Ravi Shankar: In Celebration is a compilation box set by Indian classical musician and composer Ravi Shankar, released in 1996 on Angel Records in conjunction with Dark Horse Records. The four discs cover Shankar's international career, from the 1950s to the mid 1990s, and include recordings originally released on the World Pacific, His Master's Voice, Angel, Apple, Dark Horse and Private Music record labels. Shankar's friend George Harrison compiled and co-produced the set, which was issued as part of year-long celebrations for Shankar's 75th birthday.
Each disc of In Celebration adopts a musical theme covering a facet of Shankar's varied career – specifically, traditional ragas; orchestral works; collaborations with Western classical musicians; and vocal and experimental pieces, particularly in the jazz genre. Although Indian classical music receives relatively little coverage, the compilation includes examples of Shankar's work with artists such as Yehudi Menuhin, Bud Shank, Jean-Pierre Rampal, Philip Glass, André Previn, Harrison and the Music Festival from India. Among the previously unreleased selections, "Adarini" marks the recording debut of sitarist Anoushka Shankar, the youngest daughter of Ravi Shankar.
The box set has received critical acclaim for providing an effective retrospective of Shankar's musical career. It was followed by In Celebration – Highlights, an abbreviated, single-disc version of the full compilation, and led to further joint projects by Shankar and Harrison, including the 1997 studio album Chants of India.
Background In his book The Dawn of Indian Music in the West, Peter Lavezzoli describes the years 1989 to 1995 as "a period of several milestones in [Ravi] Shankar's life and career".Lavezzoli, p. 197. The first of these was the 50th anniversary of Shankar's debut as a performer, a concert career that had begun with his and sarodya Ali Akbar Khan's duet at the 1939 Allahabad Music Conference.Lavezzoli, pp. 53, 197. In 1995, Shankar turned 75, the year-long celebrations for which included a concert at New Delhi's Siri Fort, in February,Shankar, pp. 215, 281, 324. and one at the Barbican Centre, London, in July.Badman, p. 537.
Away from his life as a performer and composer, in September 1992 Shankar's longstanding heart problems led to him undergoing angioplasty, shortly after which his only son, Shubho, died.Shankar, pp. 257, 263, 324. Shankar's friend George Harrison visited him following the angioplasty operation, and the two musicians began re-establishing a social and musical bond that had waned somewhat since the late 1970s, when Shankar cut himself off from many of his Western friends.Shankar, pp. 212, 213, 228. After Shankar, Harrison and their families holidayed together over Christmas 1994,Timothy White's liner notes, In Celebration, p. 25. Harrison began compiling a career retrospective, Ravi Shankar: In Celebration,Clayson, p. 436. as part of Angel Records' celebrations for Shankar's 75th birthday year. Harrison co-produced the four-disc compilation with photographer and Shankar archivist Alan Kozlowski.Shankar, pp. 232, 305, 325. The project partly coincided with Harrison's work on the Beatles' Anthology TV series and album releases,Badman, pp. 531, 536.Clayson, pp. 437–38. and led to him serving as editor on Raga Mala, Shankar's second autobiography,Lavezzoli, pp. 197–98. and the two of them collaborating on the Chants of India album (1997).Shankar, p. 305.Leng, pp. 280–81.
Content In Celebration divides Shankar's then 40-year international career into distinct themes, as reflected in the title for each of the four discs:World Music: The Rough Guide, p. 116. "Classical Sitar", "Orchestral and Ensembles", "East–West Collaboration" and "Vocal and Experimental".George Harrison's introduction, In Celebration, p. 1. The content includes items that were either previously unissued in the United States and Britain, or had been long unavailable by 1995. Angel executive Steve Murphy later credited the widespread goodwill felt towards Shankar as facilitating the retrieval of recordings from a variety of sources, following the decision in May that year to begin compiling In Celebration.
"Classical Sitar"
Disc one includes ragas first recorded for Richard Bock's World Pacific Records between 1957 and 1967. On four of the disc's five selections, Shankar performs on sitar accompanied only by a tabla player – variously, Chatur Lal, Alla Rakha, Kanai Dutt or Kumar Bose.Album notes, In Celebration, pp. 34–37. Among the featured ragas are Shankar's interpretations of Marwa, Bhatiyar and Charukesi, the latter a Carnatic raga, from the South Indian tradition, that he adapted for the Hindustani (or North Indian) discipline.
Based on Raga Khamaj, "Adarini" was a Shankar composition written for his then-teenage daughter Anoushka Shankar, who made her Western concert debut at the Barbican birthday recital in July 1995. "Adarini" marked Anoushka's debut as a recording artist;World Music: The Rough Guide, p. 78. recorded in Encinitas, California on 2 September 1995, the piece features her on sitar and Zakir Hussain on tabla.Album notes, In Celebration, p. 36.
"Orchestral and Ensembles" Disc two begins with another previously unreleased track, "V 7½".Album notes, In Celebration, pp. 38–39. Shankar based this piece on Raga Vachaspati and recorded it in 1968 with members of his first Festival from India revue,Shankar, p. 203. and American jazz flautist Bud Shank. Shankar's 1974 Music Festival from India, a venture sponsored by Harrison and recorded for his Dark Horse record label,Lavezzoli, p. 195. is represented by "Jait".
The disc also includes "Sandhya Raga", a selection taken from Shankar's July 1988 concert at the Kremlin in Moscow, the live album from which appeared on German producer Peter Baumann's Private Music label.Album notes, In Celebration, p. 40. In the booklet accompanying In Celebration, Shankar describes "Ghanashyam" as a "ballet or music theatre" piece that reflects his sadness at how, particularly during the 1960s, Indian music "became synonymous with the use of drugs to alter one's state of mind".
"East–West Collaboration" The third disc consists of collaborations with Western classical artists, including Yehudi Menuhin and Jean-Pierre Rampal,Album notes, In Celebration, pp. 42–45. whose selections originally appeared on volumes two and three of the His Master's Voice-issued West Meets East series.Lavezzoli, pp. 63, 426. The disc also offers pieces from Shankar's two sitar concertos – the first recorded in 1971 with André Previn and the London Symphony Orchestra,Reginald Massey, "Ravi Shankar obituary", The Guardian, 12 December 2012 (retrieved 2 January 2014). the second from 1982, with the London Philharmonic and Indian conductor Zubin Mehta.Lavezzoli, pp. 222, 228–29.
The previously unreleased "Indo-Japan Finale" comes from a performance at the Japan American Centre in Los Angeles, held in June 1985 as part of the Rhythms of the World festival.Shankar, pp. 234, 324. It features Indian classical contributions from Lakshmi Shankar, Aashish Khan, Shubho Shankar, V.M. Bhatt and others, along with Japanese musicians such as Johnny Mori and Kazu Matsui.Album notes, In Celebration, p. 44.
"Vocal and Experimental" Disc four contains vocal pieces, some sung by Shankar himself, and examples of his more experimental works. Among the latter are selections from Tana Mana (1987) and from Shankar's jazz-influenced collaboration with Bud Shank for World Pacific,David Fricke, "From Monterey Pop to Carnegie Hall: The Best Recordings of Ravi Shankar", Rolling Stone online, 13 December 2012 (retrieved 2 January 2014). Improvisations (1962)Album notes, In Celebration, pp. 46–51. – a release that Rough Guides' world music guidebook describes as "[t]he original East–West concept album". Harrison and Shankar's 1970s projects on Dark Horse and the Beatles' Apple Records are also well represented, through the inclusion of tracks such as the pop bhajan "I Am Missing You",Leng, p. 138. from Shankar Family & Friends (1974), and "Oh Bhagawan", from the Bangladesh relief EP Joi Bangla (1971). Previously unreleased, "Ta Na Nom" dates from 1974 sessions with the Music Festival from India personnel, held at Harrison's Friar Park home.Lavezzoli, pp. 195, 197. Shankar says of this piece: "Based on the evening 'Raga Abhogi Kanada'. I used the 'nom tom' style of singing Alap in the traditional manner. It has the mood of a prayer."Album notes, In Celebration, p. 50.
The disc also includes examples of his 1989–90 collaboration with American minimalist composer Philip Glass ("Hey Nath", from Passages) and Shankar's work as a film soundtrack artist.Timothy White's liner notes, In Celebration, pp. 3, 24. The latter endeavour is represented by two pieces: "Sanwaréy, Sanwaréy", sung by Lata Mangeshkar and taken from Anuradha (1960);Shankar, pp. 158, 323. and "Pather Panchali", originally part of Shankar's acclaimed score for Satyajit Ray's 1955 film of the same name,Leng, pp. 48–49.Lavezzoli, pp. 56–57. but here re-recorded with Shank for Improvisations. The compilation's final track is another selection from the Inside the Kremlin live album, "Shanti Mantra".Album notes, In Celebration, p. 51. The recording represents an "expression of artistic unity" that Shankar recalls as highly emotional for the audience and performers alike, in what was then still Soviet Russia.Shankar, pp. 249–50.
Release In America, Angel Records, in conjunction with Dark Horse,Shankar, p. 325. issued Ravi Shankar: In Celebration during February 1996.Badman, p. 551. In a December 1995 article announcing the release, Billboard magazine noted the "fortuitous bit of timing" provided by the Beatles' Anthology series, and the resulting "reviv[ed] interest in the '60s",Heidi Waleson, "Angel set celebrates Ravi Shankar: Sitarist called 'Godfather of World Music'", Billboard, 23 December 1995, p. 17 (retrieved 21 August 2014). a decade when Shankar's audience had grown to include Western rock fans through his association with Harrison.Lavezzoli, pp. 171, 172–73.World Music: The Rough Guide, p. 109. Shankar's career-spanning project also closely followed his reuniting with Yehudi Menuhin for a television broadcast, From the Sitar to the Guitar, detailing the birth of the gypsy and flamenco traditions from their roots in Indian music.Lavezzoli, p. 64. The UK release of In Celebration took place in July 1996.Badman, p. 556. In the same Billboard article, Kozlowski stated his regret that it was not possible to represent Shankar's celebrated performance from the 1967 Monterey Pop Festival, while Shankar suggested that "We could have made 12 CDs, or 16, with all the material there was" but expressed particular pleasure at the inclusion of tracks such as "V 7½", "Adarini" and "Sanwaréy, Sanwaréy".Heidi Waleson, "Angel set celebrates Ravi Shankar: Sitarist called 'Godfather of World Music'", Billboard, 23 December 1995, p. 63 (retrieved 21 August 2014).
The packaging for the four discs featured a 64-page colour booklet with liner notes provided by music journalist Timothy White and recollections from Shankar on each of the compilation's 31 selections. The booklet credits Harihar Rao, a former student of Shankar'sLavezzoli, pp. 294, 425. and a contributor to many of his musical projects from the 1960s onwards,Shankar, pp. 113, 167–68. as having provided "project research".Album notes, In Celebration, p. 57. In June 1996, Angel released the single-disc In Celebration – Highlights, which condensed the full compilation into what AllMusic's Thom Owens terms "the most essential items",Thom Owens, "Ravi Shankar In Celebration: The Highlights", AllMusic (retrieved 5 January 2014). totalling around an hour's worth of music.Amazon listing: "In Celebration Highlights, Ravi Shankar" (retrieved 5 January 2014).
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