Maurice Charles Delage (13 November 1879 – 19 or 21 September 1961) was a French composer and pianist.
Life and career Maurice Charles Delage was born and died in Paris. He first worked as a clerk for a maritime agency in Paris, and later as a fishmonger in Boulogne. He also served for a time in the French army, before embarking on a music career in his twenties.M D Calvocoressi (1933) Musicians gallery; music and ballet in Paris and London, Faber and Faber Ltd, London A student of Ravel, who proclaimed him one of the supreme French composers of his day,"Program notes", Contemporary Directions Ensemble, Concert, University of Michigan School of Music, Theatre & Dance Miscellaneous Publications (1980) and member of Les Apaches, he was influenced by travels to India and Japan in 1912, when he accompanied his father on a business trip.Jann Pasler (1986) Confronting Stravinsky: Man, Musician, and Modernist, p.278, University of California Press Ravel's "La vallée des cloches" from Miroirs was dedicated to Delage.
Delage's best known piece is Quatre poèmes hindous (1912–1913).Georges Jean-Aubry (1917) An Introduction to French Music, p.67, Cecil Palmer & Hayward, London His Ragamalika (1912–1922), based on the classical music of India, is significant in that it calls for prepared piano; the score specifies that a piece of cardboard be placed under the strings of the B-flat in the second line of the bass clef to dampen the sound, imitating the sound of an Indian drum.
Selected works Poèmes symphoniques
Conté par la mer (1908) Les Bâtisseurs de ponts (1913) after Rudyard Kipling Overture to Ballet de l'avenir (1923) Contrerimes (1931), orchestration of pieces for piano Bateau ivre (1954) after the poem by Arthur Rimbaud Cinq danses symphoniques (1958)
Chamber music
String quartet (1949) Suite française for string quartet (1958)
Mélodies (voice and piano)
Trois mélodies (1909) Ragamalika, chant tamoul (1914) Trois poèmes (1922) Ronsard à sa muse (1924) Les Colombes (1924) La Chanson de ma mie (1924) Les Demoiselles d'Avignon (1924) Sobre las Olas (1924) on a poem by Jean Cocteau Toute allégresse (1925) on a poem by Paul-Jean Toulet
Mélodies (voice with instrumental ensemble)
Quatre poèmes hindous (1912) Sept haï-kaïs (1924) for soprano and chamber orchestra (to be sung without a break between songs)
Deux fables de La Fontaine (1931), Le Corbeau et le Renard, and La Cigale et la Fourmi Trois chants de la jungle (1934) after Kipling In morte di un samouraï (1950) on a collection of haïkaïses and tankas by Pierre Pascal Trois poèmes désenchantés (1955)
Music for solo piano
Schumann... (1918) Contrerimes (1927)
References Citations
Sources Pasler, Jann (2000). "Race, Orientalism, and Distinction in the Wake of the 'Yellow Peril'." In Western Music and Its Others: Difference, Representation, and Appropriation in Music, ed. Georgina Born and David Hesmondhalgh. Berkeley, Los Angeles, and London: University of California Press.
External links
Maurice Delage works at Classical Archives Maurice Delage, at Maurice Ravel Frontispice, archived at the Wayback Machine on 18 September 2017 from the original. [Retrieved 17 November 2008] Cypres bio