Rosa Brett

Rosa Brett (7 December 1829 – 31 January 1882) was a Pre-Raphaelite painter and sister of landscape artist John Brett. Their mother was Ann Brett and their father was an army surgeon, Captain Charles Curtis Brett (1789–1865). Rosa grew up in Dublin, but was known to travel on the continent, spending 1854–55 in Belgium for her health.Marsh, Jan and Nunn, Pamela Gerrish, Pre-Raphaelite Women Artists (London : Thames and Hudson, 1998), p. 105.

Her artistic career was cut short by chronic illness and family demands. She used the pseudonym 'Rosarius' for a period when exhibiting. She never married and died aged 52.

Artistic career

Rosa received private artistic training as early as October 1841 and her father paid for lessons for both her and John.Charles Brett's Notebook, 14 October 1841 in Payne, Christiana, John Brett: Pre-Raphaelite Landscape Painter (New Haven and London: Yale University Press, 2010), pp. 10–11. Between the years 1850 and 1851 she kept a diary of her time with her brother John, recording their artistic life together when they shared a studio.Payne, Christiana, John Brett: Pre-Raphaelite Landscape Painter (New Haven and London: Yale University Press, 2010), pp. 7–8. It is still extant in the Brett family papers.Payne, Christiana, John Brett: Pre-Raphaelite Landscape Painter (New Haven and London: Yale University Press, 2010), p. viii Diary entries record that though they collaborated together, a portion of Rosa's work was sold under her brother's name. Describing an evening when John's pupils came to visit, Rosa said, '[...] I had to make my escape not wishing any one to see me working at the [picture entitled] Fungus as the work passes for John's.'[sic]Rosa Brett's Diary, 15 February 1851 in Payne, Christiana, John Brett: Pre-Raphaelite Landscape Painter (New Haven and London: Yale University Press, 2010), p. 12. John referred to her as 'a Diamond sister' in his diaries.John Brett's Diary, 16 August 1853 in Payne, Christiana, John Brett: Pre-Raphaelite Landscape Painter (New Haven and London: Yale University Press, 2010), p. 10.

Pamela Gerrish Nunn found within the family archives that Rosa's earliest work dates from 1843.Gerrish Nunn, Pamela, Rosa Brett, The Burlington Magazine, Vol. 126, No. 979 (Oct., 1984), pp. 630-631+633-634 She had sold her first work by 1850 and exhibited several times. Her painting of a cat sitting on a hay bale, The Hayloft was shown at the Royal Academy in 1858.Gerrish Nunn, Pamela, Rosa Brett, The Burlington Magazine, Vol. 126, No. 979 (Oct., 1984), pp. 630-631+633-634 It was favourably reviewed in both the Saturday Review and The Spectator.Payne, Christiana, John Brett: Pre-Raphaelite Landscape Painter (New Haven and London: Yale University Press, 2010), p. 248. After the rejection of a second picture for exhibition at the Royal Academy in 1863, she was successful again with a total of nine works including The Field-Mice at Home in 1867, Starling and Bluetit in 1876 and Iris in 1887.Payne, Christiana, John Brett: Pre-Raphaelite Landscape Painter (New Haven and London: Yale University Press, 2010), p. 79 and p. 140. and Yeldham, Charlotte, Brett, Rosa [pseud. Rosarius] (1829–1882), painter She worked in both oils and watercolours and the majority of her works are in private collections.Gerrish Nunn, Pamela, Rosa Brett, The Burlington Magazine, Vol. 126, No. 979 (Oct., 1984), pp. 630-631+633-634

List of works From Bluebell Hill, watercolor, 1851, private collection. Birch Tree in our Lawn, sketch, 1852. The Hayloft, oil on canvas, 26.5 x 34.7 cm, exh. 1858, private collection. In the Artist's Garden, oil on board, 1859–60. Unfinished. In the collection of David Dallas. Thistles, oil on canvas, exh. 1861. Old House at Farleigh, oil on canvas, 1862. The Field-Mice at Home, oil on canvas, exh. 1867. Bunny, pencil drawing, May 1873. This drawing depicts the artist's cat. Starling and Bluetit, oil on canvas, exh. 1876. Snipe, oil on canvas, exh. 1880-1.Sotheby's, 19th Century Paintings, 20 May 2003, . Iris, oil on canvas, exh. 1887. A collection of sketchbooks from 1871–2 and 1876-9 were loaned by the National Maritime Museum, Greenwich for 1998 Pre-Raphaelite Women Artists exhibition at Manchester City Art Galleries.Marsh, Jan and Nunn, Pamela Gerrish, Pre-Raphaelite Women Artists (London: Thames and Hudson, 1998), p. 107

Rosa Brett

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