Ryusai Shigeharu

(1802–1853) was an Osaka-based Japanese ukiyo-e woodblock print artist active during the first half of the nineteenth century. A member of the Utagawa school, he was one of a very select group of kamigata-e print artists who were able to support themselves solely as professional artists.

Biography

Shigeharu was born Yamaguchi Yasuhide in Hizen Province, Nagasaki in 1802 (year 2 of Kyōwa). His father, operated the money changing business. He moved to the district of Osaka around 1820, to study printmaking with his first mentor, (fl. c.1815-1841).The British Museum dates his activity to c.1816-1835, Oxford Reference to c.1821-1841, and Ujlaki to c.1821-1841. His next teacher was (1787–1832), with whom he collaborated on several major projects. Some have suggested that Shigeharu also studied under master print designer Hokusai; however, there is no definitive evidence to support this.Roberts 1980, 145 As was the custom for ukiyo-e artists, Shigeharu used various gō throughout his career. He published his first print in 1820 under the name , acknowledging both his birthplace and his first teacher. He adopted the name Ryūsai Shigeharu, which incorporated two characters from his second master's name, in the spring of 1825.Japan Arts Council In response to political strife during the period, Shigeharu returned to Nagasaki in the early 1840s.Roberts 1980, 145 He died on May 5, 1852, aged only 51.Japan Arts Council His daughter, Yonejo, went on to become a painter, whose work was particularly coveted by foreign collectors.Lyon 2013 There is some dispute over Shigeharu's activity in the final years of his life. Some suggest that he may have returned to Osaka in the late 1840s, and continued to produce prints under the name Kunishige from 1849 until the time of his death.Roberts 1980, 145 Others argue that ōkubi-e bust portraits signed by Kunishige and other works signed by Shigeharu dating to c.1849-1851 are likely the work of different artists.Lyon 2013 Life dates c.1802-1853 Career dates c.1820-1849 Birth name Yamaguchi Yasuhide [安秀] Personal name Yamaguchi Jinjirō [山口甚治郎] GōJapan Arts Council 2012 Nagasaki Kunishige [長崎国重] (1821), Kunishige　[国重], Nagasaki Shigeharu [長崎重春] (1821), Baigansai Kunishige [梅丸斎国重] (1821), Takigawa Kunishige [滝川国重] (1825), Ryūsai Shigeharu [柳窗重春/柳斎重春] (1825), Gyokuryūtei [玉柳亭] (1830), Gyokuryūtei Shigeharu [玉柳亭重春] (c. 1830-32), Gokuryūsai Shigeharu [玉柳斎重春] Professional namesJapan Arts Council 2012 Yamaguchi Shigeharu [山口重春], Hōzan Shigeharu [烽山重春], Kiyoutei [崎陽亭], Nichika [日華] Seals Ryū [柳], Yamaguchi-uji Shigeharu [山口氏重春],Ujlaki Haru [春]Yonemura 2002, 346 Mentors Utagawa Kunihiro, Yanagawa Shigenobu Pupils Shigenao, Shigefusa, Shigeyasu, Shigetoyo, Shigeyoshi, Shigehiro, Shigemasa

Works

In the era (4/1818-12/1830), Shigeharu began working in various media including single-sheet prints, book illustration, theater billboards and programs, and paintings.Lyon 2013 His artistic output is generally dated to the period c.1820-1849, with the years 1829-1831 marking the peak of his work in single-sheet print design.Lyon 2013 There are several blank periods in his career from which no or very few prints are known, including mid-1822 through mid-1825 and 1838.

Among the highlights of this productive period was Nijūshidō no Uchi, an unusual series of twenty-four ōban prints published in 1829-1830, depicting Chinese legendary and historical figures whose spirit of self-sacrifice and filial devotion made them exemplary models of Confucian family and social values; the episodes are drawn from the Èrshísì Xiào, a classic text on Confucian filial piety compiled by Guo Jujing during the Yuan dynasty (1260–1368). Although surviving in few impressions, the existence of alternative editions with colour variations and worn blocks on some surviving impressions suggests the set was popular in its time. The series also predates the far better-known Morokoshi Nijūshi-kō by Kuniyoshi, published in 1848 by Daikokuya.

From 1831 on, Shigeharu provided illustrations for a number of books, including The Three Kingdoms of Actors' Customs . The work he did with his master, Shigenobu, on a book of fashionable patterns in courtesan clothing () earned him particular acclaim.Kodansha 2009, 1972 He also collaborated on book illustrations with the artists and .Kodansha 2009, 1972 He frequently worked in association with the or publishing house.Newland 2005, 561 Operating under the firm name , Tenki was active from 1816 into the early 1850s.Keyes and Mizushima 1973, 311

Reputation

Contemporary estimations of Shigeharu's work tend to be favourable. According to a compendium of Osaka gossip published in 1835, Shigeharu was "good at everything." A manuscript of artist biographies from the mid-1840s characterizes him as "better than the rest," and notes his professional status.Lyon 2013 Modern critics, however, have been less positive, describing him as "an indifferent artist".Roberts 1980, 145 This notwithstanding, Shigeharu was, if not the only professional ukiyo-e artist working in Osaka in the late nineteenth century, one of the very few on the amateur-dominated scene.Davis 2007, 18

Collections

Ryūsai Shigeharu's work is found in many collections, including the following:

The ROM

Ryusai Shigeharu

Bron en licentie