Michele Cortegiani (Palermo, 8 February 1857 - Tunisia, 1928) was an Italian painter, mainly of seascapes of his native Sicily and later Tunisia, and of female portraits and genre subjects.
Biography
He trained with Francesco Lojacono, moving with him to Paris in 1877–1881.
He assisted with the ceiling decoration (1893-1897) of the Teatro Massimo of Palermo, where he worked alongside Luigi Di Giovanni and Ettore De Maria Bergler, working under the direction of Rocco Lentini."Teatro Massimo," Italian Ways, Italian Ways; Utopiam, T., L'Arte a Napoli: La Scuola di Posillipo, Lulu.com, 2017, p. 20 (translated from Italian); "Teatro Massimo," in I Luoghi della Musica, Touring Editore, 2003 p. 259 Lentini's concept for the ceiling (pictured) was that of a large wheel with gilded spokes which would contrast with the azure background. Within each spoke, (panels known as petals) feature angels and female figures with musical instruments painted on canvas, while the centrepiece was an allegory of the 'Triumph of Music'.Lynn, C.K., Italian Opera Houses and Festivals, Scarecrow Press, 2005, p. 309
In later years, he worked in Tunisia,Galleria Roma. entry on Cortegiani.Dizionario degli artisti italiani viventi, pittori, scultori e architetti, by Angelo De Gubernatis, Ugo Matini, page 143-144. and in Sicily, along with Lojacono, Michele Catti and other painters of their school, where the group became known as the "masters of colour" because of the way they captured the light of the marinas and sleepy villages of Sicily.Quatriglio, G., Sicily: Island of Myths, Legas/Gaetano Cipolla, 2011, p. 11
See also
List of Orientalist artists Orientalism
References