Chiapas handcrafts and folk art is most represented with the making of pottery, textiles and amber products, though other crafts such as those working with wood, leather and stone are also important. The state is one of Mexico's main handcraft producers, with most artisans being indigenous women, who dominate the production of pottery and textiles. The making of handcrafts has become economically and socially important in the state, especially since the 1980s, with the rise of the tourist market and artisans’ cooperatives and other organizations. These items generally cannot compete with commercially made goods, but rather are sold for their cultural value, primarily in San Cristóbal de las Casas.
Importance
Chiapas is one of Mexico's main producer of handcrafted items. One reason for this is the wide variety of raw materials such as minerals, wood and various clays. Culturally, the most important reason is the various indigenous ethnicities that are found in the state, which has one of the highest indigenous populations in Mexico. In general, the handcraft producers are indigenous, mostly living in the Los Altos (Highlands) region. This area lacks industry, so handcrafts play an important role in the economy, alongside agriculture and work in service occupations. In addition, many indigenous see handcraft production as a way to preserve traditions. While men are generally found making certain crafts, such as those from wood and leather, the two main handcrafts, pottery and textiles, are dominated by women. More than 80% of the small scale artisans are women who make textiles and pottery.
These textiles cannot compete with those produced in Asia and other places in terms of price, so they are sold as cultural and social objects. Like in other parts of the country, many handcraft sales are to tourists and collectors, who often want a piece of Mexico's indigenous and popular culture, such as blouses made by women of the Chiapas highlands. These are then often paired with modern clothing, such as jeans. The main market for handcrafts is San Cristobal de las Casas. The Real de Guadalupe Street in this city is filled with vendors selling handcrafts. These vendors are mestizo (mixed indigenous and Spanish) and belong to families that established themselves one of the main streets of the city.
The creation of a souvenir and collection market for these handcrafts have given them socio-political significance. Some artisans have become well enough known to travel to the United States and Europe to exhibit and sell their wares. Many of these buyers do so in solidarity with political movements such as the Zapatistas and indigenous rights. In 2002, a group of artisans from San Cristóbal de las Casas won the UNESCO Handcrafts Prize for Latin America and the Caribbean, with a handwoven and embroidered textile collection entitled Juegos Blancos.
History The making of handcrafted items extends back well into the pre Hispanic period, but it was under Spanish rule that one craft, textiles, became an important tribute item, with women obligated to work in workshops to create items solely for Spanish that owned the land on which they lived. This practice was banned by the middle of the 16th century, with the work being done instead in individual households, but still with little or no pay.
Since then, the designs of most handcrafted items have become markedly mestizo, but, they still have relationships with the various indigenous peoples of the state, such as the Lacandons, the Chols, the Tzeltals, the Tzotzil, the Tojolabal, the Chuj, the Jacalteco, the Mame and the Motozintleco.
While handcraft production had waned by the mid 20th century, the emergence of tourism in Mexico allowed a revival. In the 1980s, a number of indigenous rural groups emerged organizing producers of traditional goods, mostly agricultural and handcrafts. These were eventually supported by various state and federal agencies, especially the Centro Coordinador Tseltal-Tsotsil of the Instituto Nacional Indigenista and SEDESOL. The success of these groups have resulted in the multiplication of people dedicated to handcrafts in the state, now common in most parts.
Despite this, these industries still face challenges such as the disappearance of raw materials, competition from industrial products, and few channels to commercialize products. Similar handcrafts imported from Guatemala or China have cut business for local artisans as much as fifty percent.
Both governmental and non-governmental agencies have worked with various indigenous groups to improve production and commercialization practices. Chiapas artisans have participated in international exhibitions such as a 2006 event in Berlin. In 2012 an effort by the Tec de Monterrey, Santa Fe and several foundations worked to teach and improve commercialization techniques for the benefit of about 500 artisans in the state, enlisting the support of Mexican and U.S. students. In 2015, state governor Manuel Velasco raised the state's budget to promote Chiapas handcrafts by eighty percent, and offered state artisans credit with no interest as well as a subsidy for supplies for over 400 artisans in thirteen municipalities (Amatán, Amatenango del Valle, Bochil, Chiapa de Corzo, Coapilla, Copainalá, El Bosque, Ocozocoautla, San Andrés Duraznal, Santiago el Pinar, Simojovel, Suchiapa and Teopisca).
Pottery
The pottery produced today is not as sophisticated as that which was produced during the height of the Maya culture. The techniques used to produce it are simple, but it still has cultural and artistic value. Potters can be found in Chiapa de Corzo, Mazapa de Madera, Amantengo del Valle, La Frontera, Tonalá, Ocuilapa, Suchiapa, and San Cristóbal de las Casas. The most common pottery items are everyday utensils such as pots, casseroles, comals, jars, cantaros, vases, candle holders, and flowerpots.
The best known pottery work is done in Amatenango del Valle, and it has become a main source of income for most of the town's Tzeltal inhabitants. For the most part, oOnly women are potters, with girls learning the craft by about ten years of age. Men in the town do participate in the process, such as bringing the firewood used for firing pieces, but their main role is in its commercialization, which they control. One effect of this is resistance to the introduction of new technologies to the pottery making.
The pottery of the town is noted for its light color and is made mostly into decorative pieces. The figures that made it famous are of jaguars and doves, but others such as those of roosters, turtles, frogs, tigers and other animals as well as jars, and decorative items of the sun and moon.
Amatenango pottery is not fired in an oven but rather over an open fire outdoors. The technique produces a light brown terra cotta. This can be left its natural color, often with sepia motifs or can be painted in various colors. These wares are mostly sold in various parts of Chiapas and some other Mexican states, with some making their way to international markets. Potters such as Juliana Lopez Perez have visited places like the United States to promote the town's wares.
Textiles
From childhood, most indigenous girls learn to weave and embroider cloth. This can also include even the preparation of the fiber (carding, dying, etc.). Most of the textiles produced are for local use, starting with simpler designs for everyday wear, then moving onto more complicated and decorated garb as they get older and more experienced.
Many textile products are still made completely with traditional methods, from materials such as wool, cotton thread and natural dyes. This include most handwoven cloth, which is made on backstrap looms. These products are made by women artisans in their own homes in conjunction with other domestic duties, but sometimes these women work in collaboration with others. Much of the embroidery designs are traditional as well, containing old symbolic images from a syncretism of Mayan and Christian worldviews. This is particularly true of the needlework of the Tzotzils of Larráinzar, Chenalhó, Chamula, Zinacantán, Pantelhó and Tenejapa, where designs can indicate where the wearer comes from. The quality of these pieces varies, with the best of these winning national awards and prized by international collectors.
Textile designs in Chiapas are very similar to those of Guatemala, as they come from the same origin. Most of the designs are in strong colors such as red, yellow, turquoise blue, white, purple, pink and deep green but some pastels are also combined with these. Motifs include flowers, butterflies and rainforest birds. The growth of handcraft production has meant diversification in designs and products, especially in textiles, both in weaving and embroidery. Synthetic fibers are making their way into pieces, either used to make the cloth or added as embroidery. Embroidery designs can come from more common inspiration. For example, many of the textiles of Aguacatenango have four-petaled flowers mimicking those on the facade of the San Agustin Church, which dates from the 17th century.
Both traditional and non-traditional clothing is made in the state. The basic traditional garment for women is the huipil, and each indigenous community has its own style, particularly in Tenejapan, Zinacantan, Ocosingo, Larrainzar, Venustiano Carranza. Another traditional dress is called the Chiapaneca, which shows clear Spanish influence. It is usually made of light, transparent cloth in dark colors (usually tulle) and heavily embroidered with large bright colored flowers. In addition, mestizo women sew traditional and non-traditional clothing items for the tourist market, contracting indigenous women to do the embroidery. These garments and other items with traditional embroidery can be found in markets such as those in San Cristóbal de las Casas (Plaza Santo Domingo), San Juan Chamula and Zinacatán.
Communities particularly noted for their embroidered textiles include Magdalenas, Larráinzar, Venustiano Carranza and Sibaca. Zinacatán is known for its production of handcrafts, with the making of brightly embroidered garments a main economic activity. The traditional garb for men includes a serape woven in dark colors such as blue, green or purple with floral accents. For women, it includes blouses and skirts in the same tones as well as rebozos (or chals) embroidered with flowers. Textiles of wool and cotton woven on backstrap looms are made in San Juan Chamula, San Andres Larrainzar, Tuxtla Gutierrez, San Pedro Chenalho, Bochil and Teopisca. Traditional outfits for men and women are sewn in Pantelho, Oxchuc and Huixtan.