The Artist's Cottage project is the realisation of three previously unexecuted designs by Scottish architect Charles Rennie Mackintosh. In 1901, Mackintosh produced two speculative drawings, An Artist's Cottage and StudioThe Hunterian, The University of Glasgow. Mackintosh Collection, cat no: GLAHA 41142-45. and A Town House for an Artist. He also drew three preliminary sketches titled, Gate Lodge, Auchinbothie, Kilmalcolm,The Hunterian, The University of Glasgow. Mackintosh Collection, cat no: GLAHA 41860. The Hunterian, The University of Glasgow. Mackintosh Collection, cat no: GLAHA 41858.The Hunterian, The University of Glasgow. Mackintosh Collection, cat no: GLAHA 41859. and the final drawing for the completed building.The Hunterian, The University of Glasgow. Mackintosh Collection, cat no: GLAHA 41861. Ninety years later the architect Robert Hamilton Macintyre and his client, Peter Tovell, began work on the first of these unrealised domestic designs, The Artist's Cottage, at Farr near Inverness, Scotland.

An Artist's Cottage and Studio

Known as The Artist's Cottage, Charles Rennie Mackintosh's An Artist's Cottage and Studio was built in the village of Farr by Inverness on an area of land to the south west of Achnabechan. The building consists of a two-storey cube with a single-storey wing enclosing a 'secret' walled garden. Excluding the east wing gable, all external walls have a 1.5 degree batter (incline on the outer face of the built wall). The plan footprint covers 230 square metres accommodating five en-suite bedrooms, a north-lit studio occupying half the first floor, a large roof terrace and public rooms appropriate for the scale of the building. Illustrations can be found on the RCAHMS Canmore site.Royal Commission on the Ancient and Historical Monuments of Scotland (RCAHMS), The Artist's Cottage, Canmore ID 82860

With only exterior elevations and floor plans to work from, the interiors were drawn from existing buildings of similar period and scale.Macintyre, Robert Hamilton. An Artist's Cottage and Studio (1990-92), drwg series: TOVL and DTL. The ogee timber plate rack for example, a feature in the entrance vestibule, cloakroom, drawing room, dining hall and studio, was machined to the profile Mackintosh used in Ruchill Church Hall. Exterior elements too, such as the artist blacksmith-work for the studio balcony and roof terrace, were fabricated to Mackintosh's specifications for other buildings, and applied to his elevations of vertical chimney stacks set against battered walls punctured by deeply pierced openings (illus). The sculptural form of the completed building has been compared to some of Mackintosh's contemporary and later drawings and watercolours, such as The Castle, Holy Island, 1901 and Le Fort Maillert, 1927.Macintyre, Robert Hamilton (Spring 1992). "An Artist's Cottage and Studio". CRM Society Newsletter (Glasgow), No 58, p5-8.

Macintyre, acting as 'job architect' for the project, consulted his colleague, Prof Andy MacMillan, for advice on the detailing. Coincidentally, MacMillan was consultant for another Charles Rennie Mackintosh design, House for an Art Lover (1902), constructed at Bellahouston Park, Glasgow, a project initiated by Glasgow civil engineer, Graham Roxburgh. Macintyre, who studied at the Mackintosh School of Architecture, Glasgow School of Art (and began his career in the Glasgow offices of Keppie, Henderson and Partners, the successors to Mackintosh's practice), later worked for Gillespie, Kidd and Coia alongside Andy MacMillan and Isi Metzstein.

The Artist's Cottage was completed in 1992 to some considerable interest, with articles published by the CRM Society, Country LifeHall, Michael (26 November 1992). "The Artist's Cottage, Inverness". Country Life (London), p34-37. and others, along with numerous press reportsArticles and press reports on the completion of The Artist's Cottage from a range of arts and architectural correspondents:

Love, Jim (5 May 1992). "Architect's 90-year dream comes true at Strathnairn". The Inverness Courier (Inverness). Ogilvie-Laing, Gerald (6 November 1992). "Fatuous arguments". Letters to the editor, The Inverness Courier (Inverness). McKean, Charles (26 April 1993). "New life for a modern masterpiece". The Scotsman (Edinburgh). Pringle, Richard (July 1994). "Mackintosh 'dream' that became a reality". The Scotsman (Edinburgh). Fraser, Douglas (19 July 1994). "Latter-day Mackintosh house for sale". The Scotsman (Edinburgh). "Mackintosh house goes on sale". The Herald (Glasgow). 19 July 1994. "Mackintosh dream home built". The Times (London). 8 August 1994. Jarvie, Andrew (1994). "Mackintosh dream house on market". Press and Journal (Aberdeen). Partridge, Chris (3 September 1994). "Property". The Daily Telegraph (London). Cadogan, Gerald (3 September 1994). "Mackintosh lives again". Financial Times (London). Pearman, Hugh (11 September 1994). "Posthumous modern". The Sunday Times (London). Sinclair, Bill (14 September 1994). "The Mackintosh house that Charles Rennie didn't build". The Herald, Scotland's Homes (Glasgow), p1 and 22. Wilcox, Caren (November 1994). 'Living design'. Scottish Field (Edinburgh), p48-9. Gillilan, Lesley (31 December 1994). "Mackintoshes for sale". The Guardian (London). Ross, John (25 April 1996). "How Mackintosh's dream became a modern family home". The Scotsman (Edinburgh), p18. Waddell, Heather (25 May 1996). "New, original Mackintosh". The Times (London). Robertson, Alastair (23 June 1996). "Dusting off old masters". The Sunday Times (London). Bissell, Therese (August 1996). 'Ad at Large'. Architectural Digest (New York), p2. Renshaw, Rosalind (December 1996). 'The Artist's Cottage'. Build It magazine (London), p6-14. 'Piloti' (27 December 1996). "Nooks and Corners". Private Eye (London), No 914. Brown, Beverley (1997). 'The Artist's Cottage and Studio'. Home Magazine (Glasgow), p19-23. Deveney, Catherine (19 January 1997). "Shock of the old". Scotland on Sunday (Edinburgh). Shields, Jenny (11 April 1997). "Self-starters home in on the future". The Mail (Scotland). and TV, film and bibliography (see below).

The house has been in continuous use as a private residence, passing from Peter and Maxine Tovell to Mr and Mrs van Kessel in 1999."An Artist's Cottage and Studio". Bidwells (Perth), particulars. 1999, p1-16. Throughout the five years following its completion The Artist's Cottage was made freely available to visitors by appointment and, on the solstice nights of 21 June 1996 and 1997, staged public art exhibitions, Midsummer Magic, managed by The Scottish Fine Art Group.van Beelan, Sandie (27 June 1996). "Art group plan to show al fresco". Press and Journal (Aberdeen). These showed the work of Mike Forbes as solo exhibitor in 1996,Love, Jim (28 June 1996). "Rabbits' heads make Mum's heart sink". The Inverness Courier (Inverness). and a shared exhibition by Suzanne Gyseman and Alexander Berdysheff in 1997."House of art - Alexander Berdysheff and Suzanne Gyseman". Press and Journal (Aberdeen). 20 June 1997.Love, Jim (24 June 1997). "Scottish art-lovers with Georgia on their mind". The Inverness Courier (Inverness). Berdysheff's work was a pre-showing of his solo exhibition for the 1997 Edinburgh International Festival held at the Edinburgh College of Art from 10 August of that year.Macmillan, Duncan (August 1997). "Stock values". The Scotsman (Edinburgh).Hughes, Ralph (August 1997). "Edinburgh Festival shows". Galleries (London), p16.

A Town House for an Artist Following the completion of The Artist's Cottage, Macintyre and Tovell turned their attention to Mackintosh's A Town House for an Artist, teaming up with gallery owner Ken Hardiman of Alder Arts (then of Church Street, Inverness) to form Mackintosh Galleries Ltd (27 March 1992), a Company dedicated to lobbying for the best use of Falcon Square, a derelict area of ground at the heart of Inverness.Love, Jim (8 May 1992). "An excellent showcase for local artists and national collections?". The Inverness Courier (Inverness).Editorial (8 May 1992). "When second is best". The Inverness Courier (Inverness). Macintyre, an established campaigner in civic redevelopment projects, proposed the unexecuted 3-storey A Town House for an Artist as centrepiece to an arts, heritage and tourist centre. As a prelude to that, and with Hardiman's expertise, Mackintosh Galleries Ltd set up The Scottish Fine Art Group and began staging regular arts events in the Inverness area.

Despite support,Love, Jim (5 June 1992). "Planners' choice - art or commerce". The Inverness Courier (Inverness).Love, Jim (3 July 1992). "Civic Trust backs rival Falcon Square scheme". The Inverness Courier (Inverness). discussion,Love, Jim (4 August 1992). "Question over town centre shops complex". The Inverness Courier (Inverness). additions and amendments,Love, Jim (14 August 1992). "Partners unveil radical new plan for town centre". The Inverness Courier (Inverness).Love, Jim (14 August 1992). "Mackintosh team unveils its grand design for Inverness town centre redevelopment". The Inverness Courier (Inverness).Editorial (14 August 1992). "Station yardstick". The Inverness Courier (Inverness). the scheme failed to satisfy the planners and others, and the proposals were rejectedLove, Jim (16 February 1993) "Developers revise Falcon Square plans". The Inverness Courier (Inverness)."Arts group on attack over region stance on complex". Press and Journal (Aberdeen). 23 February 1993."Decision asked for on Falcon Square scheme". The Inverness Courier (Inverness). 23 February 1993.Love, Jim (26 February 1993). "Planner hits back over gallery". The Inverness Courier (Inverness). in favour of a shopping complex.

Gate Lodge, Auchinbothie #1

In 1995 a pair of gatehouses were built to either side of the Achnabechan and The Artist's Cottage drives at the junction with the B851 highway.Lyon, Ron (2 April 1993). "Gatehouse petition fails to swing planning chief". The Inverness Courier (Inverness).Fraser, Elizabeth (9 April 1993). "Houses go-ahead". The Inverness Courier (Inverness). Known as North HouseRoyal Commission on the Ancient and Historical Monuments of Scotland (RCAHMS), North House, Canmore ID 280055 and South House,Royal Commission on the Ancient and Historical Monuments of Scotland (RCAHMS), South House, Canmore ID 280056 their design utilised the first of the Gate Lodge, Auchinbothie sketches.

The houses are identical, but mirrored. The front doors of both face due east, yet the round stair tower of one is on the north side, the other on the south.Dawson, Tim (11 May 1997). "Chip off the old block". The Sunday Times (London).Dawson, Tim (28 February 1999). "Legacy of a Scots genius". The Sunday Times (London). In plan, each house is based on a square, a rectangle and a circle rising to two gables with rounded heads and five wall-plate levels.Tovell, PWA (19 December 1992). North and South Houses, Farr, drwg: PT/AC/101 amended a, b, c. In keeping with the main house, the walls are rendered and wet harled, roofs slate or lead, wall heads rounded, and porches supported on tapered timber posts. The three houses have feature curved windows with projecting low pitched canopies - and coopered water butts (illus). The principal details not shared with the main house are the round stair towers, the absence of dressed masonry to the entrances, and the deliberately contrary vertical walls with battered chimney stacks. The Artist's Cottage has battered walls and vertical stacks. Apart from the novel design of spiral staircase, the interiors are plain. Detached matching garages were added later.Tovell, PWA (27 May 1996). Garage with attached glasshouse for North House and for South House, drwg: PT/HG/1.

Gate Lodge, Auchinbothie #2