On the Sunny Side () is an East German musical comedy film, directed by Ralf Kirsten and starring Manfred Krug. It was released in 1962.

Plot Martin Hoff, a steel smelter and an amateur actor and jazz singer, is sent to a drama school by his factory's committee. Due to his troublesome conduct, he is expelled. Hoff meets a young woman called Ottilie who is unimpressed by him; he bets his friends that he will manage to charm her. Hoff begins to work on the construction site where she serves as a group manager, although she has trouble enforcing her will on her male subordinates. He only has success with her after director Jens Krüger guides him to become a diligent laborer. In addition to his work, he continues to perform in amateur plays. When theater manager Pabst sees him acting, he invites him to join his cast. Hoff and Ottilie decide to marry.

Cast Manfred Krug: Martin Hoff Marita Böhme: Ottilie Zinn Heinz Schubert: Felix Schnepf Rolf Herricht: Hoff's friend Peter Sturm: Pabst Fred Mahr: Jens Krüger Gert Andreae: Matze Wind Günter Naumann: driver Werner Lierck: director Willi Neuenhahn: viewer Rolf Römer: Hoff's friend Heinz Lyschik: Hoff's friend

Production During the end of the 1950s, the DEFA Studio's management noted the public's demand for entertainment and responded by producing a series of light comedies, relatively free from ideological messages. According to Heiko R. Blum, On the Sunny Side "distinguished itself by its unmitigated portrayal of real life."Heiko R. Blum. Film in der DDR. C. Hanser (1977). . Page 41.

The film's script was largely inspired by leading star Manfred Krug's biography: he worked in a steel factory before turning to an acting career.Sabine Hake. German National Cinema. Routledge (2002). . Page 130. Krug's jazz band and his singing career were also a central theme in the plot.Ian Conrich, Estella Tincknell. Film's Musical Moments. Edinburgh University Press (2007). . Page 186.Rainer Bratfisch. Freie Töne: die Jazzszene in der DDR. Links (2005). . Page 57.

Reception According to DEFA historian Dagmar Schittly, On the Sunny Side was the most popular East German film of the early 1960s, and was very successful with the audience.Dagmar Schittly. Zwischen Regie und Regime. Die Filmpolitik der SED im Spiegel der DEFA-Produktionen. . Page 122. Director Ralf Kirsten, Krug, writers Heinz Kahlau and Gisela Steineckert and cinematographer Hans Heinrich were awarded the Heinrich Greif Prize 1st class for their collective work on the picture at March 1962.DEFA chronicle: 1962. Steineckert also received the Art Prize of the Free German Trade Union Federation.Auf der Sonnenseite. defa.de.

Krug's biographer Ralf Schenk wrote that On the Sunny Side "proved wrong the known saying that if DEFA would produce a comedy, the audiences would remain at home and cry."Ralf Schenk. Manfred Krug. Die großen Kinofilme. Parthas (1997). . Page 43. Sabine Hake noted that, while the studio consistently opposed the concept of a star system, the film turned Krug into East Germany's only "genuine screen idol". On the Sunny Side was the actor's breakthrough picture, and he became famous after its release.Ingrid Poss. Spur der Filme: Zeitzeugen über die DEFA. . Page 144. Ina-Lyn Reif wrote that the state's artistic establishment perceived Krug as "capturing the younger generation's mood" after the release of On the Sunny Side.Ina-Lyn Reif. Die Entstehung und Rezeption des DEFA-Spielfilms "Der Verlorene Engel": Unter Berücksichtigung des Gesamtwerkes von Ralf Kirsten. Diplomica Verlag (2009). . Page 17.

Sabine Brummel commented that the film "virtually lacked a political statement", an uncommon feature in DEFA's productions up to that time, and even presented a realistic depiction of the workplace: the construction team did not accept Ottilie as their manager because she was a woman, and the Workers' Brigade leader was incompetent. Still, On the Sunny Side "made concessions to the censors" by featuring the devout communist Jens Krüger as a positive father figure, and "ideology did have its place".Sabine Brummel. Die Werktätigen in DEFA-Spielfilmen: Propaganda in den Filmen der DDR. Diplomica Verlag (2010). . Pages 50–52. Rebecca Menzel pointed out that the film was the first East German picture to portray jeans in a neutral manner; Krug and other workers wore them. At the time, they were considered a bourgeois form of clothing and were banned in schools.Rebecca Menzel. Jeans in der DDR: vom tieferen Sinn einer Freizeithose. Links (2004). . Pages 56–57.

References

External links On the Sunny Side on the IMDb.