List of tone rows and series

This is a list of tone rows and series. For a list of unordered collections, see set (music), Forte number, list of set classes, and trope (music).

Twelve tone rows

Row form Integers Interval classes Notation Composer: Composition Year Hexa-chord I Hexa-chord II Derivation/ Combina-toriality P: Anton Webern:Op. 32, later row un-finished 6-1 6-1 — I: P: Igor Stravinsky:Abraham & IsaacKuster, Andrew (2000). "Stravinsky's Topology: An Examination of his Twelve-Tone Works through Object-Oriented Analysis of Structural and Poetic-Expressive Relationships with Special Attention to his Choral Works and Threni ". D.M.A. diss. (University of Colorado). Retrieved 4 November 2013.Dunker, Amy. "Twelve Tone Rows Used by Various Composers". AmyDunker.com: 3. Retrieved 4 November 2013. 1963 6-Z3 6-Z36 — I: P: Arnold Schoenberg:Serenade, op. 24, mov. 5Hunter, David J.; von Hippel, Paul T. (Feb., 2003). "How Rare Is Symmetry in Musical 12-Tone Rows?". The American Mathematical Monthly (Mathematical Association of America) 110 (2): 124–132. Retrieved 4 November 2013. 1920–23 6-30 6-30 derived: 3-3 I: P: Alban Berg:Kammerkonzert 1923–25 6-Z19 6-Z44 cryptogram: "Schoenberg" I: P: Arnold Schoenberg:Suite for Piano, op. 25Dunker, Amy. "Twelve Tone Rows Used by Various Composers". AmyDunker.com: 1. Retrieved 4 November 2013.Mayfield, Connie (2013). Theory Essentials. p. 549. . 1921–23 6-2 6-2 — I: P: Pohlman MallalieuBrian Alegant and Martin Lofthouse, "Having Your Cake and Eating It, Too: The Property of Reflection in Twelve-Tone Rows (Or, Further Extensions on the Mallelieu Complex)", Perspectives of New Music 40, no. 2 (Summer 2002): 233–272. Citation on pp. 235–237.

Robert Morris:Not Lilacs n.a.