Śrībhārgavarāghavīyam () (2002), literally Of Paraśurāma and Rāma, is a Sanskrit epic poem (Mahākāvya) composed by Jagadguru Rambhadracharya (1950–). It consists of 2121 verses in 40 Sanskrit and Prakrit metres and is divided into 21 cantos (Sargas) of 101 verses each. The epic is the narrative of the two Rāma Avatars – Paraśurāma and Rāma, which is found in the Rāmāyaṇa and other Hindu scriptures. Bhārgava refers to Paraśurāma, as he incarnated in the family of the sage Bhṛgu, while Rāghava refers to Rāma as he incarnated in the royal dynasty of king Raghu. For the work, the poet was awarded the Sahitya Akademi Award for Sanskrit in 2005, and several other awards.

A copy of the epic with a Hindi commentary by the poet himself was published by the Jagadguru Rambhadracharya Handicapped University, Chitrakuta, Uttar Pradesh. The book was released by the then prime minister of India, Atal Bihari Vajpayee on 30 October 2002.

Composition

Jagadguru Rambhadracharya composed the epic in 2002 at Chitrakuta during his sixth six-month Payovrata (milk-only diet).Dinkar 2008, p. 127. The poet chose 21 as the number of cantos due to several reasons. He composed the epic at the beginning of the 21st century, and it was the first Sanskrit epic to be composed in the 21st century. The number 21 is also associated with the narrative of the epic. Reṇukā, the mother of Paraśurāma, beats her chest 21 times after the Haihaya kings murder her husband Jamadagni. Subsequently, Paraśurāma annihilates the Kṣatriyas 21 times from the earth. One more reason cited by the poet is that the previous Sanskrit epics which are included in the Laghutrayī and Bṛhattrayī – Meghadūtam, Kumārasambhavam, Kirātārjunīyam, Raghuvaṃśam, Śiśupālavadham and Naiṣadhīyacaritam – were composed in 2, 8, 18, 19, 20 and 22 cantos respectively; and the number 21 was missing from this sequence.Rambhadracharya 2002, p. tha. The poet says that he composed the work as he intended to sing of both the Rāmas – Paraśurāma and Rāma, with the former being the Avatāra, the follower and the Brāhmaṇa and the latter being the Avatārin (source of the Avatār), the leader and the Kṣatriya.Rambhadracharya 2002, pp. kha-gha. Although there is no formal division in the epic, the poet indicates that the epic consists of a first part of nine cantos describing the nine qualities of Paraśurāma, and a second part of 12 cantos in which the brave and noble (Dhīrodātta) protagonist of the epic Rāma is presented with Sītā being the lead female character.

Most of the events described in fifteen cantos of the epic can be found in the Hindu scriptures including Vālmīki's Rāmāyaṇa, Tulasīdāsa's Rāmacaritamānasa, Śrīmadbhāgavata, Brahmavaivartapurāṇa, Prasannarāghava (a play by Jayadeva) and Satyopākhyāna. The narrative of six cantos is original composition by the poet.Dinkar 2008, p. 116.

Narrative

The epic is composed in 21 cantos of 101 verses each. The first nine cantos describe the incarnation of Paraśurāma, his learning from the god Śiva on mount Kailāsa, the execution of his father's command to kill his mother and three brothers and their subsequent resurrection, his battle with the thousand-armed king Sahasrārjuna, the extermination of Kṣatriya ("warrior") race 21 times from the earth by him, and his confrontation with Śiva's son and the god of wisdom, Gaṇeśa. The next five cantos describe the incarnation of Rāma and his consort Sītā, and their child sports (Līlā). The final seven cantos follow the Bālakāṇḍa of the Rāmacaritamānasa, starting from Viśvāmitra's journey to Daśaratha's capital city Ayodhyā and ending with the marriage rites of the four sons of Daśaratha – Rāma being the eldest – in Mithilā.

The summaries of the 21 cantos are given below.Dinkar 2008, pp. 116–127.

Śrībhārgavāvatāropakramaḥ (Sanskrit: श्रीभार्गवावतारोपक्रमः). The poet invokes the blessings of the goddess of learning Sarasvatī, Gaṇeśa, Śiva's consort Pārvatī, Śiva, Sītā and Rāma, and finally the two Rāmas, the subject of the narrative. Bhṛgu, the seventh son of the creator-god Brahmā, and his wife Khyāti beget a son named Ṛcīka in the seventh Manvantara. Ṛcīka marries Satyavatī, the daughter of the Kṣatriya king Gādhi. Ṛcīka prepares two bowls of Pāyasa for Satyavatī and her mother, with Brāhmaṇa and Kṣatriya qualities, respectively. Satyavatī's mother stealthily exchanges the bowls to get a son with Brāhmaṇa qualities (this son would later become Viśvāmitra). On knowing her mother's act, Satyavatī beseeches Ṛcīka to transfer the Kṣatriya qualities to her grandson, as she is afraid of getting a fierce or violent son. Ṛcīka obliges her and the couple get a son named Jamadagni. Jamadagni marries Reṇukā, the daughter of the sage Reṇu. The couple have three sons. For the fourth son, the couple performs penance to please Rāma. Meanwhile, a son named Arjuna is born to the Haihaya king Kṛtavīrya. Arjuna obtains the boon of a thousand arms from Dattātreya, he is subsequently known as Sahasrārjuna ("thousand-Arjuna"). Sahasrārjuna terrorizes the whole world – he stops the flow of the river Narmadā, defeats and incarcerates the demon-king Rāvaṇa (who is later released on the request of Pulastya), and takes over the Svarga ("heaven") and the offerings of the Yajña ("fire sacrifice") from the Devatās ("gods"). The distressed Devatas go to Sāketaloka with Brahmā and pray to Rāma. Rāma tells the Devatās that his Aṃśa will incarnate as the fourth son of Jamadagni and Reṇukā to slay Sahasrārjuna. This Aṃśa would annihilate despotic Kṣatriya races, offer all lands to the sage Kaśyapa, and would finally reenter him in Mithilā. The Devatās go back convinced and Reṇukā becomes pregnant with Rāma entering her womb. Dīkṣā (Sanskrit: दीक्षा). Reṇukā does not feel any weight, nor is troubled by the pregnancy. Jamadagni performs the Puṃsavana ceremony of Reṇukā, traditionally performed in the eighth month of pregnancy. All good omens happen for Reṇukā. The seven seers (Saptarṣi) bless her and the nine planets become favourable. Reṇukā gives birth to a child on the third day of the bright half of Vaiśākha month, known as Akṣayatṛtīyā. The deities, seers, and devotees rejoice. On the instruction of Bhṛgu, the child is named as Rāma by Jamadagni. Rāma is very fond of a toy-axe, and so he is also called Paraśurāma. The child tames and plays with wild animals like lions and tigers. Five years pass by, and ten Saṃskāras ("rites of passage") of the child are completed. Then the Upanayana ("sacred thread ceremony") ceremony of Paraśurāma is performed. Brahmā is the giver of the sacred thread, Śiva initiates the child in the Gayatrī Mantra, and Paraśurāma begs Reṇukā for alms. The canto ends with Paraśurāma going to the Kailāsa mountain to learn from his guru Śiva. Gurūpasattiḥ (Sanskrit: गुरूपसत्तिः). Paraśurāma is welcomed by Śiva at Kailāsa. Śiva promises to offer all his knowledge to his disciple. Śiva tells Paraśurāma that he knows him to be the Avatāra of Rāma, who knows everything beforehand but is studying from a Guru only to set an example for others. The education of Paraśurāma begins. Paraśurāma masters all Vedic Mantras on just hearing them once from his Guru. Śiva teaches him all the eighteen Vidyās. Paraśurāma serves Śiva like the ideal disciple, waking up early morning, getting water and victuals for his Guru, pleasing Śiva and his consort Pārvatī in every way. The Samāvartana Saṃskāra (end of student life) of Paraśurāma is performed by Śiva, who blesses his disciple by saying that may the eighteen Vidyās be ever with him, and may his weapons be ever virtuous. Śiva orders him to assume a furious form when Rāma breaks Pināka, the bow of Śiva, in Mithilā. Śiva further ordains Paraśurāma to surrender his bow and arrows to Rāma, and to merge his Avatāra into the Rāma Avatāra. For the rest of his life, Paraśurāma is asked to perform penance on the Mahendra mountain. Finally Śiva says that Paraśurāma will be among the seven seers (Saptarṣi) in the eighth Manvantara of Sāvarṇi Manu, just like his father Jamadagni is one in the seventh Manvantara of Vaivasvata Manu. Paraśurāma bows to Śiva and asks permission to leave. Samāvartanam (Sanskrit: समावर्तनम्). Most of the fourth canto deals with description of nature, especially the rainy season and the Āśrama of Jamadagni in the forest. Śiva permits Paraśurāma to leave in order to returns to his parents' home. When Paraśurāma is leaving, Śiva requests the Rāma Avatāra to forgive him if he disrespected him in any way while instructing him as a guru. On hearing this, Paraśurāma has tears in his eyes. After bowing to Śiva and Pārvatī, and meeting their sons Gaṇeśa and Kārttikeya, Paraśurāma sets out to return. The rainy season arrives as Paraśurāma is returning home, and it is described in 44 verses (4.7–4.50). Paraśurāma enters the Āśrama of Jamadagni, which is described in 21 verses (4.61–4.81). Jamadagni and Reṇukā are elated to see their son back. Paraśurāma starts living in the Āśrama and with his actions and character, pleases all the monks and hermits in the Āśrama. Pitrājñāpālanam (Sanskrit: पित्राज्ञापालनम्). Jamadagni requests Paraśurāma to marry and enter the second stage of life, the Gārhasthya Āśrama ("householder's life"). Paraśurāma respectfully turns the request down, saying he wishes to be forever away from the bondage of family. One morning, Reṇukā goes to a lake to fetch water. There she sees the Gandharva king Citraratha, taking delight in the water of the lake with his wife. Reṇukā is attracted to Citraratha and returns home excited, fantasizing about him. Jamadagni senses this and orders his three elder sons to kill their mother who he says has become impure by her adulterous thoughts. When the brothers refuse to carry out his command, Jamadagni asks Paraśurāma to do the same. Paraśurāma is caught between the command of his father, and the indebtedness to mother – he remembers the Smṛti scriptures which says the mother is ten times the greater than the father. After a lot of thought and counter-thought, he decides to obey his father. Paraśurāma beheads his mother and three brothers. Jamadagni is pleased and offers Paraśurāma two wishes. Paraśurāma asks for the resurrection of all four as the first wish, and their loss of memory about their killing as the second one. Jamadagni grants both the wishes and Reṇukā and her three sons get up as if from sleep. Paraśurāma thus satisfies his father and also brings back his mother to life.