Franz Schubert (31 January 1797 – 19 November 1828) was an extremely prolific Austrian composer. He composed some 1500 works (or, when collections, cycles and variants are grouped, some thousand compositions). The largest group are the lieder for piano and solo voice (over six hundred), and nearly as many piano pieces. Schubert also composed some 150 part songs, some 40 liturgical compositions (including several masses) and around 20 stage works like operas and incidental music. His orchestral output includes thirteen symphonies (seven completed) and several overtures. Schubert's chamber music includes over 20 string quartets, and several quintets, trios and duos.
This article constitutes a complete list of Schubert's known works organized by their genre. The complete output is divided in eight series, and in principle follows the order established by the Neue Schubert-Ausgabe printed edition. The works found in each series are ordered ascendingly according to Deutsch numbers, the information of which attempts to reflect the most current information regarding Schubert's catalogue. __TOC__ The list below includes the following information: D – the catalogue number assigned by Otto Erich Deutsch or NSA authorities Genre – the musical genre to which the piece belongs. This has been omitted when the genre is self-explanatory or unnecessary, i.e. piano dances Title – the title of the work Incipit – the first line(s) of text, as pertaining to vocal works Scoring – the instrumentation and/or vocal forces required for the work Informal Title – any additional names by which the work is known, when applicable Former Deutsch Number – information on Deutsch numbers that have been reassigned, when applicable Date – the known or assumed date of composition, when available; or date of publication Opus Number – the opus number of the original publication of the work, when applicable Setting – the order of setting as it pertains to vocal works that have numerous settings of the same text Version – the number of version as it pertains to works or vocal settings that have more than one existing version Notes – any additional information concerning the work: alternate titles, completeness, relation to other works, authorship, etc.
Series I: Church music
Masses, requiems and Stabat mater D 24E, Mass in F major (?) for mixed choir, orchestra and organ (1812?; fragments of two movements, "Gloria" and "Credo" are extant) D 105, Mass No. 1 in F major for two sopranos, alto, two tenors, bass, mixed choir, orchestra and organ (1814, 2 settings of the "Dona Nobis Pacem"; 2nd setting was formerly D 185) D 167, Mass No. 2 in G major for soprano, tenor, bass, mixed choir, string orchestra and organ (1815) D 324, Mass No. 3 in B major for soprano, alto, tenor, bass, mixed choir, orchestra and organ (1815, first published as Op. posth. 141) D 383, Oratorio "Stabat Mater" ['Jesus Christus schwebt am Kreuze'] in F minor for soprano, tenor, bass, mixed choir and orchestra (1816, also appears as "Deutsche Stabat Mater"; sketches for Nos. 5 and 6, "Wer wird sich nicht innig freuen" were formerly D 992) D 452, Mass No. 4 in C major for soprano, alto, tenor, bass, mixed choir, orchestra and organ (1816, first published as Op. 48; 2nd setting of the "Benedictus" was formerly D 961) D 453, Requiem in C minor for mixed choir and orchestra (1816, fragment of the first movement is extant) D 621, German Requiem in G minor for soprano, alto, tenor, bass, mixed choir and organ, Deutsche Trauermesse (1818, 4 versions; only the 1st version is complete; NSA appends a synopsis of the 2nd, 3rd and 4th versions) D 678, Mass No. 5 in A major for soprano, alto, tenor, bass, mixed choir, orchestra and organ (1819 and 1822; 2 versions) D 872, Mass "Deutsche Messe" for mixed choir and organ, Gesänge zur Feier des heiligen Opfers der Messe. Nebst einem Anhange, enthaltend: Das Gebet des Herr (1827, 2 versions; 2nd version adds two oboes, two clarinets, two bassoons, two horns, two trumpets, three trombones, timpani and double bass) D 950, Mass No. 6 in E major for soprano, alto, tenor, bass, mixed choir and orchestra (1828) D deest, Mass in C major (?) for mixed choir, two violins and organ (1811?, sketch?; lost or never written)
Mass movements D 31, Kyrie ['Kyrie eleison'] to a Mass in D minor for soprano, tenor, mixed choir, orchestra and organ (1812) D 45, Kyrie ['Kyrie eleison'] in B major for mixed choir (1813) D 49, Kyrie ['Kyrie eleison'] to a Mass in D minor for soprano, alto, tenor, bass, mixed choir and orchestra (1813) D 56, Canon "Sanctus" ['Sanctus'] in B major for three voices (1813, 2 versions) D 66, Kyrie ['Kyrie eleison'] in F major for mixed choir, orchestra and organ (1813) D 755, Kyrie ['Kyrie eleison'] to a Mass in A minor for soprano, alto, tenor, bass, mixed choir, string orchestra and organ (1822, sketch)
Smaller sacred works D 27, Antiphon "Salve Regina" ['Salve Regina'] in F major for soprano, orchestra and organ (1812) D 71A, Canon "Alleluja" ['Alleluja'] in F major for three voices (1813) D 106, Antiphon "Salve Regina" ['Salve Regina'] in B major for tenor, orchestra and organ (1814) D 136, Offertory "Totus in Corde" ['Totus in corde langueo'] in C major for soprano (or tenor), clarinet (or violin) concertante, orchestra and organ, Erstes Offertorium (1815?, first published as Op. 46) D 175, Sequence "Stabat mater" ['Stabat mater'] in G minor for mixed choir, orchestra and organ (1815) D 181, Offertory "Tres sunt" ['Tres sunt, qui testimonium dant in coelo'] in A minor for mixed choir, orchestra and organ (1815) D 184, Gradual "Benedictus es, Domine" ['Benedictus es, Domine'] in C major for mixed choir, orchestra and organ (1815, first published as Op. posth. 150) D 223, Offertory "Salve Regina" ['Salve Regina'] in F major for soprano, orchestra and organ, Zweites Offertorium (1815 and 1823, 2 versions; 2nd version first published as Op. 47) D 379, Antiphon "Deutsches Salve Regina" ['Sei, Mutter der Barmherzigkeit'] in F major for mixed choir and organ (1816) D 386, Antiphon "Salve Regina" ['Salve Regina'] in B major for mixed choir (1816) D 460, Hymn "Tantum ergo" ['Tantum ergo'] in C major for soprano, mixed choir, orchestra and organ (1816) D 461, Hymn "Tantum ergo" ['Tantum ergo'] in C major for soprano, alto, tenor, bass, mixed choir, orchestra and organ (1816) D 486, Hymn "Magnificat" ['Magnificat anima mea Dominum'] in C major for soprano, alto, tenor, bass, mixed choir, orchestra and organ (1815) D 488, Offertory "Auguste jam coelestium" ['Auguste jam coelestium'] in G major for soprano, tenor and orchestra (1816) D 607, Song "Evangelium Johannis 6, Vers 55–58" ['In der Zeit sprach der Herr Jesus'] for voice and figured bass (1818, fragment; figured bass usually realized for piano) D 676, Offertory "Salve Regina" ['Salve Regina'] in A major for soprano and orchestra, Drittes Offertorium (1819, first published as Op. posth. 153) D 696, Six Antiphons "Sechs Antiphonen zum Palmsonntag" for mixed choir (1820, first published as Op. posth. 113) "Hosanna filio David" "In monte Oliveti" "Sanctus" "Pueri Hebraeorum" "Cum angelis et pueris" "Ingrediente Domino" D 706, Hymn "Der 23. Psalm" ['Gott ist mein Hirt, mir wird nichts mangeln'] for two sopranos, two altos and piano (1820, first published as Op. posth. 132) D 730, Hymn "Tantum ergo" ['Tantum ergo'] in B major for soprano, alto, tenor, bass, mixed choir and orchestra (1821) D 739, Hymn "Tantum ergo" ['Tantum ergo'] in C major for mixed choir, orchestra and organ (1814, first published as Op. 45) D 750, Hymn "Tantum ergo" ['Tantum ergo'] in D major for mixed choir, orchestra and organ (1822) D 811, Antiphon "Salve Regina" ['Salve Regina'] in C major for two tenors and two basses (1824, first published as Op. posth. 149) D 948, Hymn "Hymnus an den heiligen Geist" ['Komm, heil'ger Geist, erhöre unser Flehen'] for two tenors, two basses and men's choir (1828, 2 versions; 1st version was formerly D 941; 2nd version [formerly D964] for two tenors, two basses, men's choir, two oboes, two clarinets, two bassoons, two trumpets, two horns and three trombones; 2nd version first published as Op. posth. 154) D 953, Hymn "Der 92. Psalm" ['tôw l'hôdôs ladônoj'] for baritone, soprano, alto, tenor, bass and mixed choir (1828) D 962, Hymn "Tantum ergo" ['Tantum ergo'] in E major for soprano, alto, tenor, bass, mixed choir and orchestra (1828) D 963, Offertory "Intende voci" ['Intende voci'] in B major for tenor, mixed choir and orchestra (1828) D deest, Tantum ergo ['Tantum ergo'] in C major for mixed choir and orchestra (1821) D deest, Tantum ergo ['Tantum ergo'] in C major for mixed choir and orchestra (1821)
Series II: Stage works
D 11, Singspiel Der Spiegelritter for five sopranos, three tenors, four basses, mixed choir and orchestra (1811?, in three acts?; unfinished – Overture, five complete numbers and three fragments from Act I are extant) D 84, Singspiel Des Teufels Lustschloß for three sopranos, two tenors, three basses, one spoken role, mixed choir and orchestra (1814, in three acts: Overture and twenty-three numbers; 2 versions; NSA also appends three discarded numbers: No. 13 from the 1st version and Nos. 7 and 23 from the 2nd version, in addition to a fragment of an orchestral postlude) D 137, Singspiel Adrast for soprano, tenor, bass, men's choir and orchestra (1817, in two or three acts?; unfinished – thirteen numbers are extant: eight are complete, and five are sketches) D 190, Singspiel Der vierjährige Posten for soprano, three tenors, bass, one spoken role, mixed choir and orchestra (1815, in one act: Overture and eight numbers) D 220, Singspiel Fernando for two sopranos, tenor, two basses, one spoken role and orchestra (1815, in one act: seven numbers) D 239, Singspiel Claudine von Villa Bella for two sopranos, two tenors, two basses, mixed choir and orchestra (1815, in three acts; incomplete – Act I: Overture and eight numbers, is extant, as well as one number from Act II and one number from Act III; remaining numbers were written, but are now lost) D 326, Singspiel Die Freunde von Salamanka for three sopranos, three tenors, six basses, mixed choir and orchestra (1815, in two acts: Overture and eighteen numbers) D 435, Opera Die Bürgschaft for four sopranos, three tenors, three basses, two baritones, mixed choir and orchestra (1816, in three acts; unfinished – Act I: nine numbers, five numbers from Act II, and one number and one fragment from Act III are extant) D 644, Music for Zauberspiel Die Zauberharfe for tenor, six spoken roles, mixed choir and orchestra (1820, in three acts: Overtures to the first and third acts, and thirteen numbers; Overture to the first act known as the "Rosamunde" Overture, also used in D 797) D 647, Singspiel Die Zwillingsbrüder for soprano, tenor, three basses, mixed choir and orchestra (1819, in one act: Overture and ten numbers) D 689, Oratorio Lazarus, oder: Die Feier der Auferstehung for three sopranos, two tenors, bass, mixed choir and orchestra (1820, in three acts; unfinished – Act I: twenty-one numbers, and eight numbers from Act II are extant) D 701, Opera Sakuntala for fourteen sopranos, three altos, five tenors, nine basses, mixed choir and orchestra (1820, also appears as "Sakontala" or "Sakuntala"; in three acts; unfinished – sketches of eleven numbers from Acts I and II are extant) D 723, Duet and Aria for Hérold's Das Zauberglöckchen ['Nein, nein, nein, nein, das ist zu viel'; 'Der Tag entflieht, der Abend glüht'] for two tenors, bass and orchestra (1821) D 732, Opera Alfonso und Estrella for two sopranos, two tenors, bass, two baritones, mixed choir and orchestra (1821–1822, in three acts: Overture and thirty-four numbers) D 787, Singspiel Die Verschworenen, a.k.a. Der häusliche Krieg, for four or five sopranos, two altos, two or three tenors, two basses, mixed choir and orchestra (1823, in one act: eleven numbers)