The Art Farmer Septet is an album by trumpeter Art Farmer, featuring performances recorded in 1953 and 1954, arranged by Quincy Jones and Gigi Gryce, and released by Prestige Records in 1956. It is his earliest recorded full-length album, but was his third issued. The cover art was by cartoonist Don Martin.
The recordings made on July 2, 1953, feature Monk Montgomery on bass guitar, and are possibly the earliest studio recordings with that instrument, according to musician Chuck Rainey.Interview with Chuck Rainey, Bass Heroes, ed. Tom Mulhern, 1993, pp165. Arranger Quincy Jones highlights Montgomery in the opening sections of three of the four tracks, and Montgomery shows his technical skill on a variety of styles and techniques.
All of the players on the 1953 recording were at that time members of the Lionel Hampton Orchestra, and subsequently toured Europe with Hampton from September to December 1953, except Sonny Johnson. Johnson was a previous associate of bass player Monk Montgomery, from Indiana.Album liner notes by Ira Gitler
The four tracks recorded in 1953 were first issued in 1954 on a 10-inch album Work of Art, on Prestige Records. Three singles were released, the first being “Mau Mau (Pt. 1 & 2)” (Prestige 875) in 1953.
Reception
AllMusic called the album "An excellent early hard bop set". The Penguin Guide to Jazz commented that the album demonstrates that Farmer's "style was already firmly in place: a pensive restraint on ballads, a fleet yet soberly controlled attack on uptempo tunes, and a concern for tonal manipulation within a small range of inflexions".Cook, Richard and Morton, Brian (2008) The Penguin Guide to Jazz Recordings (9th ed.), Penguin, p. 469,
Track listing All compositions by Art Farmer and Quincy Jones except where noted. "Mau Mau" – 5:15 "Work of Art" – 5:46 "The Little Bandmaster" – 4:06 "Up in Quincy's Room" (Gigi Gryce) – 4:00 "Wildwood" (Gryce) – 2:55 "Evening in Paris" (Quincy Jones) – 2:41 "Elephant Walk" (Jones) – 3:25 "Tia Juana" (Gryce) – 4:52
Note Recorded in WOR Studios, New York City on July 2, 1953 (tracks 1–4) and at Van Gelder Studio in Hackensack, New Jersey on June 7, 1954 (tracks 5–8)
Personnel Art Farmer – trumpet Jimmy Cleveland – trombone Clifford Solomon (tracks 1–4), Charlie Rouse (tracks 5–8) – tenor saxophone Oscar Estell (tracks 1–4), Danny Bank (tracks 5–8) – baritone saxophone Quincy Jones (tracks 1–4), Horace Silver (tracks 5–8) – piano Monk Montgomery – electric bass (tracks 1–4) Percy Heath – bass (tracks 5–8) Sonny Johnson (tracks 1–4), Art Taylor (tracks 5–8) – drums Quincy Jones – percussion (track 1) Quincy Jones (tracks 1–4), Gigi Gryce (tracks 5–8) – arrangement
Production Doug Hawkins – recording engineer (tracks 1–4) Ira Gitler – producer (tracks 1–4) Rudy Van Gelder – recording engineer (tracks 5–8) Bob Weinstock – producer (tracks 5–8)
References