The Cleveland Museum of Art (CMA) is an art museum in Cleveland, Ohio, United States. Located in the Wade Park District of University Circle, the museum is internationally renowned for its substantial holdings of Asian and Egyptian art and houses a diverse permanent collection of more than 61,000 works of art from around the world. The museum provides free general admission to the public. With a $920 million endowment , it is the fourth-wealthiest art museum in the United States. With about 770,000 visitors annually , it is one of the most visited art museums in the world.

History

Beginnings The Cleveland Museum of Art was founded as a trust in 1913 with an endowment from prominent Cleveland industrialists Hinman Hurlbut, John Huntington, and Horace Kelley. The neoclassical, white Georgian Marble, Beaux-Arts building was constructed on the southern edge of Wade Park, at the cost of $1.25 million. Wade Park and the museum were designed by the local architectural firm, Hubbell & Benes, with the museum planned as the park's centerpiece. The green space takes its name from philanthropist Jeptha H. Wade, who donated part of his wooded estate to the city in 1881. Today, the park, with the museum still as its centerpiece, is on the National Register of Historic Places.The museum opened its doors to the public on June 6, 1916, with Wade's grandson, Jeptha H. Wade II, proclaiming it, "for the benefit of all people, forever". Wade, like his grandfather, had a great interest in art and served as the museum's first vice-president; in 1920 he became its president.

One of the first persons to serve as consultant to the museum was Harold Woodbury Parsons, a “self-described aesthete” who held the position of “European representative” from 1925 to 1941. Parsons also served in a similar capacity to the trustees of the Nelson-Atkins Museum in Kansas City, Missouri, beginning in April 1930. (That museum didn’t open to the public until December 1933.) Serving as consultant to two museums meant that Parsons was able to play them against each other, encouraging a sense of competition for the acquisition of art objects.

Mid–to late 20th century expansion

In March 1958, the first addition to the building opened, doubling the museum's floorspace. This addition, which was on the north side of the original building, was designed by the Cleveland architectural firm of Hays and Ruth. They designed new gallery space and a new art library.

The museum again expanded in 1971 with the opening of the North Wing. With its stepped, two-toned granite facade, the addition designed by modernist architect Marcel Breuer provided angular lines in distinct contrast with the flourishes of the 1916 building's neoclassical facade. The museum's main entrance was shifted to the North Wing. The auditorium, classrooms, and lecture halls were also moved into the North Wing, allowing their spaces in the Original Building to be renovated as gallery space.

In 1983, a West Wing, designed by the Cleveland architectural firm of Dalton, van Dijk, Johnson, & Partners, was completed. This provided larger library space, as well as nine new galleries.

Between 2001 and 2012, the 1958 and 1983 additions were demolished. A new wrap-around building, and east and west wings were constructed. Designed by Rafael Viñoly, this $350 million project doubled the museum's total size to (gallery space over . To integrate the new east and west wings with the Breuer building to the north, a new structure was built along the south side of the 1971 addition, creating extensive new gallery space on two levels, as well as providing for a museum store and other amenities. Viñoly covered the space created by the demolition of the 1958 and 1983 structures with a glass-roofed atrium. The east wing opened in 2009, and the north wing and atrium in 2012. The West Wing opened on January 2, 2014.

Expansion in the 21st century

The museum's building and renovation project, "Building for the Future", began in 2005 and was originally targeted for completion in 2012 (though it was not completed until 2013) at projected costs of $258 million.Carol Vogel (January 6, 2006), Cleveland Museum Gets New Director The New York Times. The museum celebrated the official completion of the renovation and expansion project with a grand opening celebration held on December 31, 2013, and additional activities that continued through the first week of 2014. The $350 million project—two-thirds of which was earmarked for the complete renovation of the original 1916 structure—added two new wings, and was the largest cultural project in Ohio's history. The new east and west wings, as well as the enclosing of the atrium courtyard under a soaring glass canopy, have brought the museum's total floor space to (an increase of approximately 65%).

The first phase of the project had $9.3 million in cost overruns; the opening was delayed by 9 months. Museum director Timothy Rub assured the public that the increase in quality would be worth both the wait and expense. In June 2008, after being closed for nearly three years for the overhaul, the museum reopened 19 of its permanent galleries to the public in the renovated 1916 building main floor.

On June 27, 2009, the newly constructed East Wing (which contains the Impressionist, Contemporary, and Modern art collections) opened to the public.

On June 26, 2010, the ground level of the 1916 building reopened. It now houses the collections of Greek, Roman, Egyptian, Sub-Saharan African, Byzantine, and Medieval art. The expanded museum includes enhanced visitor amenities, such as new restrooms, an expanded store and café, a sit-down gourmet restaurant, parking capacity increased to 620 spaces, and a glass-covered courtyard.

On June 12, 2021, Cleveland Museum of Art opened a community arts center in Cleveland's Clark-Fulton neighborhood. It hosts former Parade the Circle floats, displays and art that were previously in temporary storage.

Wade Park

Wade Park includes an outdoor gallery displaying part of the museum's holdings in the Wade Park Fine Arts Garden. The bulk of this collection is located between the original 1916 main entrance to the building and the lagoon. Highlights of the public sculpture include the large cast of Chester Beach's 1927 Fountain of the Waters; a monument to the Polish expatriate and American Revolutionary War-hero Tadeusz Kościuszko; and the 1928 bronze statuary sundial by Frank Jirouch, Night Passing the Earth to Day, which sits across Wade Lagoon from the museum, near the park's entrance on Euclid Avenue.

Auguste Rodin's The Thinker is installed at the top of the museum's main staircase. After being partially destroyed in a 1970 bombing (allegedly by the Weathermen), the statue was never restored. Art historians knew that Rodin was involved in the original casting of this sculpture, and it was the last bronze casting of The Thinker made during Rodin's lifetime. The 1970 damage (noted on a plaque since mounted at the base of the statue's pedestal) is considered to have made this casting unique among the more than twenty original large castings of this work.

Collections

The Cleveland Museum of Art divides its collections into 16 departments, including Chinese Art, Modern European Art, African Art, Drawings, Prints, European Art, Textiles and Islamic Art, American Painting and Sculpture, Greek and Roman Art, Contemporary Art, Medieval Art, Decorative Art and Design, Pre-Columbian and Native North American Art, Japanese and Korean Art, Indian and Southeast Asian Art, and Photography. Artists represented by significant works include Olivuccio di Ciccarello, Botticelli, Giambattista Pittoni, Caravaggio, El Greco, Poussin, Rubens, Frans Hals, Richard Hunt, Gerard David, Goya, J. M. W. Turner, Dalí, Matisse, Renoir, Gauguin (The Call), Frederic Edwin Church, Thomas Cole, Corot, Thomas Eakins, Monet, Vincent van Gogh, Picasso, and George Bellows. The museum has been active recently in acquiring later 20th-century art, having added important works by Warhol, Jackson Pollock, Christo, Anselm Kiefer, Ronald Davis, Larry Poons, Leon Kossoff, Jack Whitten, Morris Louis, Jules Olitski, Chuck Close, Robert Mangold, Ching Ho Cheng, Mark Tansey and Sol LeWitt, among others.

The museum's African art collection consists of 300 traditional, sub-Saharan works from the Bini, Congo, Senufo, and Yoruba peoples, mostly donated by Cleveland collector Katherine C. White. The museum is especially strong in the field of Asian art, possessing one of the best collections in the U.S.

In June 2004, the museum acquired an ancient bronze sculpture of Apollo Sauroktonos, believed to be an original work by Praxiteles of Athens. Because the work has a contested provenance, the museum continues to study the dating and attribution of the sculpture. In 2011, Michael Bennet, the Greek and Roman arts curator, announced that he had dated the piece to 350 B.C. to 250 B.C. In 2013, the museum held a focus exhibition on the statue. It announced reattribution of the work as Apollo the Python-Slayer, and said that the statue was almost certainly an original work by Praxiteles himself, and that laboratory investigations and expert testimony conclusively show the bronze was neither a recent discovery nor recovered from the sea.

In 2008, the United States Postal Service selected the Cleveland Museum's famed Botticelli painting entitled Virgin and Child with the Young John the Baptist as the Christmas stamp for that year.

Modern European Painting and Sculpture

The Cleveland Museum of Art's Modern European Painting and Sculpture collection holds pieces dating from 1800 to 1960, and contains about 537 pieces. The collection contains Impressionism and Post-impressionism works, avant-garde art styles, and German Expressionism and Neue Sachlichkeit art.

European Painting and Sculpture This collection holds pieces dating from 1500 to 1800, with major works representing Italian Baroque, Spanish Baroque, Italian Renaissance, as well as significant French, British, and Dutch paintings.

American Painting and Sculpture The collection is concise, containing about 300 paintings and 90 sculptures. Major attractions in the collection include William Sideny Mount's The Power of Music, Frederich Edwin Church's Twilight in the Wilderness, and Albert Pinkham Ryder's The Racetrack (Death on a Pale Horse). A number of Cleveland-based artists are also included in the museum's holdings, placing an emphasis on local art.

Photography The Cleveland Museum of Art contains a small collection of fine art photography, dating back to 1893. Of special note are pieces from photography's first contributors, particularly French, English, and American photographers. Other highlights of the collection are "photography with complete sets of The North American Indian by Edward S. Curtis and Camera Work; surrealist photography created primarily between the two world wars; and Cleveland-specific subject matter produced by regional and national photographers".

Armor Court The Jack, Joseph and Morton Mandel Armor Court was established by the museum’s first director, Frederic Allen Whiting, and remains in its original location since the opening of the museum in 1916.Mikolic, Amanda (June 28, 2019). "105 Years in the Making: Building the Cleveland Museum of Art’s Jack, Joseph and Morton Mandel Armor Court", CMA Thinker. Retrieved March 4, 2025. It displays a variety of representative European arms and armor, along with regimental banners and tapestries, dating from medieval to renaissance times. Central to the collection is "Armor for Man and Horse with Völs-Colonna Arms", from Northern Italy (c. 1575), a full set of decorated armor for a knight and his horse, prepared for jousting. The combined weight of the man's and horse's armor is 114 pounds.Armor for Man and Horse with Völs-Colonna Arms, Cleveland Museum of Art. Retrieved March 4, 2025.

Decorative Art and Design