Octave Pradels (15 February 1842 – 30 April 1930) was a French poet, novelist, vaudevilliste and lyricist.BNF; the authority control quotes among its sources the open scientific archive ()
Biography Octave Frederick Pradels published his first monologues, tales in verse and songs in 1883.
Among his greatest successes were Ça commençait si gentiment, La Chula, Dans l'oasis, (written in collaboration with ). His songs were created in particular by Kam-Hill, Anna Judic, Amiati (at the Eldorado) and Thérésa.
A director of the Théâtre des Capucines, Octave Pradels was also president of the SACEM from 1895 to 1898.
After a first marriage in 1865Wedding certificate online in the archives des Alpes-Maritimes in Villefranche-sur-Mer, with Angélique Thérèse De Villa-Rey, daughter of a commander of the Monaco Marine, who gave him a first son, Édouard Joseph, Pradels supposedly married the divette Maria Theresa Mirbeau in 1873. They had a son, unrecognized by the mother, Edmond André, born 26 July 1878 in the 17th arrondissement of Paris, who collaborated with his father as lyricist and composer under the pseudonym Edmond Aramis. He died for France in Fort Vaux at Vaux-devant-Damloup (Meuse), 9 April 1916. In 1917 Octave Pradels remarried Birth certificate online on the site of the archives départementales du Pas-de-Calais with Marie Louise Fransurot.
Octave Pradels took great pride of having given his two sons to France. Imbued with the chauvinistSee especially the song Je suis chauvin in Chansons, monologues, chansons à dire, fantaisies, (p. 57) and revanchist mentality that arose after the capitulation in 1871, he contributed throughout his career to the dissemination of this feeling.The spirit of revenge was part of the world of entertainment as well as that of educational programs: the National French historiography story was focused on the awareness that the loss of Alsace-Lorraine was a violation of the territorial integrity of the homeland, and thus were trained generations of future poilus. In people's minds, the revanchist feature that patriotism had taken at the time had polarized public opinion so extreme, that the other political edge apprehended the ideas of anarchism. Evidence is given by this excerpt from the words of this Marche Lorraine written in 1892: Tes fils n'ont pas dégénéré, Sol sacré ! Adoré ! Dans leurs veines encore ruisselle Du sang de la Pucelle !
Paulus's memories In 1906, he started helping the singer Paulus to write his memories which would be published from 1907.
Paulus's memoirs were not published as a volume, but via the equivalent of booklets or black and white magazines sold each week. Rich in a sumptuous iconography, these notebooks contain reproductions of the cited figures, scores, but also small contextual ads.Alain Weill, François Caradec Le Café-Concert , Hachette et Massin, 1980.
Theatre 1887: L'Agent de la sûreté de Marseille, Marpon et Flammarion Read online 1905: Agence matrimoniale, coll. Auteurs célèbres, Flammarion 1886: Chansons, monologues, chansons à dire, fantaisies, préface d'Armand Silvestre, éd. Paul Ollendorff, Paris, Read online 1887: Rupture de banc, Librairie théâtrale, Paris, Read online 1888: Les Amours de Bidoche, Marpon et Flammarion, Paris, Read online 1889: Pour dire entre hommes, Marpon et Flammarion, Paris, Read online 1890: Robert Daniel, Flammarion, Paris, Read online 1891: Les Desserts gaulois, Marpon et Flammarion, Paris 1907: L'Héritier des Monlardon, Publications littéraires illustrées, Paris, Read online 1910: Fleurs de Gaule, poésies gaillardes..., Louis-Michaud, Paris, Read online 1913: Le Vin et la Chanson, Flammarion, Paris, Read online
References
Bibliography Octave Praedels on Wikisource André Chadourne, Les Cafés-concerts, E. Dentu, Paris, 1890 Read online Chantal Brunschwig, Louis-Jean Calvet, Jean-Claude Klein, Cent ans de chanson française, coll. Points actuels, Éditions du Seuil, Paris, 1981 (1re éd. reliée) Serge Dillaz, La Chanson sous la IIIe République (1870-1940), Tallandier, 1991