The following is a list of drawings by Rembrandt that are generally accepted as autograph.
Image Title Year Technique Dimensions Gallery CommentaryOld Man Reading a Bookc. 1628??Kupferstichkabinett BerlinThe drawing is related to the painting W27 Study of the legs of a seated womanc. 1628Chalk22.6 x 17.6 cmRijksmuseum AmsterdamThe drawing is related to the painting W37 The Raising of the Cross1628-1629Black chalk, heightened with white, framing lines in pencil and with the pen and brown ink19.3 x 14.8 cmMuseum Boijmans Van Beuningen, RotterdamThe drawing is related to the painting W106 Two Sitting Figuresc. 1628-1629Black chalk19.3 x 14.8 cmMuseum Boijmans Van Beuningen, RotterdamThe drawing is related to the painting W23 Three Scribesc. 1628-1629Pen, brush22.6 x 17.6 cmRijksmuseum AmsterdamThe drawing is related to the painting W23 Old Man with Outspread Armsc. 1628-1629??Kupferstichkabinett, DresdenThe drawing is related to the etching B095 Study for Judas Returning the Thirty Pieces of Silverc. 1628-1629??Private collectionThe drawing is related to the painting W23 Standing Beggar in Lost Profilec. 1628-1629Pen29.4 x 17 cmRijksmuseum AmsterdamThe drawing is related to the etching B162 Self-portrait with Open Mouthc. 1628-1629Pen and brown ink with grey wash; ruled framing lines in the same brown ink12.7 x 9.5 cmBritish Museum, LondonThe drawing is related to the etching B013 Self-portraitc. 1629Pen12.7 x 9.4 cmRijksmuseum AmsterdamThe drawing is related to the etching B338 St. Paul in Meditationc. 1629??Musée du Louvre, ParisIndented for transfer to the etching B149 Diana at the Bathc. 1629Black chalk with some light brown wash18.1 x 16.4 cmBritish Museum, LondonIndented for transfer to the etching B201 Seated Old Man1630Red chalk on laid paper15.7 x 14.7 cmNational Gallery of Art, WashingtonInscribed R 1630The Entombment of Christ1630Red chalk, corrected with white28.2 x 20.4 cmBritish Museum, LondonInscribed 1630Kneeling Manc. 1630Red and black chalk20.6 x 16.1 cmMusée du Louvre, ParisRelated to lost painting reproduced in a print dated 1631 by Jan van VlietSeated Old Manc. 1630Red and black chalk14.5 x 14.3 cmNationalmuseum, StockholmThe drawing is related to the etching B325 Bearded Old Man Seated in an Armchair1631Red chalk on paper25 x 17 cmPrivate collection, New YorkSigned with the monogram RHL and dated 1631Old Man Seated in an Armchair1631Red chalk, frame line: pencil22.7 x 14.7 cmTeylers Museum, HaarlemInscribed RHL 1631Old Man with Clasped Hands, Seated in an Armchairc. 1631??Kupferstichkabinett BerlinIndented for transfer to the etching B291 Bust of a Bearded Old Manc. 1631Red chalk, slightly touched with white chalk11.4 x 9.1 cmMusée du Louvre, ParisThe drawing is related to the etching B315 Violin Player and Womanc. 1631??Kupferstichkabinett BerlinThe drawing is related to the etching B138 Lying Naked Womanc. 1632Black and white chalk on paper19.5 x 23.4 cmNationalmuseum, StockholmThe drawing is related to the painting W130 Old Man Leaning on a Stick1632–1635Pen and brown ink13.5 x 7.8 cmMetropolitan Museum of Art, New YorkThe drawing is related to the etching B133 Study for Drunk Lot1633Black chalk on paper25.1 x 18.9 cmStädel, Frankfurt am MainInscribed Rembrandt f. / 1633Portrait of Saskia as a Bride1633Silver pen on white-grounded parchment18.5 x 10.6 cmKupferstichkabinett BerlinInscribed dit is near mijn huisvrou geconterfeyt / do sy 21 jaer oud was den derden / dach als wij getroudt waeren / den 8 Junijus / 1633 (This was portrayed after my wife when she was 21 years old, the third day after we were married. June 8, 1633)Woman Seated in an Armchairc. 1633??Kunsthalle HamburgConsidered to be a preparatory drawing for the painting W88b Man Kneelingc. 1633??Städel, Frankfurt am MainThe drawing is related to the etching B111 Entrance of a Cottagec. 1633??Kunsthalle HamburgThe drawing is related to the etching B090 Self-portraitc. 1633??Musée des beaux-arts de MarseilleThe drawing is related to the etching B017 Landscape with Two Cottagesc. 1633Silverpoint on prepared parchment8.2 x 13.3 cmMuseum Boijmans Van Beuningen, RotterdamThe drawing is related to the painting W206 Study for the Painting of St. John the Baptist Preachingc. 1633-1634pen, brown ink and brown wash with white heightenings14.5 × 20.4 cmMusée du Louvre, ParisThe drawing is related to the painting W110 The Preaching of St. John the Baptistc. 1633-1634??Private collectionThe drawing is related to the painting W110 Three Studies of a Bowmanc. 1633-1634??Nationalmuseum, StockholmInscribed on the reverse ...lderij 2 - 0 - 0 / 3 - 8 - 0 ... / 5 - 0 - 0. The drawing is related to the painting W110 Groups of Listenersc. 1633-1634??Kupferstichkabinett BerlinThe drawing is related to the painting W110 Studies for Groups and Figuresc. 1633-1634??Kupferstichkabinett BerlinThe drawing is related to the painting W110 Two Studies of a Woman Seated on the Groundc. 1633-1634??Musée du Louvre, ParisThe drawing is related to the painting W110 Bearded Old Man with a Fur Capc. 1633-1634??Musée du Louvre, ParisThe drawing is related to the painting W110 Two Men in Discussion, a Third Listening to Themc. 1633-1634??Chatsworth HouseThe drawing is related to the painting W110 Sketch of a Bearded Old Man and Three Studies of Headgearc. 1633-1634??Chatsworth HouseThe drawing is related to the painting W110 Portrait of a Man in an Armchair, Seen Through a Frame1634Black and red chalk, pen and wash in bistre, on vellum37.3 x 27.2 cmPrivate collection, New YorkInscribed Rembrandt f. 1634Bearded Old Man1634??Royal library, the HagueInscribed on pasted strip: Een vroom gemoet acht eer voor goet / Rembrandt / Amsterdam. 1634Jesus and his Disciples1634Brown pen, gray brush, brown brush, black chalk, red chalk, green chalk, black pen35.7 x 47.8 cmTeylers Museum, HaarlemInscribed Rembrandt f. 1634Bearded Old Man in a High Fur Capc. 1634-1635Pen and brown ink on 10.5 x 9.6 cm Morgan Library, New YorkThe drawing is related to the painting W110 Two Studies of John the Baptistc. 1634-1635red chalk on paper18.2 x 17.4 cmCourtauld Gallery, LondonThe drawing is related to the painting W110 The Last Supper, after Leonardo da Vinci1634–1635Red chalk36.2 x 47.5 cmMetropolitan Museum of Art, New YorkInscribed Rembrandt f.Two Butchers at Work1635Pen and bistre14.9 x 20 cmStädel, Frankfurt am MainInscribed t vel daer aen ende voorts de rest bysleependeThe Angel Preventing Abraham from Sacrificing his Son, Isaac1635Red chalk over black chalk, with grey wash, on paper prepared with light brown wash19.5 x 14.7 cmBritish Museum, LondonRegarded as a preparatory drawing for the painting W136 The Last Supper, after Leonardo da Vincic. 1635Red chalk, heightened with white, on paper12.5 x 21 cmBritish Museum, LondonInscribed R..b...dtThe Last Supper, after Leonardo da Vinci1635Pen and brown ink, wash, traces of white12.8 x 38.5 cmKupferstichkabinett BerlinInscribed Rembrandt f. 1635The Baptism of the Eunuchc. 1635??Staatliche Graphische Sammlung MünchenRelated to a lost painting by Rembrandt that was reproduced in a print by his associate Jan van Vliet in 1631The Lamentation over the Dead Christc. 1635??Kupferstichkabinett BerlinThe drawing is related to the painting W113 Soldiers and Girls Carousingc. 1635??Kupferstichkabinett BerlinThe drawing is related to the painting W135 The Prodigal Son in the Tavernc. 1635??Städel, Frankfurt am MainThe drawing is related to the painting W135 The Naughty Childc. 1635Pen and brown ink on paper, brown wash20,7 x 14,2 cmKupferstichkabinett BerlinThe drawing is related to the painting W137 The Abduction of Ganymedec. 1635Pen and brush in brown18,5 x 16,1 cmKupferstichkabinett, DresdenRegarded as a preparatory drawing for the painting W137 Seated Old Woman, Full Lengthc. 1635??Ossolineum, WrocławThe drawing is related to the painting W173 Man in a Tall Fur Hatc. 1635??Städel, Frankfurt am MainThe drawing is related to the etching B097 The Pancake Womanc. 1635Pen10.8 x 14.4 cmRijksmuseum AmsterdamThe drawing is related to the etching B124 Seated Woman with a Rolled-up Letterc. 1635Pen and brown ink, washes in brown24 x 19 cmNationalmuseum, StockholmThe drawing is related to the etching B340 Four Studies of Saskiac. 1635-1636Pen and brown ink, locally gray wash, corrected with white bodycolour20 x 15 cmMuseum Boijmans Van Beuningen, RotterdamThe drawing is related to the etchings B365, B367, B368 Self-portraitc. 1636??Kupferstichkabinett BerlinThe drawing is related to the etching B019 Susannah and the Eldersc. 1636Sanguine on paper23.5 x 26.4 cmKupferstichkabinett BerlinInscribed on the reverse verkoft syn vaendrager synd – 15 - / een floora verhandelt – 6 -/ (f)ardynandus van sijn werck verhandelt / aen ander werck van sijn voornemen / den Abraham een floorae / Leenderts floorae is verhandelt tegen 5 gOld Man in a Turban, Drawn Twicec. 1636??Private collectionThe drawing is related to the painting W213 Head of an Oriental in a Turbanc. 1636??Private collectionThe drawing is related to the painting W213 Old Man in a Turbanc. 1636Pen and iron-gall ink on paper tinted with a pale yellow wash17.3 x 13.5 cmNational Gallery of Victoria, MelbourneThe drawing is related to the painting W213 Head of an Oriental in a Turbanc. 1636??Musée du Louvre, ParisThe drawing is related to the painting W213 Studies of a Woman with Two Childrenc. 1636??Peck CollectionInscribed een kindekin met een oudt jack op syn hoofdkenJacob Being Shown Joseph's Bloody Cloakc. 1635-1637??Kupferstichkabinett BerlinThe drawing is related to the etching B038 Joseph Distributing Corn in Egypt, after Pieter Lastman1637Black chalk31,3 x 46,2 cmAlbertina, ViennaInscribed Rembrandt ft.An Elephant1637Black chalk on paper23,3 x 35,4 cmAlbertina, ViennaInscribed Rembrandt ft. 1637Self-Portraitc. 1637Red chalk12.9 x 11.9 cmNational Gallery of Art, WashingtonThe drawing is related to the etching B002 Study of Russian Costumec. 1637??Morgan Library, New YorkInscribed in ongenaeden synden en werden niet geschoorenStudies of Grieving Marysc. 1637Pen in brown and red chalk20.1 x 14.3 cmRijksmuseum AmsterdamInscribed een dijvoot thresoor dat in een fijn harte bewaert wert tot troost harer beleevende sielPaul and Barnabas at Lystrac. 1637Sanguine29.8 x 44.2 cmMusée Bonnat, BayonneInscribed een vrouw wijst op een jonck kindThe Lamentation at the Foot of the Crossc. 1637Pen and brown ink and brown wash, with red and perhaps some black chalk21.6 x 25.4 cmBritish Museum, LondonThe drawing is related to painting W113 Joseph Telling his Dreamsc. 1637Red chalk18 x 12.5 cmMuseum Boijmans Van Beuningen, RotterdamThe drawing is related to the etching B037 Studies of a Woman Reading and an Orientalc. 1637??Private collectionThe drawing is related to the etching B037 Man Kneeling in Prayer; a Woman's Headс. 1637Red chalk18.3 x 15.8 cmAlbertina, ViennaThe drawing is related to the etchings B098 and B367 Solomon's Idolatryc. 1636-1638Red chalk48.5 x 37.6 cmMusée du Louvre, ParisThe drawing is related to the painting W47 Eve Giving the Apple to Adamc. 1638??Private collectionThe drawing is related to the etching B028 Eve Giving the Apple to Adamc. 1638??Private collectionThe drawing is related to the etching B028 Saskia Sitting up in Bedc. 1638Pen and brush in brown, corrected with opaque white, tinted paper15 x 13.8 cmKupferstichkabinett, DresdenThe drawing is related to the etching B369 Saskia Asleep in Bedc. 1638Pen and brown ink?Ashmolean Museum, OxfordThe drawing is related to the etching B369 Sick Woman Lying in Bed, Probably Saskiac. 1638??Petit Palais, ParisThe drawing is related to the etching B369 Saskia in Bedc. 1635-1640Pen and brown ink8.4 x 10.4 cmBritish Museum, LondonThe drawing is related to the etching B369 Portrait of Titia van Uylenburch1639Pen and brown ink, washes on brown paper17.4 x 14.6 cmNationalmuseum, StockholmInscribed Tijtsija van Ulenburch / 1639Portrait of Baldassare Castiglione, after Raphael1639Pen and brown ink, white body colour16.3 x 20