Thomas Reinhold (born in 1953, Vienna, Austria) is an Austrian painter, one of the initiators of so-called “New Painting” (in German Junge Wilde).
Life From 1974 to 1978, Reinhold studied at the University of Applied Arts Vienna under Herbert Tasquil. During his university studies, Reinhold concentrated on poetic-magical paintings and photographs, dealing with the objecthood of the image.Wilfried Skreiner, "Behauptungen zur Neuen Malerei in Österreich“ in "Sinnpause“, Kunstforum Cologne, Bd 80, 3/1985. In the late 1970s, Reinhold was one of the initiators of so-called “New Painting” (in German Junge Wilde) together with Siegfried Anzinger, Erwin Bohatsch, Alfred Klinkan and Hubert Schmalix.Robert Fleck, exhibition catalogue „Malermacht; Expression und Pathos in der neuen Österreichischen Malerei“, Künstlerhaus Palais Thurn und Taxis Bregenz, 1988. In the mid-1980s, Reinhold has begun to focus on issues of medium reflexivity of painting and photography,Carl Aigner/Thomas Reinhold, "Zur Ikonographie von Zeit und Raum", talk in EIKON - Internationale Zeitschrift für Photographie und Medienkunst, Nr. 60/2007. which has been dominating his work until today. Reinhold lives in Vienna.
Work Painting
Reinhold’s large-scale oil paintings address such issues as medium reflexivity, the material dimension of paint, or the canvas plane and its relation to space. The paintings deal with questions of their own creation and their relation to time by showing overlapping layers of colour.Matthias Boeckl, "Zeitlose Sinnlichkeit", art magazine Parnass Vienna, Nr. 3/2009. Because of this, the beholder needs to see the paintings in an almost archaeological way to explore the pictorial space. In 2011, Reinhold worked on the series “Tectonics of Poise“. The subject of this group of works reflects on their own creation. Liquid paint coalesces around a dead centre, permitting – for a few moments – a process of ordered decision making. The painting procedure, in which the allocation of the centre of gravity is such an essential element, actually provokes this fleeting state where indeterminacy gives way to form. It is this point of transition that attracts attention and produces shapes seemingly suspended between rivulets.
Photography Since the beginning of his career, Reinhold has been interested in photography. In his 1977 “Ferris wheel series” he addresses issues of space, time and chronology. The series’ central motif, the “Wiener Riesenrad” (Viennese Ferris wheel) stands for questions of mobility and immobility, object and its image.Carl Aigner/Thomas Reinhold, "Zur Ikonographie von Zeit und Raum", talk in EIKON - Internationale Zeitschrift für Photographie und Medienkunst, Nr. 60/2007. In 2010, Reinhold lived in Shanghai for three months, where worked on the series “Brushstrokes of Light, Living Shades”. The photographs for this series were taken by night, and the resulting images recall the superimposition techniques employed in Reinhold‘s paintings. The paintings in the series are ink paintings made with a Chinese calligraphy brush, which remind the beholder of the early days of photography. Both the motifs and the technique are linked to the city Shanghai.
Public Work In 1999, Reinhold got the assignment of designing the windows of the Chapel of the Resurrection, Rue van Maerlant in Brussels, which he completed in 2002 in cooperation with the glass painting manufactory Schlierbach, Austria.Pia Jardí, "Licht als Thema und malerisches Element", Thomas Reinholds Intervention an den fünf Fenstern der "Chapel of the Resurrection" in Brüssel - Art magazine Parnass Vienna, Nr. 1/2003. As a result of the fusion technique used in the windows' production, their transparency provides a 'display model' of visual depth, the superimposition of different layers, and the relationship between coexistence and sequence. This allows the viewer to reflect on his or her own position. Looking out, the transitional coloured layer merges with the facades of the European government buildings opposite, while trees, an expanse of lawn, passing cars and people contribute their shapes and colours to a background layer of reality and add to the view as a whole.
Recognition 2011: Award for Fine Arts, City of Vienna
Exhibitions Selected individual exhibitions 2012: "Tectonics of Poise", kunsthaus muerz, Mürzzuschlag, Austria; Gallery Kunst und Handel, Graz, Austria 2011: Gallery Gölles Fürstenfeld, Austria 2009: „Wesentlich“, Gallery Michitsch Vienna, Austria 2008: „repro-spektiv:re-produktiv, aus dem vollen geschöpft“, Gallery Kunst & Handel, Graz, Austria 2006: „From the Nature to an Architecture of Painting“, HF Contemporary Art, London, United Kingdom 2005: „synergie:paradox“, cooperation with Julie Hayward, Museum of Modern Art, Admont Abbey, Austria 1997: "Malweise“, Vienna Secession Vienna, Austria 1995: "Polyptychon“, Kunsthaus Galerie, Mürzzuschlag, Austria 1988: Valente, arte contemporanea, Finale Ligure, Italy 1987: Gallery Springer Berlin, Germany - „Stand und Gegenstand“, Skulpturen, Vienna Secession Vienna, Austria 1984: Gallery Heike Curtze, Vienna, Austria and Düsseldorf, Germany 1983: Gallery Ariadne, Vienna, Austria 1980: Forum Stadtpark, Graz, Austria
Selected group exhibitions 2026: fokus sammlung 08. ABSTRAKT. material+struktur, MMKK, Museum of Modern Art Carinthia, Austria 2012: The Sigrid and Franz Wojda Collection, MMKK, Museum of Modern Art Carinthia, Austria 2011: "Realität und Abstraktion", Museum Liaunig Neuhaus, Austria 2010: “Painting: Process and Expansion”, MUMOK Foundation Ludwig Vienna, Austria, curators: Rainer Fuchs, Edelbert Köb 2007: “Konzeptuelle Fotografie aus Sammlungsbesitz”, Museum of Modern Art Rupertinum, Salzburg, Austria, curator: Margit Zuckriegl 2006: „Crossover“, Koroska Galerija Slovenj Gradec, Slowenia, curator: Silvie Aigner 2004: „Vision einer Sammlung“, Museum of Modern Art Rupertinum, Salzburg, Austria, curator: Agnes Husslein Arco 1998: „KUNST mit durch über SCHRIFT", Internationale Kunst der letzten fünfzig Jahre aus der Sammlung Kübler, Atterseehalle, Attersee, Austria, curator: Margit Zuckriegl - „Contemporary Austrian Painters“, The Rotunda, One Exchange Square, Hong Kong, China, curator: Christiane Inmann 1997: „Positionen österreichischer Malerei heute“, Centre Cultural Sala Parpallo Valencia, Spain, curator: Lóránd Hegyi 1994: „Wilde und neuwilde österreichische Bildkunst aus dem Besitz der Salzburger Landessammlung Rupertinum", Salzburg, Austria, curator: Otto Breicha 1993: „Konfrontationen“, Neuerwerbungen, MUMOK Foundation Ludwig Vienna, Austria 1992: „Surface radicale“, Grand Palais Paris, France, Los Angeles Convention Center, USA, University of Applied Arts Vienna, Austria, curator: Lóránd Hegyi 1991: „Kunst, Europa 1991“, Kunstverein in Hamburg, Deichtorhallen, Germany, and Gallery Rähnitzgasse Dresden, Germany, curator: Jürgen Schweinebraden 1990: „Querdurch“, Dom umenia, Bratislava, Slovakia, curator: Edelbert Köb 1988: „MALERMACHT, Expression und Pathos in der neuen Österreichischen Malerei“, Künstlerhaus Palais Thurn und Taxis Bregenz, Austria, curator: Christa Häusler 1985: „Austria ferix", Palazzo Costanzi, Galleria Torbandena Triest, Italy, Gallery Goethe Bolzano, South Tyrol 1984: „artisti austriaci, due generazioni“, studio cavalieri Bologna, Italy - 6th International Small Sculpture Exhibition, Kunsthalle Budapest, Hungary, curator: Edelbert Köb 1983: „Neue Malerei in Österreich“, Gallery Jurka Amsterdam, Netherlands - „Joves Salvatges“ Austriacs, Gallery Dau al Set Barcelona, Spain - „Neue Malerei in Österreich ’83“, New Gallery - City of Linz; Austria, curator: Peter Baum 1981: „Neue Malerei in Österreich“, Neue Gallery Graz, curator: Wilfried Skreiner - 5. Internationale Biennale, Vienna Secession, Austria 1980: „Das Sofortbild, Entdeckung eines Mediums“, Rheinisches Landesmuseum Bonn, Germany
Works in collections Albertina, Vienna Österreichische Galerie Belvedere, Vienna Collection FOTOGRAFIS, Vienna, currently on permanent loan in the Museum of Modern Art, Rupertinum, Salzburg, Austria Foundation Ludwig Vienna, Austria Landesmuseum Niederösterreich, St. Pölten, Austria Lentos Kunstmuseum, Linz, Austria Museum für Gegenwartskunst Admont Abbey, Styria, Austria MMKK Museum of Modern Art Carinthia, Austria Museum of Modern Art Salzburg, Austria Museum Sztuki, Lodz, Poland State Museum of Tyrol, Innsbruck, Austria Private collections Collection Carl Djerassi, Vienna, Austria Museum Liaunig, Neuhaus, Austria The Sigrid and Franz Wojda Collection, Vienna, Austria
Footnotes
References Carl Aigner/Thomas Reinhold, "Zur Ikonographie von Zeit und Raum", talk in EIKON - Internationale Zeitschrift für Photographie und Medienkunst, Nr. 60/2007 Matthias Boeckl, "Zeitlose Sinnlichkeit", art magazine Parnass Vienna, Nr. 3/2009 Brigitte Borchardt-Birbaumer, "Von Wanderschaften als Malerreisen“, Vienna Secession, Wiener Zeitung, April 5, 1997 Brigitte Borchardt-Birbaumer, "Musil, Hölderlin oder Königin Nefertete“, Gallery Hofstätter Vienna, Wiener Zeitung, March 11, 1999 Brigitte Borchardt-Birbaumer, "Fahnen, Sonnen und Monde“, Gallery Hofstätter Vienna, Wiener Zeitung, June 11, 2002. Retrieved 2012-01-09. Robert Fleck, exhibition catalogue „Malermacht; Expression und Pathos in der neuen Österreichischen Malerei“, Künstlerhaus Palais Thurn und Taxis Bregenz, 1988 Robert Fleck, exhibition catalogue "Thomas Reinhold, Ölbilder, 1988 - 90“, Gallery Steinek Vienna, 1990 Lóránd Hegyi, exhibition catalogue "Positionen österreichischer Malerei heute“, Centre Cultural Sala Parpallo Valencia, 1997 Lóránd Hegyi, "Neue Malerei und Neue Plastik seit den 70er Jahren“, in "Geschichte der bildenden Kunst in Österreich“, 20. Jahrhundert, Wieland Schmied (editor), Munich, 2002 Barbara Herzog, exhibition catalogue "Vom Tafelbild zum Wandobjekt“, Museum of Modern Art Salzburg, 2005 Karl A. Irsigler, "Topography: a journey“, Katalog Thomas Reinhold, "Way of Painting“, Vienna Secession, 1997 Karl A. Irsigler, "Wirklichkeitssinn - Möglichkeitssinn“ - memoirs of Thomas Reinhold in the Gallery Hofstätter Vienna, art magazine Parnass, Vienna, Nr. 1/1999 Pia Jardí, "La pintura actual en Viena“, Lapiz, Revista Internacional de Arte, Madrid, Nr. 213, 2005 Pia Jardí, "Licht als Thema und malerisches Element", Thomas Reinholds Intervention an den fünf Fenstern der "Chapel of the Resurrection" in Brüssel - Art magazine Parnass Vienna, Nr. 1/2003 Edelbert Köb, exhibition catalogue "Painting: Process and Expansion", MUMOK, Foundation Ludwig Vienna, Cologne, 2010 Margit J. Mayer, "Konsequent - inkonsequent“, in the magazine „Wiener“, Vienna, February 1986 Otmar Rychlik, "Zu diesen Bildern“, Katalog Thomas Reinhold, "Ölbilder 1986-87“, Gallery Springer Berlin, 1987 Wilfried Skreiner, "Behauptungen zur Neuen Malerei in Österreich“ in "Sinnpause“, Kunstforum Cologne, Bd 80, 3/1985 Wilfried Skreiner, "Bildanthologie 1980-87“, Kunstforum Cologne, Bd 89, 6/1987
External links
Thomas Reinhold auf kunstaspekte.de Homepage des Künstlers Thomas Reinhold über seine Arbeit auf CastYourArt Michael Corbin talks with Thomas Reinhold