"Deep Blue" is a song by English rock musician George Harrison that was released as the B-side to his 1971 charity single "Bangla Desh". Harrison wrote the song in 1970, midway through the recording sessions for All Things Must Pass, and recorded it in Los Angeles the following year while organising the Concert for Bangladesh. The composition was inspired by the deteriorating condition of his mother, Louise, before she succumbed to cancer in July 1970, and by Harrison's feelings of helplessness as he visited her in hospital in the north of England. Given the subject matter, "Deep Blue" also served to convey the suffering endured by the millions of refugees from war-torn Bangladesh in 1971, as sickness and disease became widespread among their makeshift camps in northern India.
Following Harrison's work with American guitarist David Bromberg, "Deep Blue" features sparse instrumentation in the folk-blues style. It includes one of Harrison's first uses of dobro on a recording. The song proved popular on US radio and was listed with the A-side when "Bangla Desh" peaked at number 23 on the Billboard Hot 100 chart.
Well regarded by music critics and commentators, "Deep Blue" was out of print since the early 1970s and gained a reputation as an overlooked B-side. The re-release came in September 2006, when EMI included the song as a bonus track on the reissue of Harrison's Living in the Material World album.
Background and inspiration George Harrison's inspiration for writing "Deep Blue" was the fatal illness of his mother, Louise. The youngest of her four children,Tillery, p. 7. Harrison often credited his mother with encouraging his music career from a young age, and a sense of individuality generally.Olivia Harrison, p. 49.The Editors of Rolling Stone, pp. 21, 23. Although a practising Catholic,Clayson, p. 20.Allison, p. 17. she instilled in all her children the importance of spirituality over religion, a trait that was influential in Harrison's embracing of Hinduism in 1966.Doggett, p. 22. Louise was also diligent in replying to her son's fan mailGreene, pp. 41, 155.Clayson, p. 177. and, in the words of music journalist John Harris, she "stood alone among the Beatle parents as an active champion of their talents".Harris, p. 72.
Harrison discussed the song at length in a 1987 interview for Musician magazine, during which he recalls that his mother developed a brain tumour late in 1969 but then recovered for seven months.The Editors of Rolling Stone, p. 40. After hearing of the initial diagnosis in September 1969, Harrison cancelled a recording session with Apple Records artist Jackie Lomax to see her;O'Dell, pp. 90, 96–97. author Peter Doggett comments that, because of the severity of this news, Harrison would later have no recollection of how he heard of John Lennon's decision to leave the Beatles, on 20 September.Doggett, pp. 101, 103.
Although Louise's cancer had gone into remission,Tillery, p. 87. it returned in the spring of 1970.Greene, pp. 156, 178. Exhausted from nursing her, Harrison's father, Harry, was then also hospitalised.Greene, p. 178. As a result, their youngest son was "running back and forth" between Warrington and London while trying to record his first post-Beatles solo album, All Things Must Pass.Clayson, p. 289. Adding to the strain, Harrison would also tell Musician, he was having to assure each of his parents that the other one was okay.Clayson, p. 319. On 4 July, the day that his song "Something" won an Ivor Novello award,Tillery, p. 161. Harrison put his solo album on hold and drove north to see Louise for the last time.Badman, p. 12. In his Musician interview, Harrison says that he wrote "Deep Blue" "at home one exhausted morning" during this period.
Composition Musically, the song is in the folk-blues style.Leng, p. 114. Author Simon Leng notes "Deep Blue" as a comparatively rare foray into the genre for Harrison, along with "Sue Me, Sue You Blues",Leng, pp. 114, 127. a song he wrote in early 1971 in response to Paul McCartney's lawsuit to dissolve the Beatles' partnership.Doggett, p. 157. Leng attributes the folk-blues influence primarily to Bob Dylan and American roots guitarist David Bromberg, the latter of whom Harrison had met in New York, through Dylan, shortly before beginning work on All Things Must Pass.Leng, pp. 73–74, 114. Another Harrison biographer, Ian Inglis, writes that the style of "Deep Blue"'s "easy, unpretentious melody" is equally influenced by the Lovin' Spoonful. Harrison recalled the mix of major and minor chords as reflecting the "frustration and gloom" he experienced while visiting his mother in the cancer ward.Huntley, p. 74.
In what Inglis describes as a "poignant contrast" with the composer's Beatles track "Here Comes the Sun", Harrison sings that the sunshine brings him no relief,Inglis, p. 33. but instead leaves him "suffering in the darkness", which is "so easy come by on the roadside of one long lifetime".George Harrison, p. 211. In his autobiography, I, Me, Mine, Harrison says of the mood he captured in the song: "it's that smell and the whole atmosphere of doom that's in those hospitals."George Harrison, p. 212.
The lyrics bear out the powerlessness he felt while someone dear to him died, specifically in the second verse:
Harrison was at Louise's bedside until her death on 7 July.Tillery, pp. 79, 161. According to Rolling Stone contributor Mikal Gilmore, he read passages to her from a text about the Bhagavad Gita, "commenting on the sacred book's views of death as a changeover rather than a termination". In "Deep Blue"'s final verse, Harrison's lyrics likewise focus on spirituality:Allison, pp. 90, 140.
Harrison was alone with his mother at the end, author Joshua Greene writes, and when she began to slip into unconsciousness, he "put down the book and began chanting softly into her ear". Inglis views the lyrics to "Deep Blue" as exemplifying Harrison's "fondness for family".Inglis, p. 141. Pattie Boyd, Harrison's wife at the time, recalls that Louise had withheld the seriousness of her condition from him for eight weeks before September 1969, "in case George was busy" with his career, and that, following her death, Harrison was anxious about how his father would manage alone.Boyd, pp. 133, 134. Keen to strengthen the familial bond, Harrison invited his brothers Harold and Pete to live on his Friar Park estate in Oxfordshire,Greene, pp. 178–79. along with their father.
Recording Within a year of Louise Harrison's death, Harry was staying in Los Angeles with Harrison and Boyd,Boyd, p. 134.O'Dell, p. 192. while Harrison worked with Ravi Shankar on the soundtrack to the film Raga.Harvey Kubernik, "With a Little Help from His Friends: George Harrison and the Concert for Bangla Desh", Rock's Backpages Archive, July 2011 (subscription required; retrieved 24 August 2014). A Bengali Hindu, Shankar was distraught at the news of the humanitarian disaster then occurring in East Pakistan,Clayson, pp. 307–08. following the outbreak of the Bangladesh Liberation War in March 1971.Lavezzoli, p. 187.The Editors of Rolling Stone, p. 123. After fleeing the war zone in their homeland, an estimated 7 millionSchaffner, p. 146. refugees were being accommodated in inadequate camps in India, where diseases such as cholera had become rife.Greene, pp. 185–86.Liner notes, The Concert for Bangladesh CD booklet (Sony BMG, 2005; produced by George Harrison & Phil Spector), pp. 6–7. Shankar later recalled that Harrison was deeply moved by his request for help in aiding the Bengali refugees,Olivia Harrison, p. 286.Shankar, p. 219. as a result of which he committed to staging the Concert for Bangladesh in New York that summer.Huntley, pp. 72–73.Rodriguez, pp. 43, 48. Author Elliot Huntley suggests that, having been incapable of assuaging his mother's pain as she lay dying in 1970, Harrison gained extra motivation from "a situation his fame and commercial cache could do something to alleviate".Huntley, pp. 73–74.
As a B-side for the hastily written "Bangla Desh",Madinger & Easter, p. 434. which he composed to bring attention to the cause,Neal Alpert, "George Harrison's Concert for Bangladesh", Gadfly Online, 3 December 2001 (retrieved 24 August 2014).Williams, pp. 162–63. Harrison chose to record "Deep Blue".George Harrison, pp. 212, 220. In the Bangladesh context of 1971, author Bruce Spizer writes, the song made a suitable, "intimately chilling" companion to the hard-charging lead track.Spizer, p. 236. Harrison recorded "Deep Blue" in Los Angeles, at the Record Plant West on 4–5 July,Badman, p. 38. while organising the benefit concerts to be held at New York's Madison Square Garden on 1 August.Leng, pp. 111–12, 113.Clayson, p. 308.
In contrast with the extravagant sound normally associated with co-producer Phil Spector's work,Schaffner, pp. 142, 147. "Deep Blue" received a sparse musical arrangement.Leng, pp. 113–14. Underpinned by Jim Keltner's kick drum, the recording features three distinctive guitar parts, all performed by Harrison – two finger-picked acoustic guitars, along with fills played on a dobro. Leng cites Bromberg's influence again in Harrison's acoustic guitar playing on the track and considers the American guitarist to have been Harrison's inspiration for adopting the dobro,Leng, pp. 108, 113–14. the two musicians having recently collaborated on "The Holdup" for Bromberg's debut solo album.Castleman & Podrazik, p. 111.Inglis, pp. 33–34. The dobro had since become "something of a party piece for him", Leng writes, as "Deep Blue" preceded 1971 releases by John Lennon, Gary Wright and Billy Preston that each featured Harrison "cameos" on the instrument.Leng, pp. 108–09.
The only other musician on the session for "Deep Blue", bassist Klaus Voormann, recalls that he, Harry Harrison and Memphis producer Don Nix then travelled to Nashville and explored the American South,Leng, pp. 113, 114. before heading to New York for the concert rehearsals.James Sullivan, "George Harrison's Concert for Bangladesh Featured Drug Trouble for Eric Clapton, Stage Fright for Bob Dylan", Spinner, 1 August 2011 (archived version retrieved 12 October 2013).Harris, p. 74. "Deep Blue" appeared on Harrison's initial setlist at the rehearsals,Olivia Harrison, p. 288. but was not performed at either of the two Concert for Bangladesh shows.Madinger & Easter, pp. 436–37.
Release
Apple Records issued the "Bangla Desh" / "Deep Blue" single on 28 July 1971 in the United States (as Apple 1836) and 30 July in Britain (R 5912).Castleman & Podrazik, p. 103. Before then, Apple's US distributor, Capitol Records, had manufactured one-sided promo discs, featuring just "Bangla Desh", with the result that the lead side had already received considerable airplay in the build-up to the concerts.Clayson, p. 312. The release was accompanied by a trade advertisement that reflected the emotion conveyed in "Deep Blue", of someone watching a loved one "waste away", Spizer writes; in this case, the image depicted a mother attempting to comfort her starving child.Spizer, pp. 234, 236.