Sai de Baixo (a Brazilian Portuguese slang roughly translated as "get out of the way") is a Brazilian sitcom that first aired on Rede Globo from 1996 to 2002. It followed the lives of the members of a dysfunctional family, their maid and the doorman of the apartment building in which they lived.
It ran for 7 seasons, from 1996 to 2002, on Sunday nights after the newsmagazine Fantástico. That means that it always aired after 10:00 pm, which was necessary given the show's heavy language and sexual innuendos. In 2000, however, the premiere of a new reality show shifted the program to the 11:30 p.m. slot, which lasted for about four months. After that the timeslot varied almost monthly, which started to hurt ratings. At one time, the show was airing around 12:30 a.m., which is considered the beginning of the "wasteland" of late night programming in Brazilian television, with fewer viewers and, therefore, fewer sponsors. In 2013, Globo's sister cable channel Canal Viva produced a revival of the show with four episodes.
Although some of the characters hailed from the poorer layers of society (such as the maid and the doorman), as well as the richer (albeit impoverished, such as the former socialite), the program derived most of its humor from an acid criticism of the Brazilian middle class, its prejudices and views of the rest of the country and the world. This precept justified the sometimes harsh jokes involving racism, sexism and other politically incorrect notions.
Format Sai de Baixo emerged as actor Luis Gustavo suggested to director Daniel Filho about doing a sitcom inspired by 1960s Família Trapo, recorded on a theater while following a dysfunctional family.
The show was recorded in front of a live audience in a São Paulo theater, Teatro Procópio Ferreira. The program was shot there every Tuesday afternoon, but the theater was still receiving regular plays and spectacles, and the set had to be disassembled at the end of every shooting and then reassembled the following week, for the next shooting. The people involved in the show called it "the marathon of continuity", since every item of the family's apartment had to be in exactly the same place that it was in the previous episodes. In a further acknowledgment of its surroundings, every episode of the program ended with a curtain call.
The show was rarely set outside its primary location, the living room of an apartment in Arouche Towers, a building in São Paulo's neighborhood Largo do Arouche. The biggest setting change occurred in 2000, when eight episodes were shot in a cafe in the building's ground floor, Arouche's Place. But the change was not well received by the audiences, and poor ratings forced the return of the apartment set. This was done in such a hurry that one of the episodes that took place in the Cafe was dropped and left unaired. Upon the return to the apartment, the writers decided that the Cafe had exploded in unclear circumstances, probably as part of an insurance fraud scheme.
The atmosphere of the show was very different from the usual Americans in the sense that it was extremely informal. The actors often acknowledged the presence of the audience, sometimes even interacting with them. It was also relatively common for the actors to stall a scene because they were having difficulties remembering their lines, started ad libbing others, or started laughing at their coworkers. Bloopers were shown during the credits for the last four seasons.
Only one episode of the show was actually broadcast live: it was the premiere of the third season, in 1998. Since there would be no way to edit out mistakes and exaggerations, the actors were asked to keep improvisation to a minimum, and avoid at all costs curse words. It was treated as a gala event by the network, who invited a VIP audience to it. The story of the episode was created so that the actors could be dressed up during the performance (the characters were to attend a formal event). At the beginning of each segment, the network had reporters interview cast members and VIP guests at a red-carpet-like area in the theater. Other two episodes left the theatre: the New Year's Eve 2000 episode had the cast leaving the stage down to Rua Augusta, and the first episode of 2001 had scenes in Barra da Tijuca, Rio de Janeiro doubling for Miami.
The show had many Brazilian special guests appear, such as actors Danielle Winits, José Wilker and Dercy Gonçalves, singers Rita Lee and Elba Ramalho and entertainer Angélica, among others.
Characters
Carlos Augusto "Caco" Antibes (played by Miguel Falabella)
A snotty husband to Magda, he was embarrassed by his wife's stupidity and liked to berate her. Despite that, both were a loving couple, despite the marriage occurring because Cassandra wanted to take advantage of the Antibes' money. Despite being lazy and hating work, Caco liked to spend money, preferably that of other people. Caco was indulgent and egotistical, frequently comparing himself as "a Danish prince", while also hating poor people. Falabella also played Caco's mother, Dona Caca, an equally arrogant woman from Minas Gerais with a heavy caipira accent.
Falabella had a tradition to ad lib, and even at times acknowledge he was forgetting the script. Frequent themes included phoney English sentences, stories on how pathetic the lifestyle of the poor is, and hazing Cassandra, at times with allusions to Aracy Balabanian's career.
In the revival, it is explained that Caco spent 11 years in a Danish prison before being deported.
Catchphrases: "Cala a boca, Magda !" (Shut up, Magda!) / "Eu tenho horror a pobre!" (I hate poor people!) / "Sou quase um príncipe Dinamarquês" (I'm almost a Danish prince!) / "Vamos fazer o Canguru Perneta!" (Let's do the "one-legged Kangaroo"!) / "Sai fora, cabeção dos infernos!!" (Get outta here, giant head from hell! — spoken to Cassandra whenever he was fed up with her) / Vai, toma teu rumo (Go, walk to your way - spoken to Ribamar) / "Surucucu de cabelo laquêado" (Bushmaster with laker hairs - spoken to Cassandra)
Magda Salão Antibes (Played by Marisa Orth)
The lustful and stupid wife of Caco. The character was marked by an abysmal ignorance and complete lack of connection with reality, with frequent malapropisms and nonsensical behaviour. Magda and Caco also had a heightened sexual appetite, with their favorite sexual position being one they called the "one-legged Kangaroo".
In 1998, during the third season, Marisa Orth got pregnant, and the producers decided to write her pregnancy within the show. During Orth's maternity leave, Magda's absence was explained with her going to a clinic in order to have the baby away from the craziness of the family.
In the revival, Magda declares that after being deported from Denmark as Caco remained in prison, she lived for eleven years in Congonhas Airport because she did not know that could leave.
Catchphrase: "Num tô intendendu..." (I don't get it—misspoken) / "Caquinhooo!".
Caquinho (played by Lucas Hornos/Rafael Canedo (2019 movie)
Magda and Caco's son, originating from Marisa Orth's pregnancy. Originally portrayed by an animatronic baby which Falabella liked to mock, eventually it was changed to a child actor, 8-year old Lucas Hornos. The sudden aging of the character was not explained aside from the characters doing eight birthday parties in a row so as to not confuse Magda.
The new child character, however, created trouble with the Brazilian Child Protection Justice, which thought that the heavy, sexually charged dialogue of the show was not suited for a child to participate, since the boy would have to participate at the "level" of the others. Finally, a judge ruled that the child could not participate in the program (which was consistent with the ban established by the network itself that kept children from being in the audience). The producers made a radical decision: the character was eliminated after only a few episodes, with the excuse of being sent to a boarding school, from whence he never returned, nor was ever mentioned again.
The doll and Hornos combined gave Caco Jr. a run of a little over one full season.
Wanderley "Vavá" Mathias (Played by Luís Gustavo)
The owner of the apartment, a business man with various companies - at first, travel agency Vavatur. His life changes when his sister Cassandra, his niece Magda and her husband, Caco, move in with him. He was forced to take the family in because his sister reveals that the deed to the apartment, which had been inherited by Vavá, was actually splitting the property 50% with her. He and Aracy Balabanian were the only cast members to have appeared in every episode of the show.
Like Gustavo, Vavá was shown as a fan of the São Paulo FC, with the character's entrance beginning in November 2000 being accompanied by the first lines of the club's anthem. Falabella replied by having Caco's entrance punctuated by the anthem of his team, CR Vasco da Gama.
In the revival, Vavá explains that spent the previous 11 years in an Amazon rainforest expedition.
Catchphrase: "Aqui, Farroupilha!" (a made-up insult, could be translated as "no way, Jose").
Cassandra Mathias Salão (Played by Aracy Balabanian)
A decadent socialite, who decides to move in with her brother Vavá along with daughter Magda and son-in-law Caco once she found out that her recently deceased brigadier husband had left her no pension. She hated her son-in-law Caco despite introducing him to Magda, but was as resentful as he when it came to her present financial situation, being capable of reproachable actions if it meant that she could make some money out of it.
The actress's particular hairdo inspired a recurrent joke about the amounts of lacquer that her character would use. Falabella constantly teased her about it, as well as her dresses, and a supposed lewd behavior.
Starting in 2000, Cassandra's entrance was punctuated with Edward Elgar's "Pomp and Circumstance".
The revival had Cassandra returning to Arouche after 11 years living with a cheapskate aunt who treated her like a maid.
Catchphrase: "Já pra cozinha!" (To the kitchen, now! — spoken to the maid whenever she got angry at her, usually followed by the name of the maid, which varied throughout the show)
Ribamar (played by Tom Cavalcante)
The pesky doorman, an immigrant from Ceará. He frequently wore National Hockey League jerseys, in a parody of the hip hop wear. Ribamar dated Edileuza and Neide, with Caco expressing his disgust to the idea of "poor people procreating".
In 1999, amidst fights with the writers and other members of the cast, Tom Cavalcante left the show in mid-season. Scripts already written reassigned Ribamar's scenes to other characters of the cast, and later gave the position of doorman of the apartment building by a recently introduced new character, Ataíde.
Catchphrases: "É ripa na chulipa!" (a common Brazilian phrase, meaning something like "it's on!") / "Magoei..." (something like "My feeling are hurt", said when someone scolded him, and usually followed by a sad face expression commonly known in Brazil as beicinho)
Pereira (played by Ary Fontoura)
A cheapskate executive who became infatuated with Cassandra Salão. The character was introduced in 2000, as the owner of the Cafe at the ground floor of the apartment building. He only lasted one season as Fontoura did not renew his contract to work in Porto dos Milagres.Jorge Fernando assume "Sai de Baixo", O Estado de S. Paulo
Ataíde (played by Luiz Carlos Tourinho)
Originally the lackey of Pereira who liked to fawn over his boss, eventually he became Arouche Tower's doorman. Ataíde was often mocked for both his height and virginity, solved as he started dating Sirene.
The Maids