Scott Barley (born 11 November 1992) is a Welsh filmmaker, artist, drone musician, and writer.
His work often focuses on creating mood and sensory experiences rather than following traditional narrative structures. His films have been associated with the remodernist and slow cinema movements, and ecocriticism. Recurrent themes in his work are the anthropocene, nature, darkness, absence, cosmology, phenomenology, mereology and mysticism.
His filmmaking methods have been compared to David Lynch, Stan Brakhage, Philippe Grandrieux, Béla Tarr, Alexander Sokurov, Maya Deren and Jean Epstein.
Since early 2015, Barley has almost exclusively shot his films on iPhone, working primarily alone. While his filmmaking is largely solitary, he has also contributed to the work of other filmmakers, most notably Ildikó Enyedi's 2025 film, Silent Friend.
He is most well-known for the 2017 experimental film, Sleep Has Her House. Danish film critic, and former director of the European Documentary Network, Tue Steen Müller has described him as the "Anselm Kiefer of cinema".
Influences and style Barley has cited Béla Tarr, Robert Bresson, Michelangelo Antonioni, Pedro Costa, Phil Solomon, Jean-Claude Rousseau, and Nathaniel Dorsky among his favourite filmmakers.
Barley's imagery and focus on natural landscape has been likened to the romantic tradition of The Sublime within a modernist and digital context. Critics and academics have drawn parallels with Sleep Has Her House and the work of Caspar David Friedrich, J. M. W. Turner, Johann Wolfgang von Goethe, Wagner's Götterdämmerung and the ideas of Immanuel Kant, among others.
Barley's approach to filmmaking is similar to that of other solo and poetic avant-garde filmmakers, Stan Brakhage, Jonas Mekas, Nathaniel Dorsky and Peter Hutton, but the post-production process is unique to both mainstream and avant-garde filmmaking practices."I always begin a film almost like one would keep a diary. I have no idea, or agenda to make a film. I simply document. I shoot what attracts me, random things, animals, variances in light, the water, the stars; simply what draws me in on different days, different nights, in different places. Once I have built up a body of footage, I start to see connections. These pieces of footage could be taken months or even years apart – and miles apart too. [I] then invisibly stitch [the different shots] together into one larger shot or sequence. But these connections between different pieces of footage all happen organically. I never force these connections. I never force a film when it doesn’t come. The films find me – not the other way round [...] All my films have been made this way. Some happen quicker than others. Once these connections are established, a narrative - through images - begins to germinate."
Filmography Year Title Running time NotesTBCThe Sea Behind Her HeadTBC(in production)TBCWithin Without HorizonTBC(in production)TBCThe FleshTBC(in production)2025A Ladder9 minwith Hara Alonso2020Half Moon4 minutes2017Eviscerations12 minscreened only once; unreleased 2017Womb17 min2017Passing2 min2017Fugue -unreleased2017The Green Ray12 min2017Sleep Has Her House90 minFirst feature2016Painting (I)360 minInstallation; unreleased2016Hinterlands7 min2016Closer7 min2015Blue Permanence / Swan Blood6 min2015Hunter14 min2015The Sadness of the Trees12 minwith Mikel Guillen2015Shadows20 min2015Evenfall6 min2015Death Is a Photograph-unreleased2015Hours3 min2014Ille Lacrimas20 min2014Polytechnique12 min2013Nightwalk6 min2013Irresolute2 min2013Retirement3 min2013GLASS / TRUTH4 min2012The Ethereal Melancholy of Seeing Horses in the Cold4 min2012Untitled3 minInstallation with video
Music TitleFormatYearAwaiting BodyAlbum2021To the LighthouseSingle2017Sleep Has Her House (Original Motion Picture Soundtrack)Soundtrack2017, 2021
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