Sir Claude Hotchin OBE (7 March 1898 – 3 June 1977) was a businessman and art dealer, patron and benefactor in Western Australia. He is remembered for his support for Australian painters and Western Australian (especially regional) art galleries.
History Hotchin was born at Quorn, South Australia, a son of butcher Robert John Hotchin ( – ca.27 October 1909) and Bertha Mary Hotchin (née Brown, later Osborne) ( – 28 July 1938), a tailor. In 1905 the family moved to Broken Hill, New South Wales. After leaving Broken Hill's Burke Ward school, he worked for a few years as a junior clerk at the Town Hall and moved to Adelaide in 1914 or perhaps 1915, Other sources have him moving to Adelaide at age 15, which would have been 1913 or 1914. and found work as "oil boy" (paint technician), messenger and shop boy in the hardware store of Clarkson Ltd, 124–126 Rundle Street, Adelaide, which specialised in glass, paint and ceramic lavatory ware.
On 4 June 1925 he and his newly-wed wife, a daughter of the business owner Albert Edward Clarkson ( – ca.25 April 1936), moved to Perth as sales manager of the firm's Murray Street branch (previously Sedgwick Ltd.). In 1929 the store manager and local director, Charles Sutcliffe Harper, was promoted to general manager and full directorship, and Hotchin look his place as local director.
In 1928 Hotchin built "Mornington Flats" consisting of six self-contained two-storey flats on Colin Street, West Perth, which he sold in 1930.
In April 1932 the Murray Street building was destroyed by fire, and Hotchin and Harper bought out Clarksons (W.A.) Ltd., taking over premises at 94 William Street, Perth, opening on 1 June 1932. In 1940 Hotchin bought Harper's shares, business prospered, and in 1950 he was able to sell up and retire.Janda Gooding, 'Hotchin, Sir Claude (1898–1977)', Australian Dictionary of Biography, National Centre of Biography, Australian National University, accessed 19 January 2013
Art Hotchin had always enjoyed visits to art galleries and early resolved to purchase as many Australian paintings as he could afford. He began collecting seriously in 1937 with the purchase in Sydney of the oil painting Mutiny by Norman Lindsay. His home became a showplace of art and meeting place for artists.Uren, Malcolm J. "Art for Everyone" The Rotarian June 1956 pp.16, 17. He was active in hosting art exhibitions at various venues, then in 1947 established the Claude Hotchin Art Galleries above Skipper Bailey's car showroom at 900 Hay Street, managed by his daughter Margaret.
In 1948 he inaugurated the annual Claude Hotchin competition for Western Australian artists which was to continue until 1973.
In 1950 he inaugurated the Claude Hotchin Silver Shield to be awarded annually for the business which best decorated its premises for the National Flower Day, held in September.
His gallery closed in 1951 when the space was required to cope with expansion of Skipper Bailey's business. During the five years it had been in operation, the gallery had hosted over 76 exhibitions and displayed over 3,000 original works of art. The centre has been made available free of cost to musical societies and art groups.
Between 1948 and 1977 Hotchin donated an estimated two thousand paintings to public art galleries, municipal councils and other public institutions through the State, notably the Royal Perth Hospital and the University of Western Australia. He donated five paintings to the CWA.
Perth Hospital The Royal Perth Hospital Art Collection, is the largest such in Australia and consists of more than 1000 paintings, drawings, and other works, by artists such as Rupert Bunny, Sir Arthur Streeton, Norman Lindsay, Arthur Boyd, Kathleen O'Connor, Albert Namatjira, Charles Blackman, Jeffrey Smart, Howard Taylor, Robert Juniper, Guy Grey-Smith, Rover Thomas, Theo Koning, Ronnie Tjampitjinpa, Julie Dowling and Max Pam, displayed at the Wellington Street and the (now closed) Shenton Park campuses, a large proportion of which was contributed by Hotchin.
One of Hotchin's major donations to the R.P.H. was in 1954, when he contributed 31 original works and 50 prints to the collection. Of these works, Hotchin singled out for attention those by Allon Cook and Leach Barker.
The City of Bunbury Art Collection This collection was based on 22 works donated to the City in 1948 by Hotchin. The city of Bunbury's collection continues to grow, assisted by the Bunbury Biennale, begun in 1993 as a means of purchasing contemporary works by artists of significance to Western Australia and the South West. In 1949 he donated the winning canvas in his 1948 competition, entitled "East of the City" and painted by Ernest Philpot, and in 1950 two works by Kathleen O'Connor and Robert Campbell.
The Geraldton Collection In 1949 Hotchin presented a valuable group of around 22 paintings to the people of Geraldton and district. In a letter to E. H. H. Hall, M.L.A., he stated that the pictures would be from the brush of representative Australian artists, and requested that they be hung in a hall easily accessible to the public at all times, and hoped that his gift would be the basis of a district art centre to which he and others could make suitable additions. The paintings were:
Old Hobart by Max Angus Princess Royal Harbour by Leach Barker Entrance to the Bullion Yard, Bank of England by A. B. Calvary 8alt Lake, Rottnest by Robert Campbell Morning Song by Elizabeth Durack Beside the Derwent by Tasman Fehlberg A Bowral Landscape by H. R. Gallop Reflections by Alfred S. Gant Day Wane by Tom Garrett The Swan Valley by James Goatcher Looking Towards the Spit by John B. Godson Head of the Brachina Gorge by Hans Heysen Evening by Cyril Lander Dancers in Pink by Bernard Lawson Finke Gorge, N.T. by Edwin Pareroultja Bunny Flats by John Podger Scene in Gippsland by H. Septimus Power Road to Mt. Gambier by Max Ragless Autumn by Ethel Sanders Peaceful Waters by Percy Tassell Evening Symphony by H. Van Raalte Shady Pastures by Harold Vike
The Albany Collection Albany was the third W.A. country town to receive a gift of contemporary Australian art from Hotchin. The 33 paintings (originally to have been 34) included one work by an Albany painter, Leach Barker. The Lower Town Hall was to be refurbished to form the new Art Gallery. The paintings were:These two references include small but useful biographies of the painters. Second of the two-part article.
Tasmanian Landscape by Max Angus There Gleams a Splendour in the Grey by Leach Barker Glass House Mountain by Howard Barron Canberra by Thomas H. Bone Broken Light by Robert Campbell Rugged Coastline by Albert Collins Morning by Elizabeth Durack The Devil's Elbow, Murrumbidgee River by Gordon Esling Terrigal Beach by Herbert R. Gallop Deserted by Tom Garrett Fertile Valley by James Goatcher Bunnagorang Valley by John B. Godson S. S. Rotomahana by Harold Herbert Golden Afternoon by Hans Heysen Gathering Hay by Malcolm Hone Margaret by P. Ivor Hunt Ocean Symphony by Lionel Jago Perth from National Park by Cyril Lander The Cart Track by Bernard Lawson Mt. Flora by Leonard Long At the Great Barrier Reef by Louis McCubbin The Belgian Poet by Kathleen O'Connor Mount Razorback by Edwin Pareroultja The Resting Place by H. Septimus Power Mount McKinlay by Max Ragless The Pioneer by Margaret Saunders Toward Portland by W. Spence Bracken Banks by H. Van Raalte Encounter Bay by Robert Waden Petunias and Apples by Travis Webber Hillside Gums by Travis Webber Anemomes by George Whinnen The Boab Tree by Vlase Zanalis
The Shire of Plantagenet Collection The Shire of Plantagenet Art collection was founded in 1956 through a significant bequest of 40 artworks from Hotchin. Over the years he continued to donate artworks with the last discernible gift being in 1972. The total number of works gifted to the Shire is 57, with most being permanently displayed at the Mount Barker Public Library.
The Shire of Plantagenet collection contains many important works by renowned 20th century Australian and Western Australian artists that make it one of the most significant local government art collections in Western Australia. It remains a testament to Hotchin's vision in bringing such quality artworks to the people of regional Western Australia.
The paintings were: +North Head, Sydney Harbour by Sir John William AshtonDinnertime Hill Arkaroola by Hilda FehringLengthening Shadows on the Crop by Kenneth Robertson MacQueenVictorian Coastline by William SpenceFebruary Landscape, Albany by Portia May BennettThe Picnic, Hunter River by Herbert Reginald GallopThe Builders by Bryant McDivenIn the Everard Ranges by John TribeSands of Nanarup by Leach BarkerFlinders Ranges by Alfred GantAugust Afternoon Rottnest by Frank MillsRugged Coastline by John William TristramThe Brook by William BoissevainMouth of the Greenough River by James GoatcherWave, South Coast by Mary Marshall NunnNatures Bouquet by Lenora UrenTranquility by Ernest BearsbySalt on the Wind by Audrey GreenhalghIn a Bohemian Atmosphere by Kathleen O'ConnorThe Giant by Hennri Van RaaltePeaceful Waters by William Merric Boyd (Snr)In Old Lymington, England by Guy Edward Grey-SmithUntitled (Nude Study) by Kathleen O'ConnorTowards Circular Quay by Hayward VealWintry Day, Swan Valley by Robert Richmond CampbellRobins by Charles HamiltonFisherman's Beach Long Reef by Dudley ParkerStill Life by Travis WebberPink Banksias by Ellen ChappellZinnias by Dorothy Millicent HantonOverlooking Happy Valley S.A. by Barbara PowellValley at Halls Gap by Travis WebberThe White Dinghy by Romola CliftonGreek Fisherman by Margaret JohnsonRiver Lachlan NSW by Maxwell RaglessWhite Gums at Bridge Water by George WhinnenPatch of Light by Lucile CollinsThe White Door by Daphne JonesIn the Derwent Valley Tasmania by Maxwell RaglessCalendulas by Elaine WindzaWhere the Irwin Meets the Seas by Allon Francis CookAt Rottnest Island by Anthony KarafylakisYardie Creek, North West Cape by Peter RohanValley of the Yarra by Dudley WoodDesert Wind by Elizabeth DurackWembley Downs by Maurice M KennedyAfter the Bush Fire (Burnt landscape) by Marjorie RowbothamMother and Son by Vlase ZanalisKimberley Morning by Kenneth EadesBluff Knoll, Stirlings by Laurie KnottStill Life by Marjorie RowbothamNear Hermannsberg Mission N.T. by Walter EbatarinjaHay Street, Perth by Cyril LanderMarguarita by Margaret SaundersFlinders Landscape by Hilda FehringChristmas Trees of Western Australia by Anthony LazbergerPicturesque Poverty by Yvonne Selby
Katanning In 1951 Hotchin offered a gift of 24 paintings to the people of Katanning and district, through the Katanning Road Board. The artists represented were:
Leith Angelo Leach Barker George C. Benson Thomas H. Bone Robert Campbell Marshall Clifton Allon Cook Gordon Esling Tom Garrett J. M. Gilmour James Goatcher John B. Godson Dorothy Hanton Rolf Harris P. Ivor Hunt Cyril Lander Verners Linde Kathleen O'Connor Edwin Pareroultja Dudley Parker Ernest Philpot Max Ragless W. Spence V. R. Watt
Northam In 1952 Hotchin presented 33 Australian original works of art to the people of Northam.
Narrogin In 1953 he presented a collection of 30 paintings to the people of Narrogin, to be hung in the renovated lower Town Hall. Artists represented were:
John Allcot Leith Angelo James Ashton Will Ashton Leach Barker Howard Barron George Benson Charles Buch Robert Campbell Ellen Chappell Marshall Clifton Allon Cook Rah Fizelle Iris Francis H. R. Gallop Tom Garrett James Goatcher P. Ivor Hunt Cyril Lander Sydney Long W. Mclnnis M. A. Montford Kathleen O'Connor Ernest Philpot H. Septimus Power Herbert Rabarer William Rowell Alan Stubbs Percy Tassell Hayward Veal
Collie