Gertrude Franklin Horn Atherton (October 30, 1857 – June 14, 1948) was an American writer.Paterson, Isabel, "Gertrude Atherton: A Personality" 'The Bookman, New York, February 1924, (pgs. 632-636) Many of her novels are set in her home state of California. Her bestselling novel Black Oxen (1923) was made into a silent movie of the same name. In addition to novels, she wrote short stories, essays, and articles for magazines and newspapers on such issues as feminism, politics, and war.
Early life and education Gertrude Franklin Horn was born on October 30, 1857, in San Francisco, California, to Thomas Ludovich Horn and his wife, Gertrude Franklin. Her father had become a prominent citizen in San Francisco as a tobacco merchant, although he originally hailed from Stonington, Connecticut. Her mother was from New Orleans. Her parents separated in 1860 when she was two years old, and she was raised by her maternal grandfather, Stephen Franklin, a devout Presbyterian and a relative of Benjamin Franklin. Grandfather Franklin insisted she be well read, and this influenced her greatly. She attended St. Mary's Hall high school in Benicia, California, and, briefly, the Sayre School in Lexington, Kentucky.
Gertrude moved back to California to live with her grandfather and mother after her aunt refused to house her any longer because of her rebelliousness. There she met George H.B. Atherton, son of Faxon Atherton, who was courting her mother. He became more interested in daughter Gertrude, and after she accepted his sixth proposal, they eloped on February 15, 1876.Dowd, Katie (October 9, 2018). "A body in the rum barrel: The true story behind San Francisco's booziest, weirdest ghost", San Francisco Chronicle. She lived with him and his domineering Chilean mother. Gertrude found life in the Atherton mansion in San Francisco and on their Fair Oaks estate, now Atherton, California, stifling.Leider, Emily Wortis (1991). California's Daughter: Gertrude Atherton and Her Times, p. 42. Stanford University Press. Retrieved 21 May 2014. Disappointed with the marriage, she began to develop an independent life. Two tragedies changed her life dramatically: Her son George died of diphtheria, and her husband died at sea. She was left alone with their daughter Muriel and needed to support herself. Her mother in law agreed to raise Muriel and give her the inheritance that would have gone to George.
Atherton later told an interviewer that the books that had influenced her the most were Hippolyte Taine's "History of English Literature" and the books of Herbert Spencer.
Career
Atherton's first publication was "The Randolphs of Redwood: A Romance", serialized in The Argonaut in March 1882 under the pseudonym Asmodeus. When she revealed to her family that she was the author, she was ostracized. In 1888, she left for New York, leaving Muriel with her grandmother. She traveled to London, and eventually returned to California. Atherton's first novel, What Dreams May Come, was published in 1888 under the pseudonym Frank Lin.
In 1889, Atherton went to Paris at the invitation of her sister-in-law Alejandra Rathbone (married to Major Jared Lawrence Rathbone). That year, she heard from British publisher G. Routledge and Sons that they would publish her first two books. William Sharp wrote in The Spectator praising her fiction and would later invite Atherton to stay with him and his wife, Elizabeth, in South Hampstead.
In London, Atherton had the opportunity through Jane Wilde to meet her son, Oscar Wilde. She recalled in her memoir Adventures of a Novelist (1932) that she made an excuse to avoid the meeting because she thought he was physically repulsive. In an 1899 article for London's Bookman, Atherton wrote of Wilde's style and associated it with "the decadence, the loss of virility that must follow over-civilization."
Also in London, she met a young Winston Churchill, who said that he liked her novels. She soon learned that Churchill was disappointed that she did not return the compliment; she was not aware of his writing.
Atherton returned to California in 1890 following the death of her grandfather, Franklin, and her mother-in-law Dominga Atherton, and she resumed care of Muriel. In 1891, while writing a weekly column for The San Francisco Examiner, she met Ambrose Bierce, with whom she carried on a taunting, tumultuous friendship.Richard Saunders describes Atherton as ”one of the innumerable targets of Bierce's amorous adventures”. See Saunders, Ambrose Bierce. The Making of a Misanthrope (San Francisco: Chronicle Books, 1985), pp.58-61.Cf. Cf. Emily Wortis Leider, California's Daughter: Gertrude Atherton and Her Times (Stanford University Press, 1991), p.116.
When Kate Field remarked on California writers' neglect of the picturesque and romantic old Spanish life of the state, Atherton explored the history and culture of Spanish California in Monterey, San Juan Bautista, Los Angeles, San Luis Obispo, and Santa Barbara. She became a member of the Pacific Coast Women's Press Association.
Atherton wrote The Doomswoman in 1892, and it was published in Lippincott's Monthly Magazine before being published in book form in 1893. The story (set in the 1840s) focuses on Chonita Moncada y Iturbi and her love of Diego Estenega (modeled after Mariano Guadalupe Vallejo), as he dreams of modernizing California, retaining its Mexican character without sacrificing American economic vigor. Chonita is Catholic, and her faith stands in the way of Diego's political ambitions. The dramatic climax peaks when Diego kills Chonita's brother, Reynaldo, and she is forced to choose between her cultural loyalty or her love for Diego. The plot of the novel closely resembles that of Romeo and Juliet. The book was successful with critics, some comparing it to Helen Hunt Jackson's Ramona. Atherton was not pleased with this comparison because Jackson was not from California. However, she was satisfied when Bierce said of The Doomswoman that it was "in its class... superior to any that any Californian has done".(San Francisco Examiner, 18 June 1893) See Robert L. Gale, An Ambrose Bierce Companion (2001), p.18.
In 1892, Atherton left for New York. There she wrote for the New York World. She also wrote letters to Bierce, confiding her loneliness, her dismay at the necessity to do freelance writing (in particular for the New York World), and her dislike of eastern literary circles. Her distaste came from their belittlement of the Western United States and its authors and the fact they did not accept Bierce's work. While in New York, she published another California novel, Before the Gringo Came (1894).
Atherton next wrote Patience Sparhawk and Her Times, A Novel (1897), but it proved to be too controversial for publication. Its rejection encouraged her to leave for London. In 1898, John Lane of The Bodley Head agreed to publish it, but not for two years. She continued to write, writing book reviews for Oliver Fry's Vanity Fair, and even completed a book-length version of "The Randolphs of Redwood" (retitled A Daughter of the Vine, 1899) while staying in Haworth. Max Pemberton asked her to write a 10,000 word essay for a series he was editing for Cassells Pocket Library, which she wrote as A Whirl Asunder (1895).
Once Patience Sparhawk and Her Times, A Novel was published, William Robertson Nicoll gave a review of it in the April 12, 1897 edition of The Bookman that said it was "crude" in its portrayal of a clever young woman with burning interest in life and identified it as a protest against the tame American novel. In the May 15 issue of The New York Times, the reviewer said that Atherton had "incontestable" ability and a "very original talent" while noting that the book offered a series of "fleshy" episodes in Patience's life that may scare a sensitive reader. It was banned from the San Francisco Mechanics' Institute, and the San Francisco Call review said it represented Atherton's departure from her proper literary goal of treating early California themes romantically.
In 1898, Atherton completed The Californians, her first novel set in the post-Spanish era. Critics received this much more positively than Patience, and a review in The Spectator (October 1, 1898) said it "was by far more convincing and attractive in delineating California manners and morals.... The novel fairly establishes her claim to be considered as one of the most vivid and entertaining interpreters of the complex characters of emancipated American womanhood." The November 8 Bookman said it was her "most ambitious work," which has "a feeling of surety that only the consciousness of knowing one's ground can convey."
Atherton traveled to Rouen and wrote American Wives and English Husbands (1898), set in contemporary time. In this novel, she contrasts English and American men, American and English cultures, and comments on the relationships between men and women. She also completed The Valiant Runaways (1898), an adventure novel for boys that dealt with the Spanish Mexican attempt to civilize California. In 1899, she returned to the United States.
Atherton's novel Senator North (1900) was based on Maine's senator Eugene Hale.
In a May 1904 article, Why Is American Literature Bourgeois? in the North American Review, Atherton critiqued William Dean Howells for the "littleism" or "thin" realism of his fiction. Some say that Atherton's novel, Julia France and Her Times (1912), has a strong feminist subtext, with the titular heroine being a woman needing to earn a living wage. However, its view of gender issues is nuanced: she mentioned "the happy fate of the American woman, who 'had things all her own way,' and to whom man was a slave." (p. 124). She also points out that the Pankhursts' militant brand of suffragism was strongly hated "by the National Union of Woman's Suffrage Societies, and by Society in general." (p. 298).Mary Ellen Snodgrass, Encyclopedia of Feminist Literature. New York, NY : Facts on File, 2013. (p.32-33).
Atherton is best remembered for her California Series, several novels and short stories dealing with the social history of California. The series includes The Splendid, Idle Forties (1902); The Conqueror (1902), which is a fictionalized biography of Alexander Hamilton; and her sensational, semi-autobiographical novel Black Oxen (1923), about an aging woman who miraculously becomes young again after glandular therapy. The novel names the areas of a woman's power as youth and vitality, examines the social expectations surrounding them, then prompts women to avoid these conventions. The latter was adapted into the film Black Oxen in 1923. Atherton's earlier novel Mrs. Balfame (1916) was also adapted to film, as Mrs. Balfame in 1917. Atherton's The Immortal Marriage (1927) and The Jealous Gods (1928) are historical novels set in Ancient Greece.John Robertson Macarthur, Ancient Greece in Modern America. Caxton printers, Limited, 1943 (p. 378)
Atherton wrote several stories of supernatural horror, including the ghost stories "Death and the Woman", "Crowned with One Crest", "The Foghorn", and the often anthologized "The Striding Place". "The Foghorn", written in 1933, is a psychological horror story that has been compared to "The Yellow Wallpaper". W. Somerset Maugham called it a powerful story in a 1943 publication of his Great Modern Reading.
Style and themes