The Quiet Man is a 1952 American romantic comedy drama film directed and produced by John Ford, and starring John Wayne, Maureen O'Hara, Victor McLaglen, Barry Fitzgerald, Arthur Shields and Ward Bond. The screenplay by Frank S. Nugent was loosely based on a 1933 Saturday Evening Post short story of the same name by Irish author Maurice Walsh, later published as part of a collection titled The Green Rushes. The film features Winton Hoch's lush photography of the Irish countryside and a long, climactic, semi-comic fist fight.
The film was an official selection of the 1952 Venice Film Festival. John Ford won the Academy Award for Best Director, his record fourth, and Winton Hoch won for Best Cinematography. In 2013, the film was selected for preservation in the United States National Film Registry by the Library of Congress as being "culturally, historically, or aesthetically significant".
Plot
In the 1920s, Sean "Trooper Thorn" Thornton, an Irish-born American retired boxer, travels from Pittsburgh to his birthplace of Inisfree to purchase the old family farm. Shortly after arriving, he falls in love with fiery, red-headed Mary Kate Danaher, the sister of bullying Squire "Red" Will Danaher. Will also wants to buy the old Thornton property and is angered when the property's current owner, the wealthy Widow Tillane, accepts Sean's bid instead of his. Will retaliates by refusing consent for Sean to marry his sister.
Some village residents, including parish priest Father Peter Lonergan and local matchmaker-cum-bookmaker Michaeleen Óge Flynn, trick Will into believing that Widow Tillane will marry him if Mary Kate is no longer under his roof. He allows the marriage but refuses to give Mary Kate her dowry when he finds that he was deceived and the Widow Tillane knows nothing about the deal. Sean, unschooled in Irish customs, professes no interest in obtaining the dowry. However, to Mary Kate, the dowry represents her value to the community and her freedom. She insists that the dowry must be received to validate their marriage, causing an estrangement between her and Sean. The villagers persuade Will to release Mary Kate's furniture, but he refuses to hand over the monetary part of the dowry (which is his contribution).
Mary Kate believes that Sean is a coward for not fighting Will. Sean goes to the local Church of Ireland minister and fellow former boxer, the Rev. Cyril Playfair, and reveals that he once accidentally killed a younger, married opponent in the ring. He had sworn to give up fighting out of fear and guilt over the incident. Mary Kate also confesses (in Irish) her part in the quarrel to Father Lonergan, who berates her for her selfishness. She and Sean partially reconcile that night, and they share the bedroom for the first time since their marriage.
However, the next morning, Mary Kate leaves their cottage and boards a train for Dublin, hoping this pretense of leaving will spur Sean to action. Sean learns from Michaeleen where she is, races to the railway station, and pulls her off the train. Followed by a growing crowd of villagers, Sean forces Mary Kate to walk with him the back to the Danaher farm. There, Sean confronts Will and demands the dowry money. When Will refuses, Sean throws Mary Kate back at her brother, declaring he will abide by the Irish custom "no fortune, no marriage". The ultimatum shocks both Mary Kate and Will, who finally pays the £350 (over £17,000 in 2022). Sean immediately burns it in the boiler, abetted by Mary Kate. She proudly leaves for home, but a humiliated Will takes a swing at Sean, only to be knocked down by Sean's counter-punch.
A donnybrook ensues, then evolves into a long fistfight between Sean and Will after they insincerely agree to adhere to the Marquess of Queensberry rules. This much-anticipated match attracts more and more spectators as it continues for miles across the landscape. The fighters pause for a drink inside Cohan's Bar, where they begrudgingly admit a mutual respect. As they argue over who will pay for the drinks, Will tosses a brew into Sean's face. Sean punches Will, sending him falling through the bar doors to lie unconscious in the street, ending the fight. Later, the reconciled and inebriated brothers-in-law stagger arm-in-arm back to Sean and Mary Kate's home for supper.
The next day, a humbled Will and the Widow Tillane begin their own courtship, and they ride out of the village in a jaunting car driven by Michaeleen. Sean, Mary Kate, and the villagers wave to them before Sean and Mary Kate playfully chase each other across the fields back to the cottage.
Cast
John Wayne's children: Michael, Toni, Patrick, and Melinda made uncredited cameos as children at the horse races.
Production The film was a departure for Republic Pictures, which backed Ford in what was considered a risky venture at the time.Hurst, Richard M. (2007). Republic Studios: Beyond Poverty Row and the Majors. Lanham, Maryland: Scarecrow Press, pp. 6, 18. It was the only time the studio, known for low budget B-movies, released a film that would receive an Oscar nomination for Best Picture.
Ford read the story in 1933 and soon purchased the rights to it for $10. The story's author was paid another $2,500 when Republic bought the idea, and he received a final payment of $3,750 when the film was actually made. Republic Pictures agreed to finance the film with O'Hara and Wayne starring and Ford directing, but only if all three agreed to first film a Western with Republic. They did, and after completing Rio Grande, they headed for Ireland to start shooting.
One of the conditions that Republic placed on Ford was that the film run under two hours. However, the finished picture was two hours and nine minutes. When screening the film for Republic executives, Ford stopped the film at approximately two hours in, on the verge of the climactic fistfight. Republic executives relented and allowed the film to run its full length. It was one of the few films that Republic filmed in Technicolor; most of the studio's other color films were made in a cheaper process known as Trucolor.
The film employed many actors from the Irish theatre, including Barry Fitzgerald's brother, Arthur Shields, as well as extras from the Irish countryside, and it is one of the few Hollywood movies in which the Irish language can be heard. Filming commenced on June 7, 1951. All of the outdoor scenes were shot on location in Ireland in County Mayo and County Galway. The inside scenes were filmed toward the end of July at the Republic Studios in Hollywood. Vawn Corrigan reports that Ford made considerable efforts to get the costumes correct for the period with Ó’Maille – The Original House of Style in Galway tasked with sourcing the costumes.
The story is set in the fictional community of Inisfree. This is not the same as the Lake Isle of Innisfree, a place in Lough Gill on the Sligo–Leitrim county border made famous by poet William Butler Yeats, which is a tiny island. Many scenes for the film were actually shot in and around the village of Cong, County Mayo, on the grounds of Cong's Ashford Castle. Cong is now a wealthy small town and the castle a 5-star luxury hotel. The connections with the film have led to the area becoming a tourist attraction. In 2008, a pub opened in the building used as the pub in the film (it had actually been a shop at the time when the movie was shot); the pub hosts daily re-runs of the film on DVD. The Quiet Man Fan Club holds its annual general meeting in Ashford Castle. Other locations in the film include Thoor Ballylee, County Galway, home of poet W. B. Yeats for a period; Ballyglunin railway station near Tuam, County Galway, which was filmed as Castletown station; and various places in County Mayo and Connemara, County Galway. Among those are Lettergesh beach, where the horse race scene was filmed, "The Quiet Man Bridge", signposted off the N59 road between Maam Cross and Oughterard and the "White O'Morn" cottage. The latter is located on R336 south of Maam, but long ago fell into ruin.
The film also presents Ford's depiction of an idealized Irish society, with only implied social divisions based on class and differences in political or religious affiliations. The Catholic priest, Father Lonergan, and the Protestant minister, Reverend Playfair, maintain a strong friendly relationship throughout the film, which represented the norm in what was then the Irish Free State, where religious tensions occurred in the 1930s but were the norm only in Northern Ireland. One of the allusions to Anglo-Irish animosity occurs after the happy couple is married and a congratulatory toast offered by Hugh Forbes expresses the wish that they live in "national freedom" (the term national has been censored from most editions) and before the final donnybrook when Thornton demands his wife's dowry from Danaher. Danaher asks Hugh Forbes, who had been commander of the local Irish Republican Army unit during the fight to expel the British, "So the IRA is in this too, ah", to which Forbes replies, "If it were, not a scorched stone of your fine house would be standing."
Ernie O'Malley, an Irish Republican Army officer during the war of independence, commander of the anti-Treaty IRA during the Irish Civil War, and author, acted as an advisor to Ford on the local culture, being on set with him every day. According to O'Hara, Ford "had a great deal of respect for Ernie...He had such respect for Ernie. They would natter away like old buddies...They liked each other. They were friends".
This movie is, in many ways a family affair. Francis Ford, who played the old man who gets up from his deathbed to watch the fight, is John Ford's older brother. Patrick Ford, the director's son, did much of the stunt work for Victor McLaglen during the fight scene, and was a unit director. Arthur Shields (Reverend Playfair), is the younger brother of Barry Fitzgerald (Michaeleen Óge Flynn), who was born William Joseph Shields. Charles B. Fitzsimmons, who played Hugh Forbes, and James O'Hara, who played Father Paul, are the brothers of Maureen O'Hara. In addition, four of John Wayne's children are seen in the horse race scene.
Music Ford chose his friend, Hollywood composer Victor Young, to compose the score for the film. Young sprinkled the soundtrack with many Irish airs such as the "Rakes of Mallow" and "The Wild Colonial Boy". One piece of music, chosen by Ford himself, is most prominent: the melody the "Isle of Innisfree", written not by Young, but by the Irish policeman/songwriter Richard Farrelly. The melody of the "Isle of Innisfree", which is first heard over the opening credit sequence with Ashford Castle in the background, becomes the principal musical theme of The Quiet Man. The melody is reprised at least eleven times throughout the film.
The upbeat melody comically hummed by Michaeleen Oge Flynn and later played on the accordion is the "Rakes of Mallow".
A portion of the Irish version of "The Wild Colonial Boy" is played throughout the film.
When Maureen O'Hara died in October 2015, her family stated she listened to music from The Quiet Man during her final hours. Filmmaker George A. Romero was also said to have died listening to the score.
Reception