Benvenuto Tisi (; 1481September 6, 1559), also known as Il Garofalo (), was a Late-Renaissance-Mannerist Italian painter of the School of Ferrara. Garofalo's career began attached to the court of the Duke d'Este. His early works have been described as "idyllic", but they often conform to the elaborate conceits favored by the artistically refined Ferrarese court. His nickname, Garofalo, may derive from his habit of signing some works with a picture of a carnation (in Italian, , with a few dated variants).

Biography

Early training Born in Canaro near Ferrara, Tisi is claimed to have apprenticed under Panetti and perhaps Costa and was a contemporary, and sometimes collaborator with Dosso Dossi. In 1495 he worked at Cremona under his maternal uncle Niccolò Soriano, and at the school of Boccaccino, who initiated him into Venetian colouring. He may have spent three years (1509–1512), in Rome. This led to a stylized classical style, more influenced by Giulio Romano.

Invited by a Ferrarese gentleman, Geronimo Sagrato, to Rome, he worked briefly under Raphael in the decoration of the Stanza della Segnatura. From Rome family affairs recalled him to Ferrara; there Duke Alfonso I commissioned him to execute paintings, along with the Dossi, in the Delizia di Belriguardo and in other palaces. Thus the style of Tisi partakes of the Lombard, the Roman and the Venetian modes.

He painted extensively in Ferrara, both in oil and in fresco, two of his principal works being the "Massacre of the Innocents" (1519), in the church of S. Francesco, and his masterpiece "Betrayal of Christ" (1524). For the former he made clay models for study and a clay figure. He continued constantly at work until in 1550 blindness overtook him, painting on all feast-days in monasteries for the love of God. He had married at the age forty-eight, and died at Ferrara on the 6th (or 16th) of September 1559, leaving two children.

He was a friend of Giulio Romano, Giorgione, Titian and Ariosto; in a picture of "Paradise" he painted Ariosto between St Catherine and St Sebastian. In youth he was fond of lute-playing and also of fencing. He ranks among the best of the Ferrarese painters; his leading pupil was Girolamo da Carpi.

Mature works and assessment Even his least successful works retain, amid their frigid and porcelain quality, a harmony which marks Venetian colouring. His youthful works include the "Boar Hunt" in the Palazzo Sciarra. Later, the "Knight's Procession" in the Palazzo Colonna in Rome — gave promise of an Italianate Cuyp, less commonplace, more romantic, and more refined than the Dutch artist.

His youthful works include the Boar Hunt in the Palazzo Sciarra and the Virgin in the Clouds with Four Saints (1518) in the Gallerie dell'Accademia in Venice, considered one of his masterpieces. The Pietà (1527) in the Brera Gallery in Milan reveals an increasingly stylized treatment. The Madonna (1532) in the Modena Gallery is a charming picture; however, the large Triumph of Religion in the Atheneum at Ferrara has been described as a "bookish" affair, whose episodes are difficult to elucidate. Garofalo is one of the painters known and described by Vasari. From 1550 till his death Garofalo was blind.

In 1520, Girolamo da Carpi is said to have apprenticed in Garofalo's workshop, and worked with him in Ferrarese projects in the 1530–40. Other pupils include Stefano Falzagalloni. Il Garofalo also influenced Antonio Pirri and Nicola Pisano (painter) (active 1499–1538).Art in Northern Italy, by Corrado Ricci; editor: New York: Charles Scribner's Sons (1911); page 324.

List of works

The Virgin and Child with Saints Dominic and Catherine of Siena (c. 1500–1505) - National Gallery, London Adoration of the Child (1508–1509) - Pinacoteca Nazionale, Ferrara Adoration of the Magi (c. 1520–1530) - High Museum of Art, Atlanta Madonna and Child (1510) - Galleria dell'Arte Studiolo, Milan Neptune and Pallas (1512) - Art Gallery, Dresden Madonna delle Nuvole (1514) - Pinacoteca Nazionale, Ferrara Saint Catherine of Alexandria (c. 1515–1530) - National Gallery, London Madonna del Baldacchino (1517) - National Gallery, London The Madonna and Child Enthroned with Saints William of Aquitaine, Clare, Anthony of Padua and Francis (1517–1518) - National Gallery, London The Vision of Saint Augustine (c. 1518) - National Gallery, London Massacre of the Innocents (1519) - Pinacoteca Nazionale, Ferrara The Holy Family with Saints John the Baptist, Elizabeth, Zacharias and (?) Francis (1520) - National Gallery, London Christ Washing the Disciples' Feet (c. 1520-1525) - National Gallery of Art, Washington DC The Agony in the Garden (1520s–1530s) - National Gallery, London Baptism of Christ (1520–1525) - Birmingham Museum of Art, Alabama Madonna del Pilastro (1523) - Pinacoteca Nazionale, Ferrara Madonna Enthroned with Saints (1524) - Cathedral, Ferrara A Pagan Sacrifice (1526) - National Gallery, London An Allegory of Love (c. 1527–1539) - National Gallery, London Annunciation (1528) - Musei Capitolini, Rome Madonna Enthroned with Saints (1532) - Modena Madonna and Child and St. Jerome, c. 1530s, oil on panel, Dallas Museum of Art Adoration of the Magi, c. 1530s, oil on panel, Rijksmuseum Madonna in Glory (1532) - Musei Capitolini, Rome Raising of Lazarus (1534) - Pinacoteca Nazionale, Ferrara The Miracle of the Swine (c. 1535) – Alnwick Castle, Northumberland Madonna and Child in Glory (c. 1535) – Lowe Art Museum, Miami, Florida. United States Vestal Virgin Claudia Quinta tows the ship bearing the statue of Cibele - Palazzo Barberini, Rome Christ and the Samaritan Woman (1536) - Israel Museum, Jerusalem The Triumph of Bacchus (1540 finished by Garofalo, from unfinished 1517 draft by Raffael) - Gemäldegalerie Alte Meister, Dresden, Germany Blessing of Saint John the Baptist (1542) - San Salvatore, Bologna Conversion of Saint Paul (1545)- Galleria Borghese, Rome Annunciation (1550) - Pinacoteca di Brera, Milan Holy Family - Musée de Angers Holy Family - The child being bathed - Israel Museum, Jerusalem Holy Family Jesus in the Orchard Madonna and Child Enthroned - Dunedin Public Art Gallery, Dunedin Madonna Enthroned with Saints Madonna with Saint John and Saint Elisabeth - Courtauld Institute, London Mars, Venus and Cupido - Wawel Royal Castle, Kraków St Sebastian - Museo di Capodimonte, Naples Washing feet of Christ - National Gallery, Washington DC

References

Sources

Dosso Dossi, Garofalo, and the Costabili Polyptych: Imaging Spiritual Authority, The Art Bulletin, June, 2000 by Giancarlo Fiorenza pp. 252–279

External links

Works by Garofalo at Census of Ferrarese Paintings and Drawings MUVIG MUseo VIrtuale del Garofalo (virtual museum of Il Garofalo) at Canaro, Rovigo