"The Banks of Sweet Primroses", "The Banks of the Sweet Primroses", "Sweet Primroses", "As I Walked Out One Midsummer Morning", "As I Rode Out" or "Stand off, Stand Off" (Roud 586) is an English folk song. It was very popular with traditional singers in the south of England, and has been recorded by many singers and groups influenced by the folk revival that began in the 1950s.Roud Folk Song Index/Vaughan Williams Memorial Library http://www.vwml.org/search?ts=1485029107580&collectionfilter=RoudFS;RoudBS&advqtext=0|rn|586#record=49 Retrieved 2017/03/06
Synopsis The narrator goes out into the countryside on a midsummer morning. He sees an attractive young woman "down by the banks of the sweet primroses". He asks her where she is going and why she is distressed. He tells her he will make her "as happy as any lady" if she will grant him "one small relief". She tells him to go further away and says he is false and deceitful. She says he is responsible for making her "poor heart to wander" and that it is pointless to comfort her. She says she will go to a desolate valley where no one will be able to find her. The narrator then offers this advice to romantically-inclined young men (or, in many versions, to young women): "There's many a dark and dusky morning, turns out to be a most sunshiney day".Bob Copper, A Song for Every Season, London, 1971
Versions
Versions collected from traditional singers The Roud Folk Song Index contains 329 examples (though the same version may be reprinted or distributed in more than one publication or recording and therefore generate more than one entry in the index). 92 examples were collected in England, largely in Southern England (17 versions collected in Sussex in contrast with 2 in Yorkshire). 2 were collected from singers in Wales, 2 from Scotland, and the only examples from outside Britain were from 2 singers in the same part of Nova Scotia. The earliest recorded version was by the Welsh singer Phil Tanner, recorded in 1937.
Broadsides In the nineteenth century many publishers of Broadside ballads printed versions of "The Banks of Sweet Primroses".Roud Folk Song Index/Vaughan Williams Memorial Library http://www.vwml.org/search?ts=1485043512486&collectionfilter=RoudFS;RoudBS&advqtext=0|rn|586# Retrieved 2017/03/06
Recordings
Peter Kennedy's recording of Gloucestershire singer Emily Bishop, made in 1952, is on the GlosTrad website.Gloucestershire Traditions http://glostrad.com/banks-of-sweet-primroses-the/ Retrieved 2017/03/06
Two versions by Phil Tanner are available on the CD "The Gower Nightingale".Phil Tanner "The Gower Nightingale" Veteran VT145CD Several versions by traditional singers have been published by Topic Records in the Voice of the People series. Seamus Ennis recorded Bob, John, Jim and Ron Copper of the Copper Family of Rottingdean, Sussex singing their family version in April 1952."Come Write Me Down", Topic CD TSCD534 The song has also been recorded by Shropshire singer Fred Jordan,VTD148CD and the Suffolk singer Bob Hart.12TS225 A rendition by Bob Hart recorded by Reg Hall is available online at the British Library Sound Archive.British Library Sound Archive Shelf mark 2CDR0007004 (copy of C903/10) http://sounds.bl.uk/World-and-traditional-music/Reg-Hall-Archive/025M-C0903X0010XX-1100V0 Retrieved 2017/03/06
Many singers involved in or inspired by the second [British Folk revival] have performed and recorded versions of "The Banks of Sweet Primroses", including Shirley Collins on her LP Sweet Primeroses,Topic Records – 12T170 The DublinersChyme CH 1025 Fairport Convention,Island Records ILPS 9162 Martin Carthy and Dave Swarbrick,Topic Records 12TS343 June Tabor,TSCD557 Martin Simpson,TSCD513 and Eliza Carthy.
Discussion Steve Roud writes that this song was so popular with traditional singers at the beginning of the 20th century that some collectors did not bother to note down every example. He also comments that the story seems incomplete and mysterious, in that we don't know what the narrator had done to so distress a young woman he doesn't appear to know, or why the ending is so upbeat.Roud, Steve; The New Penguin Book of English Folk Songs p405; London; 2012 Ralph Vaughan Williams and A. L. Lloyd make the observation that "Tune and text have shown remarkable constancy" through many collected versions, and conclude that "Clearly, singers have found the song unusually memorable and satisfactory, for the process of oral transmission seems to have worked little change on it".The Penguin Book of English Folk Songs. Harmondsworth, 1959 The lines in the third verse "I will make you as happy as any lady / If you will grant me one small relief" are discussed an example of a consistent trope within English folk music and also commonly interpreted humorously as innuendo.
Literary influence The first line of the song was the inspiration for the title of Laurie Lee's autobiographical travel memoir As I Walked Out One Midsummer Morning.
References