Anatol Herzfeld (born Karl-Heinz Herzfeld; 21 January 1931 – 10 May 2019) was a German sculptor and mixed-media artist, and also a policeman. A student of Joseph Beuys, he primarily used wood, iron and stone as materials. As an artist, he simply signed Anatol. He received attention for a happening, crossing the Rhine in a boat he created with Beuys, after Beuys had been expelled from the Kunstakademie Düsseldorf.
Anatol lived and worked on the Museum Insel Hombroich. His monumental sculptures were presented at the documenta in Kassel several times, and at the Nationalgalerie in Berlin, among others. Some of them are at international locations such as the National Assembly in Paramaribo, Suriname. On the occasion of his 80th birthday, two exhibitions were staged in his honour, one about him as an artist, the other as a policeman.
Life and work Herzfeld was born in Insterburg, East Prussia (now Chernyakhovsk, Russia). During World War II, he and his family escaped to the Rhineland, where he first was a blacksmith, then a policeman.Anatol Herzfeld – Künstler und Schutzmann: Ausstellung zum 80sten Geburtstag. Polizeipräsidium Düsseldorf. Düsseldorf 2011. Teaching traffic rules to school children using puppets was one of his specialties.
He studied sculpture at the Kunstakademie Düsseldorf with Joseph Beuys from 1964 to 1972. He was influenced by his professor's ideas, especially by the concept of "social sculpture". Therefore, telling stories, talking about current political themes, and working with his own hands became the basis of his artistic work. He chose his name as an artist, Anatol, after Anatole Kuragin from Tolstoy's War and Peace.
Anatol also created happenings together with Beuys.Eva Beuys, Joseph Beuys: Handaktion 1968 & Anatol Herzfeld: Der Tisch 1968. Göttingen 2009. An action by Beuys and Anatol took place in the pub in Düsseldorf in 1968. Three of Beuys's students, Joachim Duckwitz, Ulrich Meister and Johannes Stüttgen, were shown handcuffed to a steel table made by Anatol and sitting on steel chairs. Red and green signals, operated by Anatol from a corner of the room, directed each sitter as to when they could speak. Beuys stood in the opposite corner of the room, silently making different gestures.Der Tisch (motion picture). Film- und Tonaufzeichnung einer gemeinsamen öffentlichen Aktion von Joseph Beuys mit seinen Schülern Anatol Herzfeld, Ulrich Meister, Joachim Duckwitz und Johannes Stüttgen am 23.1.1969 im Creamcheese, Düsseldorf. After Beuys was expelled from the Kunstakademie in 1972, Anatol protested in an action the following year. On 20 July 1973, he placed Beuys in a dugout canoe that he had built, and they crossed the Rhine from Oberkassel, where Beuys lived, to the Akademie,Johannes Stüttgen, Der ganze Riemen. Der Auftritt von Joseph Beuys als Lehrer. Die Chronologie der Ereignisse an der Staatlichen Kunstakademie Düsseldorf 1966–1972. Cologne: König, 2008, p. 1012. in a symbolic journey of a return of his master titled Die Heimholung des Joseph Beuys.
For two years, Anatol was also a student of architect ."Anatol Herzfeld: 'Ergebnisse 64–78' ". In Das Kunstwerk, vol. 32, 1979, p. 181. Furthermore, he regularly participated in ring talks (Ringgespräche) about art theory.
In 1975, he founded the Freie Akademie Oldenburg.Freie Akademie Oldenburg.Helga Meister, "Anatol", In Die Kunstszene Düsseldorf. Recklinghausen 1979, p.33. From 1979 to 1981, he taught art at the Kunstakademie Düsseldorf. In 1982, he settled on the Museum Insel Hombroich, running a studio in a former barn.Udo Weilacher, In Gardens: Profiles of Contemporary European Landscape Architecture (Basel: Birkhäuser, 2005), p. 76. In 1996, he was appointed honorary professor of fine arts by the University of South Dakota in Vermillion.Kunstforum International, No. 136, 1997, p. 18.
He died in Moers on 10 May 2019 at age 88 after a short illness.
Exhibitions Anatol's art was presented in exhibitions including:Anatol Herzfeld Kunstaspekte 1972: documenta 5, Fridericianum, Kassel 1976: „mit-, neben-, gegen“ Beuys und seine Klasse, Frankfurter Kunstverein, FrankfurtFrankfurter Kunstverein: Amboß für Frau Maos Messer Frankfurter Stadtanzeiger, 4 November 1976 1977: documenta 6, Fridericianum, Kassel 1982: documenta 7, Karlsaue, Kassel 1983: Nationalgalerie, Berlin 1985: Antonius Höckelmann / Anatol Herzfeld, , Düsseldorf
2002: Städtische Galerie im Park Viersen, Viersen
2011: Exhibition on the occasion on his 80th birthday, 2014: Anatol. Arbeiten aus der Sammlung Gertz.,
Works Die Schule, Museum Insel Hombroich, Neuss
Die Jade (1975), Dangast Das Traumschiff Tante Olga (1976), documenta 5 in Kassel, then Heinrich-Schütz-Schule there Die Neue Jade (1979), Dangast
Die Kirche (1988), Museum Insel Hombroich, Neuss Triptychon (1991), St. Agnes, Cologne Das Parlament (1991), Museum Insel Hombroich, Neuss Eisenmänner / Wächter (1993), Museum Insel Hombroich, Neuss
Die Wächter der Goitzsche (2000), Bitterfeld Die Wächter der Kinder (2002), Viersen Ur-Haus (2004), Busan, South KoreaBusan Biennale 2004 Heilkunst (2005), Graz, AustriaLKH-Univ.Klinikum Graz / Skulpturengruppe "Heilkunst" Head of Joseph Beuys (2008), Meerbusch-Büderich Wächter (2010/2011), Selm-Bork Demokratie, National Assembly in Paramaribo, Suriname
Awards 1991 Cross of the Order of Merit of the Federal Republic of Germany 1992
Gallery
References
Further reading Anatol: Besuch bei Tante Olga in Dangast. Oldenburger Kunstverein, 14 February – 2 March 1975. Gerd Winkler: "Alle Lieben Anatol". In pardon, no. 3, March 1976, pp. 114–120. Helga Meister: "Anatol", In Die Kunstszene Düsseldorf. Recklinghausen 1979, pp. 32–34. Anatol – Ausstellung im Kunstforum Rottweil. Exh. cat., Rottweil 1980. Manfred Boetzkes (ed.): Anatol: Bilder 1979–1984. Exh. cat., Roemer- und Pelizaeus-Museum, Hildesheim 1984. Karl-Heinz Hering, Anatol – Bilder u. Plastiken 1965–1985; Arbeitszeit. Kunstverein für die Rheinlande und Westfalen, 20 April – 2 June 1985, Düsseldorf 1985. Anatol: Mein Leben; neue Bilder auf Blei. 14 March – 30 April 1986. Galerie Vömel, Düsseldorf 1986. Friedhelm Mennekes: "Aus dieser Fremde mache ich Bilder: Anatol im Gespräch mit Friedhelm Mennekes". In Kunst und Kirche, 49, 1986, pp. 154–158. Michel Ruepp: Anatol – Natur und Technik. Museum Bochum, 21 March – 3 May 1987, Bochum 1987. Anatol: Arbeitszeit "Das Bleihaus". Ausstellung "Blei-Arbeiten", 23 April – 31 May 1987. Germanisches Nationalmuseum, Nuremberg 1987. Jacek Barski (ed.): Lovis-Corinth-Preis 1992 der Künstlergilde: Karl Heinz Herzfeld – Anatol, Friedrich Sieber, Ursula Doerk. Ausstellung der Preisträger, Museum Ostdeutsche Galerie Regensburg, 14 November 1992 – 10 January 1993, Regensburg 1992. Anatol: Arbeiten 1983 bis 1993 – Jesus Christus muß uns zu Freunden machen. Exh. cat., Gerhard-Hauptmann-Haus, Düsseldorf 1994. Anatol – Memento mori – Bilder, Skulpturen, Objekte und Arbeiten auf Papier und Pappe. Exh. cat., Stadtmuseum Ratingen. 11 June – 20 August 1995. Ratingen 1995. Marie-Luise Otten and Ursula Mildner, "Anatol und Ratingen – ein Gespräch". In: Die Quecke, 65, 1995, pp. 82–87. ANATOL, 17 March – 6 May 2001. Stiftung Insel Hombroich, Neuss 2001. Christiane Dressler: "Anatol, der Mann, der aus dem Osten kam – zum 70. Geburtstag des Künstlers". In Kunstzeit. 1. Schuffelen, Pulheim 2001, pp. 64–73. Anatol zum 75. Geburtstag. 28 April – 30 June 2006. Galerie Alex Vömel, Düsseldorf 2006. Eva Beuys: Joseph Beuys: Handaktion 1968 & Anatol Herzfeld: Der Tisch 1968. Göttingen 2009.
External links
Ingeborg Gottschalk, "Anatol Herzfeld" Rhein-Kreis Neuss: 75. Geburtstag von Anatol Herzfeld Revierpassagen: Museum Bochum: Anatol und seine Arbeitszeit WDR: WestArt: Anatol Herzfeld: Das Parlament, Museum Insel Hombroich Anatol Herzfeld Galerie Scheel Robert Beerscht: Anatol Herzfeld Freie Akademie Oldenburg Rainer Bartel: Düsseldorfer Gesichter (9): Anatol Herzfeld – Polizist, Verkehrskasper, Bildhauer, Arbeiter the-duesseldorfer.de