Hossein Nuri

Hossein Nuri (also spelled Hosein Noori or Hussein Nouri) (, born 1 July 1954) is an Iranian painter, playwright and film director. One of Nuri's pre-eminent characteristics is that despite his physical limitations he has gained professional acclaim in three fields of painting, theater, and cinema.

Early life Hossein Nuri was born on the first of July 1954 in Mashhad, Iran. He lost his father at the age of three and, despite all the difficulties, his mother raised him along with his brother who was a year older than him. He showed his talent in painting in specialized painting classes at elementary school. After finishing elementary school in Mashhad, he gained a scholarship to continue studies at Farah Industrial Boarding School in Tehran.

Torture and disability Farah Industrial Boarding School was closely monitored by SAVAK, Iran's pre-revolution secret service. In 1972, Nuri wrote a play which was a political satire criticizing the system and defending human rights. Minutes after the play was staged, it was interrupted by military forces present at the school. Nuri was tortured severely by SAVAK, lost the ability to move his hands and legs, and his internal health started to deteriorate. He was sent to a hospital while he was still imprisoned by SAVAK. Finally as a result of severe damage to Nuri's body, SAVAK released him and he came back to his family who were then residing at Torbat-e Jam. Nuri continued painting by holding the brush with his mouth and uses a wheelchair.

Marriage After the revolution, Nuri again decided to write plays and staged them in different cities. In a speech he made for the students of Sharif University of Technology, Nadia Maftouni, who was a student of Applied physics, fell in love with Nuri and proposed to him. Nuri accepted and she left her studies to live with Nuri in Torbat-e Jam. They have two sons; Abolfazl Nuri and Mahmoud Nuri. Later, they moved to Mashhad, and afterwards to Tehran.

Painting style In 2004, Nuri introduced his new style of painting in an exhibition he held in Paris. It was based on the painter's intention to create a certain design out of an abstract process. The outcome was a combination of improvisation and calculated design. French painters suggested the name "Reflection" (Réflexion) for the style, which Nuri approved. Nuri does this process with materials such as oil-color and acrylic on large canvas and particularly the large scale of his works is one of his contributions to abstract painting. The use of bright colors and recurrence of butterflies are other characteristics of his style. Many of Nuri's works in the Reflection style are diptychs in which one side reflects the other. During four decades, Nuri has displayed his paintings in more than a hundred individual exhibitions in multiple cities of Iran and in capitals of France, China, Germany, Algeria, Lebanon, and Austria.https://www.isna.ir/news/8405-07354

Theatrical career

Nuri's theatrical career was revived after the revolution and it wasn't ever secondary to his painting career. In the 80s and 90s He wrote and staged several award-winning plays including The Purgatory Stop (1981), The Crimson Cloak (1982), The Last Festival (1983), The Circus (1985), Companion (1990), Beloved (1991), Intuition (1994), and The Seeker (1996). As an established character in Iranian theater history, a theater in city of Mashhad, which is one of Iran's theatrical poles, was named after him as Ustad Hossein Nuri Theater.

+Theatrical Awards and Accolades for Hossein NuriYearEventAward/AccoladeTitle 1984 Fajr II International Theater FestivalBest Play Crimson Cloak 1992 Fajr X International Theater FestivalBest Play Beloved 1993 Fajr XI International Theater FestivalCommended Play The Circus 1994 Defense I International Playwrights FestivalCommended Play Intuition 1996 Fajr XIV International Theater FestivalCommended Play Intuition 2001 Defense Theater Festival 2001Best Play Companion 2002 Defense Theater Festival 2002Best Play The Seeker 2003 Dialogue Among Civilizations centerSpecial Recognition For Lifetime Achievements 2004 Fajr XXIII International Theater FestivalSpecial Recognition For Lifetime Achievements 2009 Fajr XXVII International Theater FestivalSpecial Recognition For Lifetime Achievements 2020 Opening of a theater (building) in his name: Maestro Hossein Nuri Theater 2024 Fajr XLII International Theater FestivalEquivalent PhD Degree in Playwriting +Main Stage Projects with Nuri's Involvement Year Title Playwright Director Venue 1981 Monastery of the Magi Red Crescent Theater1982 The Purgatory Stop City Theater of Tehran1983 The Crimson Cloak Vahdat HallIslamic Republican Daily (December 29, 1983) p. 9 1985 Rattlesnake City Theater of Tehran Kayhan (October 30, 1985), p. 61985 The Last Festival Molavi Theater 1991Companion City Theater of Tehran Ettela'at (October 15, 1991), p. 51992Beloved Molavi Theater Ettela'at Weekly (January 15, 1992), no. 2557 p. 23 1992 Borrowed Land Molavi TheaterIslamic Republican Daily (June 7, 1992) p. 141993 The Circus Molavi TheaterHamshahri (September 9, 1993) p. 101995 Witnesses City Theater of Tehran Iran Daily (July 25, 1995) p. 12 2002 The Seeker Molavi Theater Jam-e Jam (December 24, 2001) p. 8

Television and cinema Nuri directed several documentaries and television programs in the 80s and 90s. In early 2000s he directed some of his plays for television including The Last Festival, The Circus, Beloved, Intuition, and The Seeker. He was co-writer of the Saint Mary project of which a movie version was primarily released in theaters in 2000 and later the extended TV version was televised on multiple global networks and became a hit.

In 2019 Nuri wrote and directed the feature film My Arms Flew which was based on some actual events in his life. The film was screened and awarded in festivals and events in Iran, India, Germany, Italy, US, and Canada. After the screening of the film at Simon Fraser University of Canada, Patricia Gruben said: "I saw many things the second time that I had not understood on first viewing. The way it works with narrative is fascinating. I very much liked the visual construction of mise-en-abyme, where an image is inside another image, as with the dirt-bike footage and the cats in the window, and the paintings themselves. Also the dialectic between anger and spiritual beauty — the anger expressed in those violent paintings and suggested in the struggle to get off the floor, and in the brief cruelty of the cat against her kitten. And yet the ethereal beauty of the paintings, and of both Hossein and Nadia's faces, transcends that violence. It's really a wonderful film, and beautifully shot."

Nuri has been a juror in multiple theater and film festivals. He was a jury member in the first edition of Cinema and Women Film Festival in Iran in 1995.Resalat (November 14, 1995) p. 10 After his film's success, Nuri has served as a jury member in various editions of Jaipur International Film Festival and New Delhi International Film Festival.https://www.irna.ir/news/83612681/%DA%A9%D8%A7%D8%B1%DA%AF%D8%B1%D8%AF%D8%A7%D9%86-%D8%A7%DB%8C%D8%B1%D8%A7%D9%86%DB%8C-%D8%AF%D8%A7%D9%88%D8%B1-%D8%AC%D8%B4%D9%86%D9%88%D8%A7%D8%B1%D9%87-%D9%81%DB%8C%D9%84%D9%85-%D8%AC%DB%8C%D9%BE%D9%88%D8%B1-%D8%B4%D8%AF He was a juror in Resistance International Film Festival in 2020https://www.isna.ir/news/99082718926/%D8%A7%D8%B9%D9%84%D8%A7%D9%85-%D8%A7%D8%B3%D8%A7%D9%85%DB%8C-%D9%81%DB%8C%D9%84%D9%85-%D9%87%D8%A7-%D9%88-%D8%AF%D8%A7%D9%88%D8%B1%D8%A7%D9%86-%D8%AC%D8%B4%D9%86%D9%88%D8%A7%D8%B1%D9%87-%D9%81%DB%8C%D9%84%D9%85-%D9%85%D9%82%D8%A7%D9%88%D9%85%D8%AA and a program director in Red Rock Film Festival in 2024.https://suindependent.com/red-rock-film-festival-returns-in-september/

Virgin Mary painting

In February 2006 during the protests against Jyllands-Posten cartoons of Prophet Muhammad, Nuri brought his aesthetic depiction of Virgin Mary in front of the Danish embassy in Tehran and expressed his protest in a peaceful way "to respond to ugliness with beauty" as he put it. The incident was instantly reflected locally and globally. The day after, it was on the front page of four Iranian newspapers, Jame Jam, Tehran Times, Sarmayeh, and Asrar.Jam-e Jam (February 14, 2006) p. 1Tehran Times (February 14, 2006) p. 1Sarmayeh (February 14, 2006) p. 1Asrar (February 14, 2006) p. 1 Reuters and DHA were present at the scene, and CNN covered it in an extended report. Besides the primary impact, it engendered further comments by scholars and activists in the following years. Linda Sartor of Saint Mary's College of California referred to the incident in her book about her journey to East Asia. Ian Linden, Professor of Religious Studies at SOAS who teaches on Christian-Muslim relations said: "When there was a demonstration in front of the Danish Embassy in protest against the cartoons negatively caricaturing the Prophet Muhammad, an artist, who had lost the use of both arms, had managed while holding the paint brush in his teeth, to create a beautiful painting of Mary. He displayed the image and asked a question: This is our faith. What is yours?" Geraldine Smyth of Trinity College Dublin said: "I think it's a very strong political statement to confront the ugliness with the beauty. It also conveys another face of Islam that has not to do with violence and burning embassies. There are other ways of answering violence and I think this more powerful way, because it disarms people."

Recognition Slavoj Žižek mentioned Nuri in the final part of an academic talk with Nadia Maftouni. As he was close to tears he said: "And incidentally, I know this will appear very low, but I mean it so sincerely... It made me cry when I read about this. Listen Nadia! Sincerely all the best to your husband."

Hossein Nuri

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