Mathilde Froustey

Mathilde Froustey (born June 8, 1985, in Bordeaux, France) is a French ballet dancer.

She is a principal dancer at San Francisco Ballet. Mathilde Froustey was a "Sujet" soloist of the Paris Opera Ballet until 2013.

Early life Mathilde Froustey started dancing in 1994, at the age of nine, in Dax in the south of France, as ballet training helped her back problems.Artist Spotlight Mathilde Froustey, 4:11 min, 4 July 2015 Later, in 1998, she trained at the Marseille National School of Ballet.Mathilde Froustey , site of the San Francisco Ballet. Colette Armand, her ballet teacher in Marseille, recommended she audition for the prestigious Paris Opera Ballet School.

Paris Opera Ballet Mathilde Froustey started at Paris Opera Ballet School in 1999 and joined Paris Opera Ballet in 2002. She was promoted to the rank of "Coryphée" in 2003.

In 2004, she won the gold medal at the Varna International Ballet Competition with Josua Hoffalt. In 2005, Froustey was promoted to "Sujet", soloist.

Froustey was one of the founding members of 3e étage, an independent group of Paris Opera Ballet dancers directed by Samuel Murez.

She toured in Japan with Manuel Legris as a member of his group Manuel Legris & Friends. Legris was at the time principal dancer ("danseur étoile") of the Paris Opera Ballet.

Becoming a principal dancer

Although Froustey appeared on stage in leading roles with the Paris Opera Ballet as of 2006, particularly as Kitri in Don Quixote, she was not promoted to "Première Danseuse", first soloist, with this company. Artistic director, Brigitte Lefèvre, could not explain why the jury consistently didn’t vote for her. Some ventured that her style was too extroverted and virtuosic for Paris, where restraint and purity are valued.Time to Shine, article by Laura Capelle, 28 March 2014, Pointe.

During her career, Froustey met artistic directors of prestigious ballet companies on several occasions when the directors were in the audience of ballet performances. She was on particularly good terms with Helgi Tómasson and Manuel Legris, who both appreciated her as a soloist.

After he had seen her dancing as Lise in La Fille mal gardée in Paris in July 2012, Manuel Legris offered her a position in the Vienna State Ballet as principal dancer, telling her at the same time to stay at the Paris Opera Ballet a little bit more. Mathilde Froustey didn't wait too long.

She was the first top-notch dancer leaving the Paris Opera Ballet for years.Sylvie Guillem leaving the Paris Opera Ballet in 1989 caused as scandal.

San Francisco Ballet In January 2013, Mathilde Froustey accepted an offer from Helgi Tómasson, to become a principal dancer with the San Francisco Ballet.Interview with Mathilde Froustey, the new SFB Principal by Amélie Bertrand, 25 June 2013.Mathilde Froustey, l'aventurière du Nouveau Monde, article by Philippe Noisette, 13 July 2014, Paris Match

Mathilde Froustey and Helgi Tómasson met each other already in 2006 at a competition in Paris through José Martinez, danseur étoile of the Paris Opera Ballet.Une étoile à San Francisco, article by Claire Talgorin, 3 July 2013.

When she made a long-distance call inquiring about a job there, a contract arrived in the mail a week later. This was the first time that a principal dancer entered the San Francisco Ballet by bypassing the audition process.Mathilde Froustey: from France to S.F. Ballet, with panache, article by Allan Ulrich, July 5, 2014, San Francisco Chronicle.

On stage Kitri in Don Quixote is Mathilde Froustey's dream role.SF Ballet Glides Gracefully Through a Demanding Don Quixote, review by Janice Berman, 23 March 2015, San Francisco Classical Voice.'Don Quixote’ review: S.F. Ballet tilts at dramatic windmills, review by Allan Ulrich, 23 March 2015, SFGATE. She was appreciated for her interpretation of Lise in La Fille Mal Gardée. "Froustey was the Lise that dreams are made of."ASHTON ROMANTIC COMEDY ENDS SEASON ON HIGH NOTE, dance review of La Fille Mal Gardée by Patricia Boccadoro, 28 July 2009, Culturekiosque. "The queen of the night, undeniably Mathilde Froustey, is however not any longer in the stage of a young soloist making her debut. Her Lise is a whirlwind of good mood, spiced with a refined technique which lets her fly away in each variation."La Fille mal gardée : épisode 3, review by Amélie Bertrand, 22 July 2012: "La reine de la soirée, incontestablement Mathilde Froustey, n'en est toutefois plus au stade de jeune soliste débutante. ... Sa Lise est un véritable tourbillon de bonne humeur, doublé d'une technique affûté qui l'a fait s'envoler à chaque variation." In the 2014 repertory season, her first repertory season with the San Francisco ballet, she performed the title role in Giselle a role she learned in ten days. Mathilde Froustey considers Giselle as one of her favourite roles. Giselle with Mathilde FrousteyThe San Francisco Ballet presents each ballet with changing principal dancers in the leading role. was in the programming of the 2015 repertory season as well.

Awards 2004: Varna International Ballet Competition, gold medal with Josua Hoffalt 2007: Ballet2000 dance prize 2013: Danza & Danza's best foreign dancer award 2015: Isadora Duncan Dance Award for her performances of Giselle with Tiit Helimets 2018: Nominated to the Isadora Duncan Dance Award for her performance in Sleeping Beauty (Aurora)

Repertoire

Kitri in Don Quixote: Lise in La Fille Mal Gardée Anastasia in "Ivan the Terrible" Giselle in Giselle Nutcracker (Grand Pas de Deux Ballerina and Sugar Plum Fairy) Romeo and Juliet (Juliet) Swan Lake (Odette/Odile)

7 for Eight Caprice The Fifth Season Prism, and Trio Tomasson/Possokhov's Don Quixote (Kitri) Cranko's Onegin (Tatiana) Balanchine's Allegro Brillante, Brahms-Schoenberg Quartet, Rubies, Serenade, and Theme and Variations

Gsovsky's Grand Pas Classique Lifar's Suite en Blanc Makarova's (after Petipa) “The Kingdom of the Shades” from La Bayadère, Act II (1st Solo Shade) Ratmansky's From Foreign Lands, Seven Sonatas, Shostakovich Trilogy, and Souvenir d’un lieu cher Robbins’ Dances at a Gathering (Yellow and Purple) and In the Night Wheeldon's Within the Golden Hour.

Mathilde Froustey

Bron en licentie