Cinderella's Eyes is the only studio album by English singer and songwriter Nicola Roberts. It was released on 23 September 2011 by Polydor Records. As a member of the British girl group Girls Aloud, Roberts drew inspiration from her time with the group. Her experience with Girls Aloud's formation found her being labelled "ugly" by the media, and the constant negative attention and subsequent personal problems resulted in her struggling with her confidence. She started recording for the album in 2010 and co-wrote all of the original tracks on the album, working closely with producers Dimitri Tikovoï, Maya von Doll (from electro group Sohodolls) and Diplo on the album, as well as Canadian electropop band Dragonette. The concept of the album derived from fairy tales, focusing mostly upon "Cinderella" after titling the album Cinderella's Eyes. The album artwork features Roberts next to a collection of vintage artefacts wearing a modern interpretation of the Cinderella glass slipper, co-produced by shoe designer Atalanta Weller.
The album was characterised by quirky electropop production; thematically the album deals with Roberts' insecurities and self-doubt, with subtle social commentary about the British media and culture incorporated in the lyrics. The album opens with "Beat of My Drum", an electropop dance track which features chants, something that is presented throughout the album. Her use of rap is included on tracks such as "I", "Take a Bite" and "Sticks and Stones". The album was inspired by Robyn and Kate Bush, both of whom have received comparisons to songs within the album.
Cinderella's Eyes was received well by music critics, who praised the production on the album, Roberts's voice, and her lyrics. The album was also praised for being the most original solo album from any of the members of Girls Aloud. Although the album did not reach commercial success, many critics commented that the album was underrated and deserved more appreciation. "Beat of My Drum" was released as the album's first track. The track received positive reviews and performed well commercially, charting at number 27 in the United Kingdom. A music video directed by Wendy Morgan showed Roberts performing in 1970s-inspired outfits. The second single, "Lucky Day", was released a week before the album and featured production from the band Dragonette. It was also well-received, and the music video, directed by Stephen Agnes, featured Roberts in the East Village of New York City performing in a floral dress. A deluxe edition of the album featuring ten new songs, Behind Cinderella's Eyes, was announced on 26 October 2021.
Background and inspiration
Nicola Roberts is one fifth of the band Girls Aloud. During her time with the girl group, she struggled with loneliness, due to living away from home in London, busy schedule, and media criticism of her image, eventually describing her time in the band as a "blur". She became exhausted and found herself with two personalities, one being a "normal" girl and another to deal with the celebrity lifestyle, with which she was uncomfortable. Roberts claimed that the hardest aspect of being with the group was the media attention – which would constantly pick out flaws with her image. She said she "just had to harden myself to it, actually, inside, I was dying". The album was inspired by her time performing with Girls Aloud – "It would have been stupid for me to make an album that meant nothing." For Roberts, the album was about making a risky record, where there wasn't a guaranteed commercial success, explaining to The Guardian: "It's taken every last bit of confidence just to release this record, or maybe I've just brainwashed myself into feeling more confident. I don't know if it's good, or if I've just told myself it's good." On 6 May 2011 via her official website, Roberts confirmed that she had been developing a studio album ready for release, she said; I'm writing this and I feel so excited and nervous all at the same time. Everytime I think about what I'm about to do I get the biggest butterflies [...] For over a year, I've been in the studio writing my own songs and working towards making my own record. The time has come where I have to come out of my safe bubble that is the studio and share my music with you... butterflies just got worse [...] I've had the incredible opportunity to work with some of my favourite artists, DJs and producers on my album. I have had the most amazing time and I have learnt so much. It was important that my record was personal to me. I wanted to be able to look back on the album and know that I have honestly put 100% of myself into it. I've written songs and stories that I have wanted to write for a long time. I really hope that you're able to relate to my music, because that really is what it's all about.. So here goes, I'm taking a big leap, but it's going to be the best fun ever.
Artwork
The album artwork premiered on 22 August 2011, and features Roberts next to a collection of vintage artefacts wearing a modern interpretation of Cinderella's glass slippers. The album artwork was shot at Master Shipwright's House in London, which Roberts described as "run-down reality with a hint of fairytale". The concept of the artwork was to relate to the different sounds of the album, which Roberts described as "red" and "blue" tracks, claiming she wanted "to be on parallel with the art and clothes". The emerging detailing in electro music, as Roberts described it was something she wanted present in the artwork, whilst talking to Rolling Stone she said "I wanted that rhythm to be present in the imagery, the way I pictured it. There's a lot going on with the sounds on this record; it was important to me that the visual side was equally eclectic, so that it came full circle. This is a full package. For the album photograph shoot, Roberts worked alongside shoe designer Atalanta Weller to produce the shoes for the album. The "21st century" Cinderella style glass slippers were produced for the album campaign, Roberts explained about the shoes and fashion in relation to the record saying; "that will play a big part in the campaign for the record [...] the crystals represent a massive part in the theme of the album". The shoe, a wedge, is in Weller's signature style and, whilst talking to Vogue, Weller called her intrigue at working with Roberts due to them being an unlikely pairing. Weller called Roberts' style "incredible" and "extremely distinctive, luxurious and original": A collaboration is like a good conversation, Nicola came to my studio a couple of times and I went to hers; we initially chatted about her music, the forthcoming album and how this related to her vision for the shoes. I went away and started designing my response to this. After our first meeting I was excited by her ideas and collaborating with people who have a strong vision is really fantastic. Nicola considers everything she does really carefully and has a totally clear view of what she wants to achieve. While the shoes are just a small part of this, I knew it would be interesting and fun to work together.
Development
Roberts co-wrote every song on the album, with the exception of the Korgis song "Everybody's Got to Learn Sometime" which she covered for the record. The songwriting partnership was important to Roberts, who said "I had to feel like I would say and mean every single one of these lyrics" and explained that she wouldn't want to release something that wasn't her own as she had been given an opportunity where she "put every last bit of heart and soul into it". In an interview with Rolling Stone, Roberts was questioned on her concept for the record, where she stated that she wished to avoid a record produced under guidelines of regular pop music. She found that producing an "electro" record helped her produce an innovative record, she found that after working with the Girls Aloud producer Xenomania that she was used to "breaking pop rules" something which she continued with during the production of Cinderella's Eyes. Vocally she also wanted to produce something that could come as a surprise to those who hadn't heard her "full range before". The title of the album derives from a track of the same name from the album. The song "Cinderella's Eyes" was written in the early stages of the album recording, with lyrics telling a story similar to several fairy tale characters. Roberts described "Cinderella's Eyes" as "a song on my album that I wrote about a year ago… It's about a girl called Sleeping Beauty who wakes up and wonders what life has instore for her… 'Will she meet any baddies or goodies and will she lay with any Princes or Hoodies'… She asks Cinderella 'Are you happy with your fella and your nice home', and tells girls 'They have to do it for themselves as cards are so randomly dealt.' I think it represents my views on happy endings."
Whilst discussing the record with Rolling Stone she discussed her selection of producers for the record, with a goal to create "a unique record" becoming the basis of her selection. After being asked whether there was anyone she wished to work with on the record, Roberts declared that she wanted Kate Bush. However, contacting Bush was difficult; after asking and hinting to her record label during the year she was producing the album, she found that nobody could establish communications. Electropop band Dragonette worked on the album, producing the second single from the album, "Lucky Day". The band were among the first to work on the record. Roberts co-wrote the lyrics, saying: "When I wrote 'Lucky Day' I had short hair and was really into '40s fashion. All of the 'woah woah woah woah' and the 'ah ha' really is a reflection of that." She also stated when it came to the production of the track, early in 2011, that she wanted to produce a "more downbeat dance record" noting it was what she was into at that point". Roberts worked with producer Diplo, who co-produced the track "Beat of My Drum", she explained whilst talking to The Guardian, "I had to ring him [Diplo] and… you know when you ring a boy for the first time? I knew I only had one chance, so I just fired at him. 'I want this, I want that, don't send it back like that. I'm going to send you the session again just so you've got it.' He reassured me a bit, and I put the phone down, thinking, it's not in my hands now". When Roberts received the track back from Diplo, she was too nervous to listen to it, as it meant so much to her. Whilst back in her hometown of Liverpool she put her younger brother and sister in the car with her, and after burning the track to a CD, drove to a deserted field and played it loudly. After positive responses from the pair, Roberts declared "I'm so proud of it. I can't believe it's mine. The man is a genius". Roberts worked with producer Joseph Mount on the album, recording two songs. For years before the pair started work together, Mount had mentioned several times that he wished to work with Girls Aloud, and had sent "short beats" to her, including music which he thought the record label would approve of, as well as a wild-card style compilation. When the two started work in the studio, both of the tracks produced by Mount were chosen from the wild-card category, with lyrics written by Roberts, and the melodies in the tracks produced jointly.
Composition