Enella Benedict (December 21, 1858 – April 6, 1942) was an American realism and landscape painter. She taught at the School of the Art Institute of Chicago and was a founder and director for nearly 50 years for the Art School at the Hull House.

Early life and education Enella Benedict was born in Lake Forest, Illinois, the daughter of cloth merchant Amzi and Catherine Walmath Benedict. Amzi Benedict was with the Field, Benedict & Company firm and was a city council member and mayor of Lake Forest. Her younger siblings included Caroline, Albert, Sydney and Kate.Census for Shields, Lake, Illinois. Tenth Census of the United States, 1880. (NARA microfilm publication T9, 1,454 rolls). Records of the Bureau of the Census, Record Group 29. National Archives, Washington, D.C.Brookhaven Press. The Past and Present of Lake County, Illinois: Containing a History of the County--its Cities, Towns, &c., a Biographical Directory of Its Citizens, War Record of Its Volunteers in the Late Rebellion, Portraits of Early Settlers and Prominent Men, General and Local Statistics, Map of Lake County, History of Illinois, Illustrated, History of the Northwest, Illustrated, Constitution of the United States, Miscellaneous Matters, Etc., Etc. Brookhaven Press; 1877. . p. 424.

Benedict attended Lake Forest University, where she studied painting and drawing and was a junior in 1876.1876 Year Book, Lake Forest Lake University. Educational Institutions. American Antiquarian Society, Worcester, Massachusetts. pp. 14, 16. Note: Her father, Amzi Benedict was her patron and she was from Lake Forest, Illinois.

She studied art at the School of the Art Institute of Chicago and the Art Students League of New York. She then traveled to Paris, France, to study at the Académie Julian. Despite being at a prestigious academy, as a female student, she received less rigorous training and was charged more for tuition compared to male students. As a woman, she was often isolated from other students.

Career Benedict made oil and watercolor portrait, figure, landscapes and urban scene paintings. Benedict's drawing and painting style was influenced by Realism and Impressionism in which she painted and drew individuals she encountered around her, such as residents of Hull House and local peasants, along with seascapes and rural landscapes.

In 1892, she became the founder and director of the Art School at Hull House.

In the 19th century a women's movement began to promote education, autonomy, and break into traditionally male dominated occupations. Organizations led by women, bonded by sisterhood, were formed for social reform, including settlement houses in working class and poor neighborhoods, like Hull House. To develop "new roles for women, the first generation of New Women wove the traditional ways of their mothers into the heart of their brave new world. The social activists, often single, were led by educated, often single New Women.Carroll Smith-Rosenberg. Disorderly Conduct: Visions of Gender in Victorian America. Oxford University Press; 1986. . p. 255.

Benedict lived at Hull House, as did Jane Addams, and supported the Art School program for almost 50 years, teaching clay modeling, drawing, painting and lithography. She managed the artist-in-residence program and other teachers.Peggy Glowacki; Julia Hendry. Hull-House. Arcadia Publishing; 2004. . p. 23. The art program, led by social reformer Benedict, was intended to offer education and cultural opportunities to disadvantaged neighborhood residents, having promoting some labor professions as art forms, such as textile fields. Benedict created opportunities for artists to exhibit their works, including the Art Institute of Chicago. Reported in Pots of Promise: Mexicans and Pottery at Hull-House, 1920-40: "In proportion to enrollment, there probably have been more exhibiting artists who started in its classes than in most other schools in the country."Cheryl Ganz; Margaret Strobel. Pots of Promise: Mexicans and Pottery at Hull-House, 1920-40. University of Illinois Press; 2004. . pp. 13, 16, 22, 57.

While at Hull House, she also taught at the School of The Art Institute of Chicago, Benedict published a column entitled Ms. Benedict Knows about stories about Hull House. where she worked in the mornings which provided income so that she could work afternoons at Hull House without taking payment. She often traveled to Europe during the summers.Cheryl J. Fish; Yi-Chun Tricia Lin. Women's Studies Then and Now. Feminist Press at CUNY; 2002. . pp. 53, 54.

Benedict exhibited her work at the Palace of Fine Arts, the Illinois Building, and The Woman's Building at the 1893 World's Columbian Exposition in Chicago, Illinois. Her work was exhibited at the Art Institute of Chicago given by the Art Students League of Chicago and other exhibitions.Bulletin of the Art Institute of Chicago. The Institute; 1907. p. 45.American Art Annual. American Art Annual Incorporated; 1908. p. 270. An art gallery at Hull House was dedicated in her name to promote the work of its artistsCheryl Ganz; Margaret Strobel. Pots of Promise: Mexicans and Pottery at Hull-House, 1920-40. University of Illinois Press; 2004. . p. 22. In 1938 a retrospective was held of her work was held at Benedict Gallery.

She was a member of the Palette Club in Chicago. Her works are in the collections at Hull House, Rockford Art Museum in Illinois, National Museum of Women in the Arts and the Smithsonian Institution.

Death Benedict died on April 6, 1942, in Richmond Virginia.

Works A Foot Path, watercolor, exhibited in 1895 of the Art Students League at the Art Institute of Chicago.Art Student League of New York Exhibition in 1895 at the Art Institute of Chicago. Retrieved March 11, 2014. Brittany Children, exhibited in 1893 Columbian World's Exposition, National Museum of Women in the ArtsEnella Benedict . National Museum of Women in the Arts. Retrieved March 11, 2014. Counting the Ships, exhibited in 1893 Columbian World's Exposition Daily Bread, exhibited in 1893 Columbian World's Exposition Evening in the Village, exhibited 1901 Pennsylvania Academy of the Fine ArtsPennsylvania Academy of the Fine Arts. Catalogue of the Annual Exhibition. 1901. p. 53. Greek Easter Procession on Halstead Street (Chicago, Illinois), pastel, 1907, Annual American Exhibition, Art Institute of ChicagoArt Institute of Chicago. Annual American Exhibition [of] Water Colors and Drawings. 1907. p. 71. LandscapeEnella Benedict. U. S. Women Painters: 1893 Chicago World's Fair and Exposition. arcadiasystems.org. Retrieved March 11, 2014. Old Stories, exhibited in 1893 Columbian World's Exposition Salt Marsh and Cedars, watercolor, exhibited in 1895 of the Art Students League at the Art Institute of Chicago. The many, pastel, 1907, Annual American Exhibition, Art Institute of ChicagoArt Institute of Chicago. Annual American Exhibition [of] Water Colors and Drawings. 1907. p. 142. Young Boy at Work William Tomlinson PlantEnella Benedict (1858–1942). American Gallery. Retrieved February 22, 2014.

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