Lucien Felix BivaEllis Island, The Statue of Liberty–Ellis Island Foundation, Inc. Passenger record, Lucien Felix Biva, Garches, France, 1 September 1919, age 41, ship of arrival Rochambeau, from Le Havre (13 August 1878 – October 1965) was a French–American artist. He studied painting early on with his father, the Naturalist painter Henri Biva. He was also the nephew of the painter Paul Biva. Between 1921 and 1949 he was an ornamental designer for textile fabrics and similar articles of manufacture having surface ornamentation, patenting over eighty designs with the United States Patent Office. He was a member of the Society of French Artists and the Society of Independent Artists.
Biography
Biva was born in Paris, where his family lived in Montmartre, 18 rue du Vieux Chemin de Paris (named rue Ravignan after 1867), and it is from designer Charles Biva (1821–1884), father of Henri Biva and Paul Biva that the family developed its artistic talents. In 1845, motivated by the fashion of the time for bourgeois interior ornamentation, Charles Biva opened a wallpaper factory in a northern suburb of Paris where his sons Henri and Paul began their apprenticeship as designers and colorists.
Lucien Biva benefited from the creativity inherent in his family, as well as from the proliferation of artistic environment of Montmartre at the end of 19th century and early 20th century, the so–called the Belle Époque.
The family influence Lucien Biva first studied under his father, then enrolled at the École nationale supérieure des arts décoratifs, and the École nationale supérieure des beaux-arts of Paris. At this time his professors included the poster designer Eugène Grasset (1845–1917). His education formed him as a painter but also as an interior designer and decorator.
He exhibited for the first time at the Salon des artistes français in 1902, with an entry titled Derniers rayons à Villeneuve-l’Étang, and exhibited there regularly until 1914. Other exhibition venues that saw his participation during this period included Salon des Indépendants in 1909.
United States
During the month of August 1919, Lucien Biva left Le Havre aboard the transatlantic ocean liner Le Rochambeau.Le Rochambeau, Le Havre-New York On the first of September he debarked in New York CityEllis Island passenger record, Lucien Biva where he would reside throughout the rest of his career.
Various reasons impelled Lucien Biva to emigrate to the United States. His father was a well-known painter,Janet Whitmore, Ph.D., a biography of Henri Biva and it may have been difficult for Lucien Biva to make a name for himself without being linked to the work of his father.
In the press chroniclers speak of "the Biva's" assimilating the son behind the father, and tended to write of the Biva brothers, confusing in a single work that of Henri and Paul Biva. In 1903, the Bulletin de la Société des amis des arts du département de l'EureSociété des amis des arts du département de l'Eure, Bulletin XIX, 1903, periodiques, Gallica Henry Chantraine evokes the Exposition des beaux-arts d’Evreux: "Passing in front of the Dahlias with its rich impasto and the Village, with violent tones, but already much more moderate [than those of Lucien Lamarre, mentioned above by the columnist] of MM. Henri and Lucien Biva [...]."
Lucien Biva's family nicknamed him "the anarchist", perhaps because he rejected part of the family pictorial legacy. In New York, when he exhibited at the Sixth Annual Exhibition of the Society of Independent Artists,Catalogue of the Sixth Annual exhibition of The Society of Independent Artists: no jury, no prizes" The Waldorf Astoria, New York, 11 March – 2 April 1922 he was cited with other artists in the columns of New York Times (10 March 1922) as "stamped all over with the stamp of independence". It may be noted that the statement of the chronicler was somewhat tinged with irony. Since Society of Independent Artists created in 1916 was modeled after Société des Artistes Indépendants created in Paris in 1884, the author seems to have suggested this "independent" movement was already classical.
Other family reasons probably contributed to his departure for the States in 1919, at the age of 41. World War I had just ended, but his younger brother, jewelry designer Marius Biva, also formed at the École nationale supérieure des arts décoratifs, died at Verdun in 1915 at the age of 25 years.
American nationality Lucien Biva became an American citizen in 1928, residing mostly in New York City, Brooklyn, Queens, White Plains and Catskill. He painted and exhibited throughout the second leg of his career in the United States.
Design Between 1921 and 1949 Biva patented ornamental designs for textile fabrics and other articles of manufacture having surface ornamentation, patenting over eighty designs with the United States Patent Office.
At least one of Biva's designs, U.S. patent 59.177 of 1921, inspired other patents, such as U.S. patent 5,445,863, of 1995, used in clothing and other camouflage material for activities such as hunting and military maneuvers.Camouflage material, US 5445863 A
U.S. Pat. No. D-59,177 issued to Lucien Biva on Oct. 4, 1921 discloses a design for a Textile Fabric or similar article wherein the material is gathered and apparently sewn along straight seams at regular intervals to create a rippled or wrinkled appearance. However, the regular spacing of the seams and their straight lines fail to provide a natural appearance, as is accomplished with the irregular seams of the present invention.
Œuvre The early works of Lucien Biva are often difficult to distinguish from those of his father Henri Biva.
But when he left France in 1919, other artistic influences infused his style—Les Nabis, Art Nouveau and Fauvism—influences left over from his associations with artists at the Salon des Indépendants.Albany Institute of History and Art, 5–24 November 1957 With realism in his past, Biva's new work consisted of colorful landscapes, with certain titles of his paintings emphasizing the primacy given to colors.
Lucein Biva's work was shown in New York in the form of a retrospective exhibition, November 1957, at the Albany Institute of History & Art Early works painted in France were juxtaposed with contemporary works painted in the United States, depicting a variety of places and subjects.
He died in New York, aged 87.
Selected exhibition entries
France Salon des artistes français, Exposition des Beaux-arts d’Évreux and Salon des Indépendants
1902, Derniers rayons, Villeneuve-l’Étang; La mare, fond du bois 1903, La Prairie blanche, printemps; Étude Couton-Veyrac-Jamault 1903, Village 1904, Le Moulin de Tomblaine, près Nancy 1905, La mare aux canards 1906, Les foins, soleil couchant Lucien Biva, Les foins; soleil couchant, Catalogue illustré du Salon (Société des artistes français) -L. Baschet (Paris) British and foreign artists association (Paris) Motteroz (Paris) Librairie d'art L. Baschet (Paris) Bibliothèque des Annales (Paris), 1906 1910, Derniers rayons sur le lac de la Malmaison 1911, Les Derniers rayons à Villeneuve-l’Étang 1912, Après-midi, Villeneuve-l’Étang; Les dernières fleurs; Automne au Grand Trianon 1913, La rivière à Villeneuve 1914, Villeneuve, matinée
United States
1921, Fifth Annual Exhibition of the Society of Independent Artists: no jury, no prizes, Waldorf Astoria, New York, The White Plain (Landscape in France), no. 58 and When the Sun is Setting, no. 591921 Catalogue of the Fifth Annual exhibition of The Society of Independent Artists: no jury, no prizes" The Waldorf Astoria, New York, 26 February – 24 March, 1921 1922, Sixth Annual Exhibition of the Society of Independent Artists: no jury, no prizes, Waldorf Astoria, New York, 1922, The Girl and the Parrot, no. 73, The Hudson River, no. 74 1945, the newsletter of the University John B. StetsonUniversity John B. Stetson refers to the acquisition of one hundred paintings in order to create a museum of fine arts. Lucien Biva is mentioned among the artists selected.
1957, Retrospective at Albany Institute of History and Art
Field of heather Our peonies Harvest time, Chartres, France Lilacs in Vase Moulin de la Galette, Montmartre Apples, grapes, tea, kettle The Little fisherman Farmyard, Normandy, France Autumn pond, White Plains Washday, Brittany, France New York skyline, from studio Old country road, France Tea for two Peaches, pears in candlelight Brittany coast, France Incense burner and chrysanthemums Peonies in iridescent vase Fireworks, Montmartre La rue St. Rustique, Montmartre Villeneuve-l’Etang, France Thawing, Dourdon, France Brook, Haines Falls, Catskill Village church, France White face Mt, Adirondacks Low tide, Douarnenez, France Autumn, White Face Mt, Adirondacks New York Bay, from studio Sunflowers in old jug Our barn, Catskill The Mistletoe, Orléans, France Catskill pond Springtime in Saint-Cloud, France Stony Brook, Ardsley, New York Winding river, Ardsley, New York Palisades, Englewood Chrysanthemums in Chinese vase Pam
Bibliography
Bulletin artistique de l'Est, Volumes 9-10, 1903, Nouvelles, Musée municipal de ToulBulletin artistique de l'Est, Volumes 9-10, Nouvelles, Musée municipal de Toul, 1903 Société des Amis des Arts du Département de l'Eure, Impr. C. Hérissey, 1904Société des Amis des Arts du Département de l'Eure, Impr. C. Hérissey, 1904 Le Ménestrel, Volume 76, 1910Le Ménestrel, Volume 76, 1910 Societe nationale d'horticulture de FranceJardins de France, Volume 13, Societe nationale d'horticulture de France, 1912 Le Magasin pittoresque, Jouvet & cie., 1912Le Magasin pittoresque, Jouvet & cie., 1912 Le Magasin pittoresque, Jouvet & cie., 1913Le Magasin pittoresque, Jouvet & cie., 1913 Aristide Frézard, Stanislas Frézard, Revue des eaux et forêts, Volume 53, Berger-Levrault, 1915Aristide Frézard, Stanislas Frézard, Revue des eaux et forêts, Volume 53, Berger-Levrault, 1915 Benezit E, Dictionary of Painters, Sculptors, Designers and Engravers, 1999, Volume 2, p. 356 Peter H. Falk, Audrey M. Lewis, Who was Who in American Art, 1564-1975, Vol I, p. 329
U.S. patents Fibre & Fabric: A Record of American Textile Industries in the Cotton and Woolen Trade, Volume 69, 1921 Design for a textile fabric or similar article, Patented 4 October 1921 Official Gazette of the United States Patent Office, Volume 289, the University of Wisconsin - Madison, 1921 Textile World, Volume 60, Part 2, Bragdon, Lord & Nagle Company, 1921 Annual report of the Commissioner of Patents, United States. Patent Office, G.P.O. 1922 Official Gazette of the United States Patent Office, Volume 367, 1928 Design for a textile fabric, Patented 17 July 1928 Textile fabric, Patented 10 December 1929 Official gazette of the United States Patent Office, 1930 Design for a rug, L. Biva, 7 January 1941 Official Gazette of the United States Patent Office, Volume 522, Lucien Biva, The Office, Pennsylvania State University, 1941 Dec. 2, 1941, L. BIVA. Des. 130,567. RUG. Filed Oct. 28, 1941 Dec. 2, 1941. L. BIVA. Des. 130,568 . RUG. Filed Oct. 28, 1941
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