Kiné Kirama Fall is the pseudonym of a Senegalese poet (born 1934) who published two volumes of her French-language verse in the 1970s, when there were not many women writers in Senegal. She is known for the mystical quality of her poems, which express a love of nature and of God.
Biography She was born in 1934 in the coastal town of Rufisque near Dakar. She had no high school education and came late to literacy in French. This may have freed her from European conventions and contributed a Senegalese authenticity to her work, according to poet-politician Leopold Senghor.Deirdre Bucher Heistad (with contribution from Judy Schaneman), Beyond Mariama Bâ: Senegalese Women Writers in the Classroom, Women in French Studies, Special Issue, 2002, pp. 273–295. Fall felt honoured by the support she had from President Senghor, who wrote an introduction to her first book of poetry.1973 interview with Simon Kiba in Amina magazine. After reading her poems and meeting her, the poet Birago Diop took an interest in her work and gave her encouragement. In the early 1970s Fall was working in news.
In 1973 she told an interviewer that her poetry was nearly always song: singing of the earth, the sea, the sky, but above all of God. Her themes chose her, she said: themes mainly of "nature, God and human experience". Senghor thought her work showed a "typically African combination of spirituality and sensuality".Quoted in "Fall, Kiné Kirama", in The New Oxford Companion to Literature in French. Another critic mentions the "freshness, economy, and spirituality" she brings to writing about love, torment, faith and nature.Peter France, The New Oxford Companion to Literature in French, Clarendon Press, 1995, p. 12.
She was one of an early generation of women writers in Senegal who emerged in the years after independence in 1960 but remained for some time almost unknown internationally.Mbye B. Cham, reviewing Dorothy Blair’s Senegalese Literature in Research in African Literatures, Vol. 17, No. 4, pp. 567–569, Indiana University Press. Fall said she was singing for all the girls and women of Africa. Her poems have echoes of regional traditions of orality,Renée Brenda Larrier, Francophone Women Writers of Africa and the Caribbean, University of Florida, 2000. most obviously in praise songs,Georgina Collins, Translating Francophone Senegalese Women’s Literature: Issues of Change, Power, Mediation and Orality, Warwick, 2010. and echoes too of her native Wolof language.
Works Chants de la rivière fraîche: poèmes. Dakar: Nouvelles Éditions Africaines, 1975 Les élans de grâce. Yaoundé: Editions CLE, 1979
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