Florence Edith Cheesman (1877–1964) was a British artist and author, noted for her watercolours of Arabian birdlife and for producing a series of Iraqi postage stamps and postcards featuring wildlife.
Life and career Florence Edith Cheesman was born in 1877 at Wistwal in Kent.Benezit Dictionary of British Graphic Artists and Illustrators, Volume 1, Oxford University Press, p. 230 She was one of the five children of Florence Maud Tassell (d. 1944) and Robert Cheesman (d. 1915), a gentleman farmer of modest means. She and her siblings received their early education from a governess. Later, Edith and her sister, Evelyn Cheesman, attended a school in Brighton run by the Misses Collingwood. There, they acquired a grounding in French and German. Both sisters became governesses, Edith in Surrey and Evelyn in the Midlands.“Lucy Evelyn Cheesman (1881–1969): Traveller, writer, scientist,” in Hugh Laracy, Watriama and Co: Further Pacific Islands Portraits, Australian National University Press, pp 187-205 Her sister, Evelyn Cheesman was a noted entomologist and prolific author.
Her brother was Colonel Robert Ernest Cheesman, a British a military officer, explorer, author and ornithologist. The British entomologist and traveller Evelyn Cheesman was her younger sister. She spent considerable time abroad, accompanying her brother on his various missions. In the early 1920s, her brother served as the Private Secretary to Sir Percy Cox during his term as the High Commissioner of Iraq. There Edith became acquainted with Gertrude Bell and began painting portraits and scenes of Iraqi life, including a portrait of King Faisal I (1921), Gertrude Bell’s house in Baghdad (1921) and Hassan Sagarr (or Hassan of the Hawks (1921) as well as streetscapes and other works.
Following the British occupation of Iraq, the English showed a great deal of interest in learning more about the land. Cheesman’s paintings and sketches of Mesopotamia became very popular, were exhibited in a number of London galleries and were the subject of a number of very positive reviews.Buck, T., “The Imagining of Mesopotamia/Iraq in the Aftermath of the Great War,” in: Walsh, M.K.J. and Varnava, A., (eds), The Great War and the British Empire: Culture and Society, Taylor & Francis, 2016, pp 151- 162 In 1922, P.G. Konody, writing in the Daily Mail, expressed the hope that Cheesman’s “picturesque views of Mesopotamia” would not be used as propaganda to support Britain’s continued occupation of the land.Walsh, M.K.J. and Varnava, A., (eds), The Great War and the British Empire: Culture and Society, Taylor & Francis, 2016, p. 162 In 1923, she published her impressions of Mesopotamia in a book simply titled, Mesopotamia (Iraq) in Water Colours.
She visited South Africa in about 1918, and returned there, living the latter part of her life in Natal in the Valley of a Thousand Hills, near Botha's Hill. In 1924, she was commissioned by the Gold Coast Government to produce a series of watercolours for the Empire Exhibition at Wembley. These were published as Tuck's 'Oilette' Postcards of the Gold Coast.Gold Coast Database: Ghana and the Netherlands: Genealogies, Biographies, Histories, http://gcdb.doortmontweb.org/
During her time in South Africa, she maintained diaries of her travels. She may have intended to publish these. A manuscript entitled Roaming round Rhodesia with a paint-box: off the beaten track, well-illustrated with original sketches and paintings, and many photographs, is now part of the Campbell Collections at the University of KwaZulu-Natal.MS Original collection number:32591, University of KwaZulu-Natal. http://campbell.ukzn.ac.za/?q=node/47048
Several of her works are in the UK's Government Art Collection, including an oil on canvas of Gertrude Bell's House in Baghdad, which hangs in the British Embassy in Baghdad.
Postage stamp designs
With Marjorie Maynard, Cheesman was the designer of the first postage stamps issued by Iraq (then known as the Kingdom of Iraq under British Administration, as established in 1921), depicting historic Iraqi art and architecture. The stamps were not issued until 1923. The definitive stamps were denominated in the currency of the Administration, the Indian anna and rupee, and Cheesman designed the 0.5A, 1A, 4A, 6A, 8A, 2R, 5R and 10R values.Maynard designed the 1½A, 2A, 3A, and 1R stamps. They were inscribed "IRAQ" and "POSTAGE & REVENUE" in English and Arabic. Most remained on sale until the introduction of a new set on 17 February 1931, and were used postally after that.Melville, F.J., “The Cult of the Postage Stamp,” The Illustrated London News, vol. 162, 16 June 1923, p. 1080
Legacy Her brother, a keen amateur ornithologist, named a sub-species of bird in honour of his sister, Edith Cheesman.Cheesman, R.E., In Unknown Arabia, London, Macmillan, 1926, p. 360
Exhibitions Jul‒Aug 8, 1908 The London Salon of the Allied Artists' Association. 1st year London Royal Albert Hall "Edith Cheesman." In Database of Modern Exhibitions (DoME). European Paintings and Drawings 1905-1915. Last modified Jan 27, 2020. https://exhibitions.univie.ac.at/person/11448
Selected works Faisal I (1885 –1933) King of Iraq, [portrait],1921, Government Art Collection, Oil on canvas, 69 x 51 cm.12.The Art Newspaper, Vol., 296, December 2017, https://www.theartnewspaper.com/news/licence-to-show-art-the-works-on-the-walls-of-the-secret-service-s-hq Hassan Sagarr (or Hassan of the Hawks), 1921, Government Art Collection, Oil on canvas, 69.3 x 41.2 cmGovernment Art Collection, https://artcollection.culture.gov.uk/person/cheesman-florence-edith/ Gertrude Bell’s House in Baghdad, 1921, Government Art Collection, Oil, 30.5 x 41 cm.Arbuthnott, H., Clark, T. and Muir, E., British Missions around the Gulf, 1575-2005: Iran, Iraq, Kuwait, Oman, Global Oriental, 2008, p. 122 A Street in Kut (General Townshend’s House), 1921, Watercolour, New Street, Baghdad, 1921, Watercolour Madras Courier, 20 September 2019, https://madrascourier.com/art-and-poetry/iraq-before-the-interventionist-wars A Street in Baghdad,1921, Watercolour The Arch of Ctesiphon,1921, Watercolour
Postcards A Government Officer’s Bungalow, Gold Coast,1923–24, [Postcard],Gold Coast Database, Tuck's 'Oilette' Postcards of the Gold Coast, http://gcdb.doortmontweb.org/collections/TP1924/page2.htm African Drummer, [Postcard], 1923-24 Gold Coast Database, Tuck's 'Oilette' Postcards of the Gold Coast, http://gcdb.doortmontweb.org/collections/TP1924/page3.htm An Ashanti Priest, Gold Coast. [Postcard]. 1923-24Gold Coast Database, Tuck's 'Oilette' Postcards of the Gold Coast, http://gcdb.doortmontweb.org/collections/TP1924/page4.htm Ashanti Potters, [Postcard], 1923-24 The Carpenters’ Shop, Kibbi Trade School, Gold Coast, 1923–24, [Postcard], Boys on Parade, Kibbi Trade School, Gold Coast, 1923–24, [Postcard], Koforidua Station, Gold Coast, 1923 –24 Sabine, N.J.N\B., The British Colonial Empire, W. Collins, 1943, p.3 A Ward in the Hospital for Africans, Accra, Gold Coast, 1923–24, [Postcard],Gold Coast Database, Tuck's 'Oilette' Postcards of the Gold Coast, http://gcdb.doortmontweb.org/collections/TP1924/TP1924.htm A Native Court at the Gold Coast [Postcard], Loading Cocoa into Surf Boats, Accra, Gold Coast, 1923 –24 [Postcard], A Palaver of Chiefs, Accra, Gold Coast, [Postcard], 1923 –24,Gold Coast Database, Tuck's 'Oilette' Postcards of the Gold Coast, http://gcdb.doortmontweb.org/collections/TP1924/page4.htm; Molesworth, C. (ed.), The Works of Alain Locke, Oxford University Press, 2012, p. 116 A Manganese Mine at the Gold Coast,
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