Harold Garde (June 7, 1923 – October 11, 2022) was an American abstract expressionist painter and the originator and namer of the Strappo technique.
Early life and education Garde was born on June 7, 1923, in New York City,Aislinn Sarnacki, “Belfast artist finds inspiration in Maine’s coast,” Bangor Daily News, September 6, 2010. to immigrant Eastern European Jewish parents. After graduating from Stuyvesant High School, he attended City College of New York for three years, where he majored in science. Before completing his undergraduate studies, he joined the United States Air Force, serving in the Philippines and in World War II from 1943 to 1945. Post-war, he switched his focus and completed a Bachelor of Fine Arts at the University of Wyoming in Laramie, where he studied under surrealist Leon Kelly, abstract expressionist George McNeil and geometric abstractionist Ilya Bolotowsky. He earned a master's degree in fine arts and art education from Columbia University in New York in 1951.Harold Garde, Courthouse Gallery of Fine Art. Retrieved May 14, 2014.Jennifer Coolidge, “New documentary film spotlights artist Harold Garde,” West Volusia Beacon, January 6, 2009.
Career
Teaching After graduating from Columbia, Garde worked for 15 years in New York City's commercial interior design industry. In 1968, now married with four children, he began teaching art at Nassau Community College in Garden City, New York, and at a secondary school in Port Washington, New York, while continuing to paint professionally. In an effort to produce art full-time, Garde retired from teaching in 1984.Nancy Davidson, “Avant Garde,” Portland Monthly, September 2013.
Painting Abstract expressionist art mixed with surrealist and figurative elements defined Garde's early work. In the early 1980s, his subjects transitioned from rounded human figures to structural shapes, segueing to series of objects, such as chairs, vases, and kimonos.Jeanne M. Dowis, "Lexicon," Harold Garde. Painting. 50 Years., Museum of Florida Art: DeLand, Florida, 2008, pp. 92-95.Suzette Lane McAvoy, "Work in Maine," Harold Garde. Painting. 50 Years., Museum of Florida Art: DeLand, Florida, 2008, pp. 10-15, 52-57. Some of his paintings focus on a sequence of letters or numbers. Garde's work executed in Maine incorporates colors far more vibrant than those from his earlier years in New York. He attributed this transformation to Maine's natural light, and wanting his paintings to be brighter and fresher in his advanced age. Some of his mediums include acrylics on canvases of various sizes, ceramic, and clay sculptures, and Strappo prints.Matthew J. Palm, “Harold Garde exhibits masterworks at Orlando’s Jai Gallery,” Orlando Sentinel, March 28, 2014.
Garde had his first solo exhibition in 1970 in Huntington, New York. Over 40 years later, the Museum of Florida Art added his 8x24-foot, 16-panel mural Iconoclass (c. 1970s) to its permanent collection. Original pieces are displayed inside, with a reproduction installed on the building's exterior façade since the 2012 acquisition. His Rendered Kimonos series (c. 1995-2005) conveys a variety of sizes and forms. In 2001, the Farnsworth Art Museum in Rockland, Maine, showcased the Japanese garb-inspired kimono paintings in a solo exhibition.Kristen Andresen, “Rising from the East,” Bangor Daily News, March 15, 2001. Garde's work is on display as part of the permanent collections of the Portland Museum of Art, Farnsworth Art Museum, New Mexico Museum of Art, University of Wyoming Art Museum, Museum of Florida Art, and the Bibliothèque nationale de France, among others.Britta Konau, “A Dialogue with Harold Garde Part 1,” The Free Press, December 18, 2013.
Strappo printmaking In the mid-1980s, Garde invented, developed, and named Strappo printmaking, an artistic technique combining painting and printmaking that he taught in workshops nationwide. Transferring dried acrylic paint layers from glass or another smooth surface onto paper or canvas produces a layered image's reversal and Strappo monotype. In celebration of his 90th birthday and as a New Year's challenge, Garde created one new Strappo print each day for the first 90 days of 2013.
Personal life and death In 1984, Garde and his second wife, writer Barbara Kramer, moved to Belfast, Maine, where he set up a waterfront studio. In 1993, they purchased an additional home in New Smyrna Beach, Florida.“Author Lists New Smyrna In ‘Best Small Art Towns’,” Orlando Sentinel, March 8, 1996. Garde split his time between his art studios in Maine and Florida. Kramer died in 1998.“Belfast library to expand,” Bangor Daily News, November 29, 1999.
Garde died in Florida on October 11, 2022, at the age of 99.
Exhibitions (selected) Baiter Gallery, Huntington, NY, 1970Malcolm Preston, "Artist of Passion," Newsday, September 3, 1970. Brooklyn College, Brooklyn, NY, 1971–72 Linden Gallery, New York, NY, 1982 Deicas Gallery, La Jolla, CA, 1983 Palm Gallery, Brooklyn, NY, 1984 ACW Gallery, San Diego, CA, 1985 Instituto Allende, San Miguel de Allende, Mexico, 1985 Sena Gallery, Santa Fe, NM, 1985 Theodore F. Wolff, curator, On the Edge: Forty Years of Maine Painting 1952-1992, included in exhibition and accompanying book Hamlet Series, Wade Wilson Art, Chicago, IL, 1990 The Prints and Paintings of Harold Garde, Harris House of the Atlantic Center for the Arts, New Smyrna Beach, FL, 1995 Harold Garde: Acrylic Paintings and Prints, DeLand Museum, DeLand, FL, 1996 The Belfast Prints, Maine Coast Artists, Rockport, ME, 1998"Selected Recent Solo Exhibitions," Harold Garde. Painting. 50 Years., Museum of Florida Art: DeLand, Florida, 2008, p. 100. Recent Studio Selections, Nassau County Firehouse Gallery, Garden City, NY, 2000 Kimono: Harold Garde, Farnsworth Art Museum, Rockland, ME, 2001 Harold Garde. A Retrospective, University of Maine at Farmington, 2005 Brevard Art Museum, Melbourne, FL, 2007 Cornell Museum of Art & American Culture, Delray, FL, 2008 Harold Garde. Painting. 50 Years., Museum of Florida Art, DeLand, FL, 2008-09 Millenia Art Gallery, Orlando, FL, 2009Josh Garrick, “Harold Garde. Painting. 50 Years.,” Wandering Educators, January 19, 2009. Mulford Gallery, Rockland, ME, 2009 Abstract Expressionism, Three Maine Artists, Courthouse Gallery Fine Art, Ellsworth, ME, 2010 Art Museum of the University of Wyoming, Laramie, WY, 2010 Wade Wilson Gallery, Houston, TX, 2010 Harold Garde: All The Walls, Harbor Square Gallery, Rockland, ME, 2012 Garde Addendum, Maine Jewish Museum, Portland, ME, 2013“Maine Jewish Museum shows Harold Garde,” Portland Press Herald, August 25, 2013. 90 90 90, Harbor Square Gallery, Rockland, ME, 2013 Harold Garde: Masterworks, Jai Gallery, Orlando, FL, 2014 Mid-Century to This Century, Orlando Museum of Art, Orlando, FL, 2015 Last of the Game Changers, HENAO Contemporary Center, Orlando, FL, 2016 Harold Garde: Ab-Ex to Neo-Expressionism, Artlery 160 Gallery, Boston, MA, 2017-18 New Works, ArtSuite Gallery, Piermont, NY, 2018 Never Too Late, Center for the Arts, Mount Dora, FL, 2019 Some Reliable Truths About Chairs, Union of Maine Visual Artists Gallery, Portland, ME, 2019 Burn This Down: Reflections on the Art World, Mills Gallery, Orlando, FL, 2019 When There Was Another Me, University of Maine Museum of Art, Bangor, ME, 2019
Filmography Garde was the subject of a 30-minute film about his life and art as part of the Union of Maine Visual Arts' nine-film series Maine Masters. He was also the subject of the hour-long film Harold Garde, Working Artist, directed by Dale Schierholt, about his life and work. The latter premiered at the Museum of Florida Art in 2009, presented in conjunction with the museum's retrospective touring exhibit, Harold Garde. Painting. 50 Years. In 2015, Harold Garde: Art & Spirit, a 60-minute documentary, was a Selection of the Newport Film Festival, among other festivals, and has had numerous showings, including the Center for Maine Contemporary Art in conjunction with the Strand Theatre and Farnsworth Art Museum and Maine Public Television.
References
External links Official website