A lekythion or lecythion, in classical Greek and Latin poetry, is a metric pattern (colon) defined by a sequence of seven alternating long and short syllables at the end of a verse (— u — x — u —).Dale, A. M.: Lyric Metres of Greek Drama. Cambridge: Cambridge UP, 1968. p. 20, 215Halporn, James W., Martin Ostwald, & Thomas G. Rosenmeyer: The Meters Of Greek And Latin Poetry. London: Methuen, 1963, p.23. In classical grammatical terminology it can be described as a trochaic dimeter catalectic, i.e. a combination of two groups of two trochees each (— u — x), with the second of these groups lacking its final syllable; or as a trochaic hepthemimer, i.e. a trochaic sequence of seven half-feet.Liddell, Henry George, & Robert Scott, A Greek-English Lexicon, s.v. "" . A lekythion can appear in several different metric contexts in different types of poetry, either alone as a verse or as the second of two cola following a caesura. A frequent type of occurrence in Greek drama is in lines of iambic trimeter, the most frequent metre used in spoken dialogue, i.e. lines of the type x — u — x — u — x — u —. These lines may have a metric caesura after the first five syllables, with the remaining line thus resulting in a lekythion group.
The lekythion also has a catalectic form known as the ithyphallic, of which the pattern is – u – u – x.West, M. L. (1987) An Introduction to Greek Metre. Oxford. p. 52.
In Euripides and Aristophanes
The term lēkythion literally means "small oil-flask" (from , the diminutive form of , lēkythos). The term was coined in reference to a passage in the comedy The Frogs by Aristophanes,Aristophanes, The Frogs, l.1206–1249 in which the two poets Aeschylus and Euripides are engaged in a comic debate criticizing each other's works. Aeschylus makes Euripides recite the beginnings of seven of his tragic prologues (all in iambic trimeter), each time interrupting him and interjecting the same phrase "... lost his little oil flask" (), wherever the verse offers an opportunity, which is frequently the case because of Euripides' propensity to use a metric caesura after the first five syllables.Stanford, W. B. (ed.): Aristophanes: The Frogs. London: Macmillan, 1959.
Below, as an example, is one of the original passages of Euripides (from the prologue of Iphigenia in Tauris):
Euripides, Iphigenia in Tauris, ll.1f. .
u — u — | u — u — | — — u — u — u — | — — u — | u — u —
("Pelops, son of Tantalus, coming to Pisa with swift horses, married Oenomaus' daughter.")
Aristophanes' parody, as it occurs in the Frogs, is as follows:
Aristophanes, The Frogs, ll.1232f. .
–
u — u — | u — u — | — — u — u — u — | — — u uu | u — u —
("Pelops, son of Tantalus, coming to Pisa with swift horses" – "lost his little oil flask.")
The shape of flask indicated by the word lekythion has been debated by scholars, but it is believed by many that the lekythion was probably the small round flask known to modern scholars (although not to ancient writers) as the aryballos.Henderson, J. (1972). "The Lekythos and Frogs 1200–1248. Harvard Studies in Classical Philology, Vol. 76 (1972), pp. 133–143.Anderson, G. (1981). ΛΗΚΥΘΙΟΝ and ΑΥΤΟΛΗΚΥΘΟΣ. The Journal of Hellenic Studies, Vol. 101 (1981), pp. 130–132.Sansone, D. (2016). "Whatever Happened to Euripides’ Lekythion (Frogs 1198–1247)?". From the book Wisdom and Folly in Euripides, 319–334. De Gruyter.
The point of the seven times repeated joke has also been much debated, but the majority of scholars believe that as well as poking fun at the style of Euripides' prologues, there is probably a sexual innuendo, giving the meaning "became impotent", "lost his testicles" etc.
In Aeschylus Lekythia are a prominent feature of the choral odes of Aeschylus's Oresteia trilogy, for example in the following lines of Agamemnon.Chiasson, C. C. (1988). "Lecythia and the Justice of Zeus in Aeschylus Oresteia". Phoenix, Vol. 42, No. 1 (Spring, 1988), pp. 1–21. The section below contains six lekythia:
Aeschylus, Agamemnon 160–166.
– – | – u – u | – u – (spondee + lekythion) — u — u | — u — (lekythion) — u — u | — u — (lekythion) — u — u | — u — (lekythion) — u — u | — u — (lekythion) — uu | — uu | — uu | — uu | – – (4 dactyls + spondee) — u — u | — u — (lekythion)
('Zeus, whoever he may be, — if by this name it pleases him to be invoked, by this name I call to him. — I have nothing to compare, as I weigh all things in the balance, save “Zeus,” if in truth I must cast aside this vain burden from my heart.')
Charles Chiasson suggests that lekythia in the Oresteia "typically accompany manifestations or threats of a conspicuously harsh divine justice characterized by violence, human suffering, and death".
In Hephaestion
As a technical term in metrical analysis, the term "lekythion" is first attested in the 2nd century AD, in the Handbook of Metrics by the grammarian Hephaestion.Hephaestion, Enchiridion de metris, ed. M. Consbruch, Leipzig: Teubner, 1906, p.18. Hephaestion also calls the pattern the "Euripideum" ("", "the so-called Euripideum or Lekythion"). While Hephaestion does not explicitly refer to the passage in The Frogs, he cites some other verses from Euripides as an example. Here the lekythion is found alone as a full line, in a piece of choral lyrics from the tragedy Phoenissae:
— u — u | — u — — u — u | — u —
("Now furious Ares has come before my walls ...")Euripides, Phoenissae, l.239f
Notes
References