AMP Building is a heritage-listed office building at 183 East Street, Rockhampton, Rockhampton Region, Queensland, Australia. It was designed by Francis Drummond Greville Stanley and built in 1888. It is also known as Brahman House. It was added to the Queensland Heritage Register on 21 October 1992.

History The AMP Building, currently known as Brahman House, is constructed in masonry faced most ornately with painted and modelled cement render on its loggia to East Street. Designed using classical motifs by the former Queensland Colonial Architect, FDG Stanley, this two-storey structure was built for the Australian Mutual Provident Society (AMP) in 1888.

Rockhampton was established beside the Fitzroy River on land that was originally part of Gracemere Station, a pastoral property taken up by the Archer brothers in the 1850s. Following a gold discovery at Canoona station and a survey by Arthur F Wood, the town of Rockhampton was proclaimed on 25 October 1858. Wood had worked with the surveyor Robert Hoddle in laying out Melbourne, and the author of the town plan, Francis Clarke, was Victoria's surveyor general at the time. The involvement of these people may explain a certain similarity between each city's plans, as well as, in terms of Queensland, the uncommon generosity of scale with which Rockhampton was laid out. A municipal council was formed on 15 December 1860.

The land on which this building sits was part of a larger allotment originally purchased by John Bowen Peter Hamilton Ramsay (also known as "Alphabet" Ramsey) and William Henry Gaden in May 1859 for . It was located in the heart of Rockhampton's burgeoning commercial district. The original allotment was subdivided in 1884 and one of the two parcels purchased in 1886 by the Australian Mutual Provident Society, whose presence in Rockhampton had been established in the same year by District Agent AM Sweet, and Agency Clerk A Haughton.

The Australian Mutual Provident Society had been launched in Sydney on New Year's Day in 1849 as a life insurance company whose policies promised to ameliorate the potentially disastrous effects of the many hazards of daily life that existed for settlers in the Australian colonies. Its founders, Rev. William Horatio Walsh, an Anglican clergyman, and two Sydney businessmen, Thomas Holt Jnr and Thomas Sutcliffe Mort, had met the previous year to discuss how such a society might proceed. Since its establishment, the AMP has remained one of the largest life insurance offices in Australia, and in 1999 when historian Geoffrey Blainey wrote a history of the company, it was the country's largest owner of both shares and city offices.

Following its first decade, the Society's membership began to increase steadily and in 1875 it established a separate Queensland board that was headquartered in Brisbane. This was in response to demands from Queensland members who saw their infant colony as having great potential and their concerns as requiring attention from local directors. At that time, policyholders living with 25 degrees of the Equator were required to pay a surcharge as it was commonly believed that Europeans living in "the tropics" and doing hard work outdoors risked their health. It was only after 1873 that AMP policyholders were allowed to visit Rockhampton and places further north without seeking special permission regarding the effect of such travel on the validity of their policies. It was not until 1881, after some actuarial analysis of existing policies and owing to intense rivalry from other insurance firms, that these surcharges were lifted on all "tropical" Australian policies.

The Society's practice of dividing colonies into selling districts was applied to Queensland in 1883. In each district an office would be set up in a specially designed building located in a central town, and the building's parapet would carry the Society's trademark statuary, "the Amicus". This had been sculpted by Charles Summers for the parapet of the Pitt Street building, which was opened in Sydney in 1880 as the Society's head office. The statuary was composed as follows: the centrepiece, Tyche, the Greek goddess of fortune and luck, stood beside a cornucopia and held in her left hand a palm branch signifying victory; reclining below her were a youth on one side and a woman and child on the other. This statuary normally carried the Latin caption "Amicus certa in re incerta" meaning "A certain friend in uncertain times".

The AMP building in Rockhampton was built in 1888 from a design by the prominent architect F D G Stanley. Francis Drummond Greville Stanley was born in Edinburgh, Scotland, and began his architectural training there in 1855. He emigrated to Queensland in 1861, set up private practice in 1862, and was appointed as clerk of works in the Office of the Colonial Architect, Charles Tiffin, in 1863. He stayed in this position for nine years and was appointed as Colonial Architect in 1872 after Tiffin retired. Stanley held this position until 1881. It was during this time that he designed one of his most well known works, the Supreme Court building in Brisbane. Stanley continued to run a private practice throughout his term as Colonial Architect and this brought complaints from other architects. He left his government position when he was offered the commission to design the Queensland National Bank, also in Brisbane. He established his first branch office in Maryborough in 1882. In 1886, he was the first Queensland architect to be elected fellow of the Royal Institute of British Architects, and two years later he became foundation President of the Queensland Institute of Architects. Stanley continued practicing until his death in 1897.

Stanley's design for the Rockhampton office reflects the classical mode in which the Pitt Street headquarters had been realised. William Cherry supervised the Rockhampton work for Stanley. An 1897 article in The Mutual Provident Messenger, the Society's in-house magazine, describes the interior of the Rockhampton building; its floors being laid with decorated tiles, the general office fitted with elaborate cedar fixtures, and the massive plaster ceilings decorated with panelled and enriched cornices.

The AMP regional office continued in this East Street building until 1970 when the Society moved to new Rockhampton premises on the same street. The property was sold in 1972 to the Australian Brahman Breeders Association. This organisation had begun as the Australian Zebu Breeders' Society in 1946 in an effort to promote a breed of cattle more able to withstand the effects of north Australia's cattle ticks and droughts than traditional British breeds. They continue to occupy the building on East Street.

Description The Australian Mutual Provident Society (AMP) Building is located on a block of East Street, which is bounded to the south-east and north- west respectively by Derby and William Streets, and populated with a number of other buildings of heritage significance. Those listed on the Queensland Heritage Register include: Walter Reid Community Arts Centre and John Headrick's Building. As Brahman House, the building is included on the Australian Heritage Commission's Register of the National Estate. Further to the north-west on East Street are located the Rockhampton Post Office and Court House Precinct, both of which are listed on the Queensland Heritage Register.

The two-storey building is located within the central business district of Rockhampton; the Fitzroy River is a block away to the north-east, and the central railway station five blocks to the south-east. Running along the short, north-eastern edge of the allotments is Quay Lane, which forms part of a system of such laneways that inhabits the city centre's orthogonal grid and services its primary streets. The grid is aligned to the course of the river that flows from the north-west to the south-east. Together the two allotments total almost in area.

Two corridors of space separate the AMP building from the properties on either side. The corridor facing the north-western allotment boundary is approximately wide, while that to the opposite boundary shared with the John Headrick's Building is over wide enough to allow room for an external fire escape stair. The original AMP building occupies approximately half of the allotment addressing East Street, while a further quarter of the remaining site area has been filled by a recent single-storey addition. The rear section of site facing Quay Lane is used for car parking.

The 1888 building is constructed of brick faced with cement render, which is painted and modelled to varying degrees on each facade. An arcaded loggia almost deep has been formed on the front facade using three evenly disposed archways. Horizontally this facade is divided into three bands:the ground and first storeys, and a decorated parapet with classical modellings. The archways to the ground storey are framed by four Roman Doric-style pilasters topped with an entablature spanning the full width of the building. Above the middle archway, and supported on two central pilasters is a gently curved pediment. Its gable is decorated with a moulding of a shield and garlands to each side. The frieze of the entablature is embellished with triglyphs and rosettes, while the lower halves of the pilasters are fluted and sit on pedestals about high. The lines of the base, plinth and pedestal mouldings are carried through to the wall from which the pilasters stand proud. The basket arches to the ground-storey loggia each have a simply modelled extrados and keystone, and are spring from imposts.

The upper storey component of the front facade is formed with four rectangular columns, which sit directly above the pilasters. There are basket arches formed by these columns, which are modelling in a similar fashion to those described earlier. The columns have Corinthian capitals and simple mouldings on their East Street shafts. Between each column, the balustrading is topped with a rail of modelled render. While the curved pediment from below fills the space between the central two columns and underneath its top rail, on each side sections of curved balusters are fitted. A further entablature, again running the width of the building, caps this arcade and separates it from the parapet above. The current name of the building "Brahman House" is placed in the frieze, each end of which is finished with a rosette. The scale of this cornice is somewhat exaggerated. The parapet is framed with two pedestal-like projections at each end of the facade, upon which sit decorative urns. In the centre, above the curved pediment, the parapet projection has a second layer topped with a further cornice. The line of moulding with which the end pedestals are capped runs the length of the parapet, forming a top rail for the sections of curved balusters fitted to each side of the central projection. In the centre, below this moulding line the date "A 1888 D" has been placed. A recent sign in the shape of two Brahman bulls, facing each direction of East Street, sits on this raised piece of parapet above the date.