Jingshi Tongyan (警世通言, Stories to Caution the World) is the second of a trilogy of widely celebrated Ming dynasty (1368–1644) vernacular story collections, compiled and edited by Feng Menglong and published in 1624. The first compilation, called Gujin Xiaoshuo (古今小説) (Stories Old and New), which is sometimes also referred to as Yushi Mingyan (喻世明言) (Stories to Enlighten the World or Illustrious Words to Instruct the World) was published in Suzhou in 1620. The third publication was called Xingshi hengyan (醒世恒言) (Stories to Awaken the World), and was published in 1627.
These three collections, often referred to as Sanyan (三言, "Three Words") because of the character yan (言) found at the end of each title, each contain 40 stories.
Genre Jingshi Tongyan is considered to be a huaben (话本), that is, short novel or novella. The huaben genre has been around since the Song dynasty (960-1279). The huaben genre includes collections of short stories, like Jingshi Tongyan, historical stories, and even stories from Confucian classics.
Format The format of Jingshi Tongyan follows the rest of the Sanyan, in that it contains 40 chapters, with each chapter being a different short story. Ling Mengchu, under the direct influence of Sanyan, wrote 2 more collections under the same format, known as Erpai (二拍). Together, sanyan and erpai are one of the greatest ancient Chinese vernacular literatures.
Versions There are two surviving original versions of Jingshi Tongyan, one located in Japan, belonging to Waseda University, and one in Taiwan, located in the National Library in Taipei. Because this collection was banned by the Chinese government at some point, almost all of the original copies were burned. By the early 20th century, when the Republic of China emerged, this collection was already lost. It was not until a scholar from China visiting Japan in the 1930s discovered an original copy of the collection did Jingshi Tongyan becomes popular again. The scholar had taken pictures of each page of the book and brought back to China, where it was republished again.
List of Stories Translated titles in this table mainly follow those by Shuhui Yang and Yunqin Yang in Titles used by other translators are listed as bullet points.
# Title(s) of English Translation(s) Chinese Title Notes1 "Yu Boya Smashes His Zither in Gratitude to an Appreciative Friend"俞伯牙摔琴謝知音2 "Zhuang Zhou Drums on a Bowl and Attains the Great Dao"莊子休鼓盆成大道3 "Three Times Wang Anshi Tries to Baffle Academician Su" Bishop 1956: "Wang An-shih Thrice Corners Su Tung-p'o"王安石三難蘇學士4 "In the Hall Halfway-up-the-Hill, the Stubborn One Dies of Grief" Yang 1972: "The Stubborn Chancellor"拗相公飲恨半山堂5 "Lu Yu Returns the Silver and Brings about Family Reunion"呂大郎還金完骨肉6 "Yu Liang Writes Poems and Wins Recognition from the Emperor"俞仲舉題詩遇上皇7 "Chen Kechang Becomes an Immortal during the Dragon Boat Festival" Yang 1972: "P'u-sa Man"陳可常端陽仙化8 "Artisan Cui's Love is Cursed in Life and in Death" Wang 1944: "The Jade Kuanyin" Yang & Yang 1957: "The Jade Worker" Lung 1978: "Artisan Ts'ui and His Ghost Wife"崔待詔生死冤家9 "'Li the Banished Immortal' Writes in Drunkenness to Impress the Barbarians" Dolby 1978: "Li Bai (Li Po), God in Exile, Drunken Drafts His 'Letter to Daunt the Barbarians'"李謫仙醉草嚇蠻書10 "Secretary Qian Leaves Poems on the Shallow Tower"錢舍人題詩燕子樓11 "A Shirt Reunites Magistrate Su with His Family"蘇知縣羅衫再合12 "A Double Mirror Brings Fan the Loach and His Wife Together Again" Wieman 1986: "Loach Fan's Double Mirror"范鰍兒雙鏡重圓13 "Judge Bao Solves a Case through a Ghost That Appeared Thrice" Chang 1973: "The Clerk's Lady" Yang & Yang 1981: "The Ghost Came Thrice"三現身包龍圖斷冤14 "A Mangy Priest Exorcises a Den of Ghosts" Jones 1986: "A Mangy Taoist Exorcises Ghosts"一窟鬼癩道人除怪15 "Clerk Jin Rewards Xiutong with a Pretty Maidservant"金令史美婢酬秀童16 "The Young Lady Gives the Young Man a Gift of Money" Yang & Yang 1957: "The Honest Clerk"小夫人金錢贈年少17 "The Luckless Scholar Rises Suddenly in Life"鈍秀才一朝交泰18 "A Former Protégé Repays His Patrons unto the Third Generation"老門生三世報恩19 "With a White Falcon, Young Master Cui Brings an Evil Spirit upon Himself" Yang 1972: "The White Hawk of Ts'ui, the Magistrate's Son, Led to Demons"崔衙內白鷂招妖20 "The Golden Eel Brings Calamity of Officer Ji"計押番金鰻產禍21 "Emperor Taizu Escorts Jingniang on a One-Thousand-Li Journey" Lieu 1978: "The Sung Founder Escorts Ching-niang One Thousand Li"趙太祖千里送京娘22 "Young Mr. Song Reunites with His Family by Means of a Tattered Felt Hat" Yang & Yang 1957: "The Tattered Felt Hat"宋小官團圓破氈笠23 "Mr. Le Junior Searches for His Wife at the Risk of His Life"樂小舍棄生覓偶24 "Yutangchun Reunites with Her Husband in Her Distress"玉堂春落難逢夫25 "Squire Gui Repents at the Last Moment"桂員外途窮懺悔26 "Scholar Tang Gains a Wife after One Smile"唐解元一笑姻緣27 "Fake Immortals Throw Guanghua Temple into an Uproar"假神仙大鬧華光廟28 "Madam White is Kept Forever under the Thunder Peak Tower" Yang & Yang 1959: "The White Snake" Chang 1973: "Madame White" Yu 1978: "Eternal Prisoner under the Thunder Peak Pagoda"白娘子永鎮雷峰塔29 "Zhan Hao Meets Yingying at Lingering Fragrance Pavilion"宿香亭張浩遇鶯鶯30 "Wu Qing Meets Ai'ai by Golden Bright Pond"金明池吳清逢愛愛31 "Zhao Chun'er Restores Prosperity to the Cao Farmstead"趙春兒重旺曹家莊32 "Du Shiniang Sinks her Jewel Box in Anger" Yang & Yang 1957: "The Courtesan's Jewel Box" Ho 1978: "Tu Shih-niang Sinks the Jewel Box in Anger"杜十娘怒沉百寶箱33 "Qiao Yanjie's Concubine Ruins the Family"喬彥傑一妾破家34 "Wang Jiaoluan's One Hundred Years of Sorrow"王嬌鸞百年長恨35 "Prefect Kuang Solves the Case of the Dead Baby" Hsia & Zonana 1974: "The Case of the Dead Infant"況太守斷死孩兒36 "The King of the Honey Locusts Grove Assumes Human Shape"皂角林大王假形37 "Wan Xiuniang Takes Revenge through Toy Pavilions"萬秀娘仇報山亭兒38 "Jiang Shuzhen Dies in Fulfillment of a Love Bird Prophecy"蔣淑真刎頸鴛鴦會39 "The Stars of Fortune, Rank, and Longevity Returns to Heaven"福祿壽三星度世40 "An Iron Tree at Jingyang Palace Subdues Demons"旌陽宮鐵樹鎮妖
Popularity Jingshi Tongyan proved to be popular in China after its republication. Many of the stories from the collection were used as the basis of Chinese Opera in the 60s before the Chinese Cultural Revolution. Jingshi Tongyan also proved to be popular in Japan as well, where stories were taken and transformed into Japanese tales by changing the setting to Japan.
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