Gertrude Stein (February 3, 1874 – July 27, 1946) was an American novelist, poet, playwright, and art collector. Born in Allegheny, Pennsylvania (now part of Pittsburgh), and raised in Oakland, California, Stein moved to Paris in 1903, and made France her home for the remainder of her life. She hosted a Paris salon, where the leading figures of modernism in literature and art, such as Pablo Picasso, Ernest Hemingway, F. Scott Fitzgerald, Sinclair Lewis, Ezra Pound, Sherwood Anderson and Henri Matisse, would meet.
In 1933, Stein published a quasi-memoir of her Paris years, The Autobiography of Alice B. Toklas, written in the voice of Alice B. Toklas, her life partner. The book became a literary bestseller and vaulted Stein from the relative obscurity of the cult-literature scene into the limelight of mainstream attention. Two quotes from her works have become widely known: "Rose is a rose is a rose is a rose", and "there is no there there", with the latter often taken to be a reference to her childhood home of Oakland.
Her books include Q.E.D. (1903), about a lesbian romantic affair involving several of Stein's friends; Fernhurst, a fictional story about a love triangle; Three Lives (1905–06); The Making of Americans (1902–1911); and Tender Buttons (1914).
Her activities during World War II have been the subject of analysis and commentary. As a Jew living in Nazi-occupied France, Stein may have been able to sustain her lifestyle as an art collector, and indeed to ensure her physical safety, only through the protection of the powerful Vichy government official and Nazi collaborator Bernard Faÿ. After the war ended, Stein expressed admiration for another Nazi collaborator, Vichy leader Philippe Pétain.Barbara Will. HUMANITIES, March/April 2012, Volume 33, Number 2:The Strange Politics of Gertrude Stein.
Early life
Stein, the last of seven children, was born on February 3, 1874, in Allegheny, Pennsylvania (which merged with Pittsburgh in 1907), to upper-middle-class Jewish parents, Daniel Stein and Amelia Stein, née Keyser. Her father was a wealthy businessman with real estate holdings. German and English were spoken in their home. Gertrude's surviving siblings, with whom she was raised, were: Michael (born in 1865), Simon (1868), Bertha (1870), and Leo (1872).
When Stein was three years old, she and her family moved to Vienna, and then Paris. Accompanied by governesses and tutors, the Steins endeavored to imbue their children with the cultured sensibilities of European history and life. After a year-long sojourn abroad, they returned to the U.S. in 1878, settling in Oakland, California, where her father became director of San Francisco's streetcar lines, the Market Street Railway. Stein attended the First Hebrew Congregation of Oakland's Sabbath school.Rosenbaum (1987), p. 21. During their residence in Oakland, they lived for four years on a 10-acre lot, experiencing California in ways that Stein would remember throughout her life. She would take frequent excursions with her brother Leo, with whom she developed a close relationship. Though Stein found formal schooling in Oakland unstimulating, she often immersed herself in the writings of Shakespeare, Wordsworth, Scott, Burns, Smollett, Fielding, and others.
When Stein was 14 years old, their mother died. Three years later, they lost their father, as well. Stein's eldest brother, Michael, age 26, then took over the family business holdings, moved his four siblings to San Francisco, where he had become a director of the Market Street Cable Railway Company. In 1892, he arranged for Gertrude and their sister, Bertha, to live with their mother's family in Baltimore.Mellow (1974), pp. 25–28.
There, Gertrude lived with her uncle David Bachrach, who, in 1877, had married Fanny Keyser. In Baltimore, Stein also got to know Claribel and Etta Cone, who held Saturday evening salons that she would later emulate in Paris. The Cones shared an appreciation for art and conversation about it and modeled a domestic division of labor that Stein would replicate in her relationship with Alice B. Toklas.Mellow (1974), pp. 41–42.
Education Radcliffe Stein attended Radcliffe College, then an annex of Harvard University, from 1893 to 1897 and was a student of psychologist William James. With James's supervision, Stein and another student, Leon Mendez Solomons, performed experiments on normal motor automatism, a phenomenon hypothesized to occur in people when their attention is divided between two simultaneous intelligent activities such as writing and speaking.
These experiments yielded examples of writing that appeared to represent "stream of consciousness", a psychological theory often attributed to James and the style of modernist authors Virginia Woolf and James Joyce. In 1934, behavioral psychologist B. F. Skinner interpreted Stein's difficult poem Tender Buttons as an example of normal motor automatism."Has Gertrude Stein a Secret?" Cumulative Record, 3rd ed. New York: Appleton-Century-Crofts, 1972, 359–69. In a letter Stein wrote during the 1930s, she explained that she never accepted the theory of automatic writing: "[T]here can be automatic movements, but not automatic writing. Writing for the normal person is too complicated an activity to be indulged in automatically."Meyer (2001) She did publish an article in a psychological journal on "spontaneous automatic writing" while at Radcliffe, but "the unconscious and the intuition (even when James himself wrote about them) never concerned her".
At Radcliffe, she began a lifelong friendship with Mabel Foote Weeks, whose correspondence traces much of the progression of Stein's life. In 1897, Stein spent the summer in Woods Hole, Massachusetts, studying embryology at the Marine Biological Laboratory. She received her A.B. (Bachelor of Arts) magna cum laude from Radcliffe in 1898.
Johns Hopkins School of Medicine William James, who had become a committed mentor to Stein at Radcliffe, recognizing her intellectual potential, and declaring her his "most brilliant woman student", encouraged Stein to enroll in medical school. Although Stein professed no interest in either the theory or practice of medicine, she enrolled at Johns Hopkins School of Medicine in 1897. In her fourth year, Stein failed an important course, lost interest, and left. Ultimately, medical school had bored her, and she had spent many of her evenings not applying herself to her studies, but taking long walks and attending the opera.
Stein's tenure at Johns Hopkins was marked by challenges and stress. Men dominated the medical field, and the inclusion of women in the profession was not unreservedly or unanimously welcomed. Writing of this period in her life (in Things As They Are, 1903) Stein often revealed herself as a depressed young woman dealing with a paternalistic culture, struggling to find her own identity, which she realized could not conform to the conventional female role. Her uncorseted physical appearance and eccentric mode of dress aroused comment and she was described as "Big and floppy and sandaled and not caring a damn." According to Linda Wagner-Martin, Stein's "controversial stance on women's medicine caused problems with the male faculty" and contributed to her decision to leave without finishing her degree.
Asked to give a lecture to a group of Baltimore women in 1899, Stein gave a controversial speech titled "The Value of College Education for Women", undoubtedly designed to provoke the largely middle-class audience. In the lecture Stein maintained:
While a student at Johns Hopkins and purportedly still naïve about sexual matters, Stein experienced an awakening of her latent sexuality. Sometime in 1899 or 1900, she became infatuated with Mary Bookstaver who was involved in a relationship with a medical student, Mabel Haynes. Witnessing the relationship between the two women served for Stein as her "erotic awakening". The unhappy love triangle demoralized Stein, arguably contributing to her decision to abandon her medical studies. In 1902, Stein's brother Leo Stein left for London, and Gertrude followed. The following year the two relocated to Paris, where Leo hoped to pursue an art career.
Art collection
From 1903 until 1914, when they dissolved their common household, Gertrude and her brother Leo shared living quarters near the Luxembourg Gardens on the Left Bank of Paris in a two-story apartment (with the adjacent studio) located on the interior courtyard at 27 rue de Fleurus, 6th arrondissement. Here they accumulated the works of art that formed a collection that became renowned for its prescience and historical importance.
The gallery space was furnished with imposing Renaissance-era furniture from Florence, Italy. The paintings lined the walls in tiers trailing many feet to the ceiling. Initially illuminated by gaslight, the artwork was later lit by electric light shortly prior to World War I.
Leo Stein cultivated important art world connections, enabling the Stein holdings to grow over time. The art historian and collector Bernard Berenson hosted Gertrude and Leo in his English country house in 1902, facilitating their introduction to Paul Cézanne and the dealer Ambroise Vollard.Mellow (1974), pp. 43–52. Vollard was heavily involved in the Cézanne art market, and he was the first important contact in the Paris art world for both Leo and Gertrude.
The joint collection of Gertrude and Leo Stein began in late 1904 when Michael Stein announced that their trust account had accumulated a balance of 8,000 francs. They spent this at Vollard's Gallery, buying Gauguin's Sunflowers and Three Tahitians, Cézanne's Bathers, and two Renoirs.Mellow (1974), p. 62.
The art collection increased and the walls at Rue de Fleurus were rearranged continually to make way for new acquisitions.Gertrude seated near sculpture and Cézanne's Bathers (1903–04) : The MoMA catalog dates photo at 1905 (MoMA (1970), p. 53) and places Bathers (1895) in the Cone Collection , Baltimore In "the first half of 1905" the Steins acquired Cézanne's Portrait of Mme Cézanne and Delacroix's Perseus and Andromeda.MoMA (1970), p. 26. The Delacroix painting is now in the Cone Collection, Baltimore. (Dorothy Kosinski et al., Matisse: Painter as Sculptor, p. 38 (Yale Univ. Press 2007)) Shortly after the opening of the Salon d'Automne of 1905 (on October 18, 1905), the Steins acquired Matisse's Woman with a HatThis painting is now at the San Francisco Museum of Modern Art and Picasso's Young Girl with a Flower Basket.Color plates of Young Girl with Basket of Flowers, or Jeune fille aux fleurs, appear in Hobhouse, 1975, at 68 and Burns, 1970, at 8. The painting is in a private collection but was displayed in a 2003 Matisse/Picasso exhibit. In 1906, Picasso completed Portrait of Gertrude Stein, which remained in her collection until her death.
Henry McBride (art critic for the New York Sun) did much for Stein's reputation in the United States, publicizing her art acquisitions and her importance as a cultural figure. Of the art collection at 27 Rue de Fleurus, McBride commented: "[I]n proportion to its size and quality... [it is] just about the most potent of any that I have ever heard of in history."Mellow (1974), p. 193. McBride also observed that Gertrude "collected geniuses rather than masterpieces. She recognized them a long way off."