Shields is the fourth studio album by American rock band Grizzly Bear, released on September 18, 2012, by Warp Records. Written and recorded following a six-month hiatus from band activities, the album was produced by bassist and multi-instrumentalist Chris Taylor. Preceded by the singles, "Sleeping Ute" and "Yet Again", an expanded version of Shields, entitled Shields Expanded, was released on November 12, 2013, featuring additional tracks recorded during the sessions, demo recordings and remixes. The eight additional tracks were issued as a separate mini-album, entitled Shields: B-Sides.
Shields has been described as the band's most collaborative album, with vocalist and guitarist Daniel Rossen noting, "[The band's aim was to] write and make music that is as collaborative as possible, so that we have a product that we all feel a sense of authorship over as a collective."
The album received acclaim upon release. Shields reached number seven on the Billboard 200 and number seventeen on the UK Albums Chart.
Background After extensive touring in support of the band's third studio album, Veckatimest (2009), Grizzly Bear undertook a six-month hiatus from band-related activities. Vocalist Ed Droste noted, "There was such a level of exhaustion that I really needed to pretend I wasn't in the band for a little bit. I needed to be back in my life with my friends and my spouse, and live a day-to-day existence that had nothing to do with music. That was really good for everybody." Vocalist and guitarist Daniel Rossen stated, "Those were strange times. [...] I felt a little bit shell-shocked by the touring experience of Veckatimest and part of me was just wondering if there was some other version of a life that I could have that wasn't as heavily involved in the music industry."
During the break, bass guitarist and producer Chris Taylor released a solo album, Dreams Come True (2011), under the pseudonym CANT, stating, "I can't just take a break. For whatever reason, I'm the kind of person who needs to constantly to work on stuff. When we finished touring, I didn't want to take some time off, I just wanted to go into the studio. But, I really didn't want to book myself in with a band and go record them, so I decided I'd try and make my own record." Daniel Rossen recorded and released a solo EP, Silent Hour/Golden Mile (2012), featuring tracks initially intended for Shields.
Recording Regarding the band's eventual return, Ed Droste noted, "Coming back together to try to write and record was like being in junior high again – after you go away for the summer, the first couple of weeks are slightly awkward when you get back to school. Then, you get back into the swing." Daniel Rossen elaborated, "The whole process with this record felt like starting over. We took enough time off that we... I don't know. My head kind of went out of the game or something. Getting back into it was really confusing. It took a long time."
In June 2011, the band moved to Marfa, Texas to begin recording their fourth studio album, with bassist and multi-instrumentalist Chris Taylor returning to his role as producer. Droste noted, "We had passed through before and there is a great arts collective and vibe. We decided to rent a place and make our next album there." The band recorded "an album's worth of material" in Marfa, but ultimately abandoned the majority of tracks.Iqbal, Nosheen. Interview: Grizzly Bear's Ed Droste and Chris Bear. Time Out. Retrieved September 12, 2012. Vocalist Ed Droste noted, "We were like, 'We're ready to do this!' Then, we got there and recorded twelve songs and were like, 'This isn't quite there.'" Vocalist and guitarist Daniel Rossen elaborated, "We didn't have that unspoken momentum, that unspoken understanding of what everyone is into." Only two songs from these sessions made it onto the finished album; "Sleeping Ute" and "Yet Again".
The band subsequently started afresh in early 2012, returning to Droste's mother's home in Cape Cod, where the band had previously recorded its second studio album, Yellow House (2006).Pareles, Jon. Plugging Into a New Synergy. New York Times. September 13, 2012. Retrieved September 13, 2012. Commenting on the return to Yellow House, Droste noted, "It's so funny that we went back there in the end. It's my grandmother's house, we know it, and we can use it for free. And as soon as we got there, things started happening. [...] We just sat by the fire, Dan strumming, me singing, and it happened. Some of the best songs on the record, like "Speak in Rounds" and "Half Gate", came out of that. We stayed there in isolation for two months straight." Droste stated that he and Rossen decided to "'try writing from the bottom up. We've never done it before.' There's a little bit of fear there because it's a new process we've never tried. We've never sat side by side and said, 'Let's literally, out of the ether, start writing songs together.' A couple of songs came that way, and that's why they're verse me, chorus Dan. [...] Suddenly the synergy hit, and the momentum struck, and then everyone got excited. And that's when the ball started to roll, and then we just started playing around, and people were much more open.""
Ed Droste described Shields''' overall aesthetic as "very in-your-face", saying that "the drums and vocals are clearer and louder. It's not as dreamy and pastoral and sleepy as past efforts, and there's a lot of raw vocal takes, which is something we don't normally do." Rossen elaborated, "Previous records were definitely dreamier with lots of layered vocals and we've started paring those back and taking them away, taking them away. That's what we went for on this record: clearer performances and more direct arrangements."
Talking about Chris Taylor's production, Rossen stated, "Part of his strength is that he pushes us. [...] He enables us to try stranger stuff; he pushes us to that side of ourselves. [...] He's always thinking of the whole palette, I feel, whereas Ed and I might be more worried about a melody or a lyric." The album was mixed by Michael Brauer.Colletti, Justin. Behind The Release: Grizzly Bear Shields. September 13, 2012. Retrieved September 13, 2012.
Writing and composition
The songwriting process for Shields was more collaborative than on past releases, with vocalist Ed Droste noting, "As we get older, more confident, and more mature, we're becoming more comfortable with stepping on each other's toes." Pairs of band members did writing retreats with each other, with band members regularly building off of other members' ideas.
Lyrically, Ed Droste described Shields as Grizzly Bear's "most verbose album" yet, noting, "It's funny, because I think back to a song like "Colorado", where I was basically singing ten words over and over again for five minutes straight – and that's it. There's nothing on this album like that. There's a lot more there, verbally, and it's definitely emotionally charged." Bassist and producer, Chris Taylor stated, "For this record, it was really important to us to try and make sure that lyrics had a weight to them and at least some sense of a narrative, even if it was loose. There were lyrics in previous albums that seemed to have no meaning whatsoever. And that always really annoyed me. We agreed it'd be really important and awesome if we could just try and make all the lyrics tell something. [...] I was definitely able to use lyrics as a frame to how I would let the arrangements build and then fall away."
Regarding the album's thematic content, Daniel Rossen noted, "There's a lot of talk about negotiating distance from people in your life. We were dealing with that in various forms, learning what it means to be alone, learning what it means to be close to somebody, certain things coming to a head. It just feels like a major difficulty in life." Droste elaborated, "There's a desire to be autonomous, but there's also this great fear of being alone, and there's this constant feeling of, 'How do you reconcile this?' There's this need for space, but there's also this, 'Come closer come closer.'"
Artwork and release The album's artwork features paintings throughout by American artist Richard Diebenkorn, with its front cover featuring his 1981 print, Blue Club. Each Diebenkorn piece included features either a spade or club symbol, traditionally found on playing cards.Shields liner notes.
Grizzly Bear revealed that they were working on a new album on May 10, 2011.Fitzmaurice, Larry. Grizzly Bear Working on New Album. Pitchfork Media. May 10, 2011. Retrieved September 11, 2012. The release date, track listing and the song "Sleeping Ute" were announced on June 5, 2012, while the title and cover art was announced on July 9, 2012.Snapes, Laura. Grizzly Bear Announce Album Title and Cover Art. Pitchfork Media. July 9, 2012. Retrieved September 11, 2012. A second song from the album, "Yet Again", was released on August 2, 2012.Battan, Carrie. Listen to a New Grizzly Bear Song: "Yet Again". Pitchfork Media. August 2, 2012. Retrieved September 11, 2012. On September 9, 2012, Shields was streamed in its entirety on NPR.Thompson, Stephen. First Listen: Grizzly Bear, 'Shields'. NPR. September 9, 2012. Retrieved September 11, 2012.
On September 27, 2012, a music video for "Yet Again" was released.Larson, Jeremy. Video: Grizzly Bear – "Yet Again". Consequence of Sound. September 27, 2012. Retrieved September 27, 2012. On January 28, 2013, a music video for "gun-shy" was released. Director Kris Moyes described the video for "gun-shy" as "a very rare glimpse of what creative energy could look like on a molecular level, if it could be seen."Grizzly Bear Get Twitchy in 'Gun-Shy'. Rolling Stone. January 28, 2013. Retrieved February 27, 2013.
Shields: Expanded and Shields: B-Sides On September 17, 2013, Grizzly Bear announced reissues of the album, "Shields: Expanded" and "Shields: B-Sides", which were released November 11 (12 in North America) 2013. Alongside the original track list, "Shields: Expanded", available on double CD or as a digital download, included 8 additional songs, including bonus tracks, demos from the recording sessions in Marfa, Texas, and remixes by Lindstrøm, Liars and Nicolas Jaar. The 8 extra tracks were made available separately as "Shields: B-Sides", on either 12" vinyl or digital download.