professor of philosophy, 1953): In 2000, he served as a Director of the National Institute of Arts and Culture, and as a Director of the Cabinet of Ministers of Culture and Francophony. He is also head of l'Institut national supérieur des Arts et de l'action culturelle of Abidjan. He was one of the curators of individual exhibitions of 6th Dak'Art in 2004, and he was the artistic director of the Dakar Biennale in 2006. Jems Robert Koko Bi (sculptor, 1966) Ernest Dükü (Painter, 1958): Dükü is an artist who have engaged in dialogue with the rich systems of graphic inscription and writing of Africa but his result are highly individual, his work ask the cosmogonical world system, the spiritual systems; by using his training in architecture may explain the volume and dimensionality that situates his works somewhere between painting and sculpture. Ouattara Watts (painter, 1957): Watts is an internationally recognized neo-expressionist painter. Watts is a jazz enthusiast, who merged music and art in paintings and collages, by using recycled everyday materials. Paul Sika (fashion and advertising photographer/creative director/artist, 1985) Mathilde Moraeau (painter): Director of the Ecole Nationale des Beaux Arts in Abidjan Sidiki Bakaba (actor, scenario writer, director, 1949): Awarded for his entire career in 2nd Pan-African Cultural Festival in Algiers in 2009, and Best Actor for West Africa by la Fondation des artistes de Ivory Coast (FONDACI) in 2008 Frédéric Bruly Bouabré (painter, 1923, 2013): Many of his paintings are in the collection of Jean Pigozzi
Dance Djéla lou Zaouli is a dance performed among Gouro communities. It is a spiritual dance that records the past present and future through their depiction of historical events. It is performed as a connection to their spiritual realm. The dance originated from a myth of the origins of Zaouli.
Events and festivals The Fêtes des Masques, (Festival of Masks) held in December in the region of Man is one of Ivory Coast's biggest and best-known festivals. Competitions between villages are held to find the best dancers, and to pay homage to the forest spirits embodied in the elaborate masks. Another important event is the week-long carnival in Bouaké each March.
In April, there is the Fête du Dipri
The primary Muslim holiday is Ramadan, a month when everyone fasts between sunrise and sunset, following the fourth pillar of Islam. Ramadan ends with a huge feast, Eid al-Fitr, where everyone prays, visits friends, gives presents and eat together.
Cuisine
The traditional diet in Ivory Coast is very similar to that of neighboring countries in its reliance on grains and tubers, but Ivorians have a particular kind of small, open-air restaurant called a maquis that is unique to them. Attiéké (grated cassava) is a popular Ivorian side dish.
Maquis normally feature braised chicken and fish smothered in onions and tomatoes, served with attiéké, or kedjenou, a chicken dish made with vegetables and a mild sauce. One of the tastiest street-vended foods is aloko, which is a ripe plantain fried in palm oil, spiced with steamed onions and chili, and eaten alone or with grilled fish. Bangui is a local palm wine.
Religion
The Senufo are a very animistic society; they believe that the ancestor spirits are responsible for all events that occur, and if they are not appeased through proper ritual they may cause drought, infertility, and illness.
Ancestor worship and a hierarchy of nature gods make up the religious beliefs of the Baule. Alouroua is the creator god, and though other nature spirits and spouses are represented in sculpture, Alouroua is never physically manifested in art. Other religion are also adopted in Ivory Coast. We have Christianity and Islam.
The Akan believe in an ultimate God, who has various different names depending on the different regions of worship. At one point, according to Akan mythology, this God walked upon the earth with man, but moved high up into the sky after being continuously beaten with a pestle of an old woman pounding fufu. No priests serve him directly, and the general belief is that he cannot be contacted directly. Priests do, however, serve other spirits, acting as a conduit of the gods, a liaison between them and mankind. There are numerous other gods (abosom), usually connected to the natural world, like ocean and river spirits, as well as a variety of local spirits who receive their power from this supreme god. The earth itself is considered a deity, and a female one by the Abron called Asaase Yaa, directly connected to fertility and fruitfulness. Prayer is held daily, and includes offerings to ancestors and spirits.
Ancestors and ancestor worship are at the center of the Anyi's religious beliefs. One should always remember and honor one's ancestors, and strive to live life so that, in turn, as an ancestor one will be revered and remembered. In keeping with this system, when a person passes, there is an elaborate ceremony with ritual washing, dressing the dead in fine clothes and gold jewelry, and a mourning period allowing the family to show respect for departed and to allow a safe passage and welcome for the deceased into the spirit world.
The Dan world view holds that everything can be divided into two separate and clear categories. The primary dichotomy is between village and bush, in other words, things that have been controlled by man and things that have not. Crossing over the dividing line is dangerous business, and whenever it is done, whether to clear new fields or simply crossing the forest, the bush spirits must be appeased. In order to take part in village life, the bush spirits must take corporeal form. The Dan believe that all creatures have a spirit soul (du), which is imparted onto humans and animals from the creator god, Xra, through birth. One's du is immortal and is passed on after death to a new being. However, some du remain bodiless. They inhabit the forests as bush spirits and must establish a relationship with a person if they wish to be manifested and honored. Often the spirit will request the chosen person to dance the spirit, utilizing a mask to illustrate the spirit's embodiment.
Music
The traditional music style of many of the ethnic groups of Ivory Coast is characterized by a series of rhythms and melodies that occur simultaneously, without one dominating the other. Music is used in many aspects of the culture; the Dan celebrate rice, death, marriage, birth, and weather all with music. Instruments include the Talking drum, djembe, Kpalogo, Shekere (Youroo), Akombe, and cleavers, and are typically made with local materials, such as gourds, animal skins, and horns. In the past, music has been the main forté of one social group, the griot (village entertainers). Ivory Coast's Alpha Blondy, the world-famous reggae artist, is probably the country's best known singer, though his music is not necessarily representative. Masks are a prevalent art form in Ivory Coast. The variety and intricacy of masks created by the people of Ivory Coast is rivaled by none. Masks have many purposes. They are used mostly for representative reasons; they can symbolize lesser deities, the souls of the deceased, and even caricatures of animals. They are considered sacred and very dangerous; as such, only certain powerful individuals and families are permitted to own them, and only specially-trained individuals may wear the masks. It is held to be dangerous for others to wear ceremonial masks, because it is believed that each mask has a soul, or life force, and that when a person's face comes in contact with the inside of the mask, the person is transformed into the entity the mask represents.