Joseph Brummer (1883 – 14 April 1947) was a Hungarian-born art dealer and collector who exhibited both antique artifacts from different cultures, early European art, and the works of modern painters and sculptors in his galleries in Paris and New York. In 1906 he and his two brothers opened their first gallery in Paris, the Brummer Gallery. At the start of World War I, they closed the gallery and moved to New York City. Joseph alone opened his next gallery in 1921 in Manhattan.
Biography Joseph (originally József) Brummer was born in Sombor, then in Hungary (now Serbia), in 1883. He studied applied arts at the University of Szeged from 1897 on, and continued these studies at the Hungarian University of Fine Arts in Budapest from 1899 on. Afterward, he studied at the Academy of Fine Arts, Munich, before starting on his own as an artist in Budapest and Szeged.
Together with his brothers Ernest (1891–1964) and Imre (died 1928), he moved to the Académie de la Grande Chaumière in Paris in 1905. In 1906, Brummer and his brothers opened the Brummer Gallery in Paris at the Boulevard Raspail, where they sold African art, Japanese prints and pre-Columbian, mainly Peruvian art, alongside contemporary paintings and sculptures.
During the autumn of 1908, he shared a studio space at Cité Falguière with avant-garde sculptor Joseph Csaky, who was also from Szeged and Budapest.Balas, Edith (1998). Joseph Csaky: A Pioneer of Modern Sculpture. American Philosophical Society. Brummer studied sculpture under Jules-Felix Coutan, Auguste Rodin and in 1908 Henri Matisse. He also attended the Académie de la Grande Chaumière, and thus got to know contemporary artists.
In 1911, Brummer married the Swedish ceramist and painter Beata Mårtensson.
At the start of World War I, Joseph Brummer closed in Paris and moved to New York City. In 1921 he reopened a gallery at 43 East Fifty-Seventh Street in Manhattan. He specialized in medieval and Renaissance European art, and Classical, Ancient Egyptian, African, and pre-Columbian objects, but also hosted some of the earliest exhibitions of modern European art in the United States. It stayed in business until 1949, two years after Joseph's death.
A major part of his private art collection was bought by the Metropolitan Museum of Art in 1947. A second part of the Joseph Brummer art collection, still over 2400 lots, was sold in 1949 by Parke-Bernet Galleries.
The final part, 600 pieces that remained in the family, were eventually inherited by Ernest Brummer's widow, Ella Bache Brummer. They were sold in Zurich in October 1979. Their value was estimated at $10 million.
From 1931 until 1948, Brummer had owned the Guennol Lioness; in 2007 it was the most expensive sculpture ever sold at auction.
In 1909 Brummer had his portrait painted by Henri Rousseau. and by Anne Goldthwaite in 1915. In 1993, the Rousseau portrait was sold by Christie's for £2,971,500 ($4,421,592). It is currently owned by the National Gallery.
Gallery The New York branch of the Brummer Gallery was opened in 1914 by Imre and Joseph Brummer. Joseph and his brothers Ernest were among the most significant art dealers of the first half of the 20th century, dealing in a broad range of art that spanned from classical antiquity to modern art. Their collection included many works from the Middle Ages, Pre-Columbian America, and Renaissance and Baroque decorative arts. Following Joseph Brummer's death in 1947, the gallery closed down in 1949, and its collection was auctioned off over the next three decades.
Exhibitions This is an incomplete list of the exhibitions of modern art in the Brummer Gallery in New York.
1921, 4 to 23 April: Maurice Prendergast 1921, May: "Works by French and American artists including paintings by Jennie Van Fleet Cowdery", including two works by Auguste Renoir 1921, 24 October to 21 November: Anne Goldthwaite 1921, 28 November to 24 December: Frank Burty 1922, 3 to 21 January: Peggy Bacon and Alexander Brook 1922: sculptures by Henri Matisse and Manolo Hugué, and paintings by Amedeo Modigliani, André Derain, Maurice Utrillo, Marie Laurencin and Pascin 1922 December 15 to 1923, 13 January: Auguste Rodin (paintings and sculptures) 1923: 17 January to 10 February: Pascin 1923, 17 March to 14 April: Thomas Eakins 1923: Bernard Karfiol 1923, 22 October to 10 November: Toshi Shimizu 1923, 15 December to 1924, 5 January: Works by Max Jacob 1924, 25 February to 22 March: Henri Matisse 1924: Hermine David 1924: José de Togores 1924, 4 to 27 December: Georges Seurat 1925, January: Roger Fry 1925, February: Walter Pach 1925, 2 to 21 March 1925: Michel Kikoine 1925: Bernard Karfiol (second exhibition at Brummer) 1926, 18 January to 13 February: Aristide Maillol 1926, 17 November to 15 December: Sculptures by Constantin Brâncuși. 1927, 17 January to 12 February: Béla Czóbel 1927, 14 February to 12 March: Bernard Karfiol (third exhibition at Brummer) 1927, March to 9 April: Eugène Zak 1927, late: First personal exhibition of works by Charles Despiau 1928, 1 to 25 February: John Storrs 1928, 27 February to 24 March: Gaston Lachaise 1928, 26 March to 21 April: Jacques Villon, paintings 1929, 16 February to 16 March: A. S. Baylinson and Morris Kantor 1929, 18 March to 13 April: Jane Berlandina 1929, 28 March to 12 April: Raymond Duchamp-Villon, sculptures 1929, May: Michel Kikoine (second exhibition at Brummer) 1929, 1 to 28 November: "Portraits of Maria Lani by Fifty-One Painters", featuring work by Chaïm Soutine, Kees van Dongen, Georges Rouault, Pierre Bonnard, Rodolphe-Théophile Bosshard, Charles Despiau, Henri Matisse, Man Ray, André Derain, and others 1929, 30 November to 13 December: collection of Albert Eugene Gallatin, including work by Fernand Léger, Man Ray, Paul Klee, André Masson, Joan Miró, Joseph Stella, and a 1906 self-portrait by Pablo Picasso 1929, 14 December to 1930, 31 January: Othon Friesz, Paintings 1930, 1 to 28 February: Max Jacob (second exhibition at Brummer) 1930, 8 to 31 March: Jane Berlandina (second exhibition at Brummer) 1930, 1 April to 3 May: Georges Rouault 1930, 20 October to 20 November: Jacques Villon (second exhibition at Brummer) 1930, 22 November to 20 December: Pierre Roy 1931, 5 January to 7 February: Henri Matisse, sculptures 1931, 13 to 28 February: Anne Goldthwaite (second exhibition at Brummer) 1931, 16 March to 18 April: Théophile Steinlen 1931, 13 October to 7 November: Marcel Mouillot 1931, 9 November to ?: Charles Dufresne 1932, 9 to 29 February: Arthur Everett Austin, Jr. 1932, 5 March to 5 April: Josep Llorens i Artigas 1932, November to 10 December: Maurice Marinot, glass 1932, 13 December to ?: 18th century French drawings, from the Richard Owen collection 1933, 3 January to 28 February: Aristide Maillol (second exhibition at Brummer) 1933, 4 March to 15 April: Pierre Roy (second exhibition at Brummer) 1933, October to November: 18th and 19th century French drawings from the Richard Owen collection (second part), including works by Antoine Watteau, Gustave Moreau and Théophile Steinlen 1933, 17 November to 1934, 13 January: Sculptures by Constantin Brâncuși (second exhibition at Brummer). 1934, 24 February to 15 April: Pablo Gargallo 1934, 5 November to 29 December: Charles Despiau (second exhibition at Brummer) 1935, 5 January to 28 February: André Dunoyer de Segonzac 1935, 15 March to 11 May: Mateo Hernandez 1935, October: Marguerite Zorach 1935, 2 December to 1936, 31 January: first US exhibition of Jacques Lipchitz 1936, 2 March to 4 April: Béla Czóbel 1936, 9 November to 1937, 2 January: André Derain 1937, 25 January to 20 March: Ossip Zadkine 1937, 1 November to 31 December: François Pompon 1938, February and March: Léon Hartl 1938, 7 to 28 November: Charles Dufresne (second Brummer exhibition) 1938: 7 November to 1939, 7 January: Henri Laurens
References
Further reading
External links The Brummer Gallery Records, over 13,000 digitized object cards from The Metropolitan Museum of Art Libraries Walters Art Museum objects with provenance from Joseph Brummer Metropolitan Museum of Art objects with provenance from Joseph Brummer The Frick Collection research information Article on The Brummer Gallery Records from The Metropolitan Museum of Art Libraries. Documenting the Gilded Age: New York City Exhibitions at the Turn of the 20th Century. A New York Art Resources Consortium project. Brummer Gallery exhibition catalogs. Oral history interview with Dr. John Laszlo, 2015 Dec. 6 from The Metropolitan Museum of Art Archives, New York.