List of paintings by Rembrandt

The following is a list of paintings by Rembrandt that are accepted as autograph by the Rembrandt Research Project. For other catalogues raisonnés of Rembrandt, see the "Rembrandt" navigation box below.

Image Title Year Technique Dimensions (cm) Gallery Number Commentary The Spectacles-pedlar (Sight)c. 1624Oil on panel21 × 17.8Stedelijk Museum De Lakenhal, Leiden1Hypothetical; one of the series The SensesThe Three Singers (Hearing)c. 1624Oil on panel21.6 × 17.8Leiden Collection2Hypothetical; one of the series The SensesThe Operation (Touch)c. 1624Oil on panel21.5 × 17.7Leiden Collection3Hypothetical; one of the series The SensesThe Unconscious Patient (Smell)c. 1624Oil on panel21.5 × 17.7Leiden Collection3AHypothetical; one of the series The SensesChrist Driving the Money-changers from the Temple1626Oil on panel43.1 × 32Pushkin Museum, Moscow4The Stoning of St. Stephen1625Oil on panel89.5 × 123.6Musée des beaux-arts de Lyon5Bust of a Man Wearing a Gorget and Plumed Beret1626Oil on panel40 × 29.4Private collection6History Painting1626Oil on panel90 × 122Stedelijk Museum De Lakenhal, Leiden7Subject still under discussionDavid with the Head of Goliath before Saul1626/1627Oil on panel27.2 × 39.6Kunstmuseum Basel8The Baptism of the Eunuch1626Oil on panel63.5 × 48Museum Catharijneconvent, Utrecht9The abraded face of Philip has been unsatisfactorily retouchedBalaam and the Ass1626Oil on panel63.2 × 46.5Musée Cognacq-Jay, Paris10Musical Allegory1626Oil on panel63.4 × 47.6Rijksmuseum Amsterdam11Tobit Accusing Anna of Stealing the Kid1626Oil on panel40.1 × 29.9Rijksmuseum Amsterdam12The Flight into Egypt1627Oil on panel27.5 × 24.7Musée des Beaux-Arts de Tours13The Rich Man from the Parable1627Oil on panel31.7 × 42.5Gemäldegalerie, Berlin14The apostle Paul in Prison1627Oil on panel72.8 × 60.2Staatsgalerie Stuttgart15There are darkened overpaintings on both sides of the seams of the panelSimeon in the Templec. 1628Oil on panel55.4 × 43.7Kunsthalle Hamburg16Mary’s cloak has been overpainted by another hand later; it was probably a lighter blue-grey in the originalThe Foot Operation1628Oil on panel31.8 × 24.4Private collection, on permanent loan at Kunstmuseum Winterthur17Rembrandt Laughingc. 1628Oil on copper22.2 × 17.1J. Paul Getty Museum, Los Angeles18Self-Portrait Study in the Mirror (the Human Skin)c. 1627/1628Oil on panel42.8 × 33Indianapolis Museum of Art19Lighting Study in the Mirrorc. 1628Oil on panel22.6 × 18.7Rijksmuseum Amsterdam20Bust of a Man Wearing a Turbanc. 1628Oil on panel26.7 × 20.3The Kremer collection21Interior with figures, called La main chaudec. 1628Oil on panel21 × 27National Gallery of Ireland, Dublin22Judas Repentant, Returning the Pieces of Silver1629Oil on panel79 × 102.3Private collection23The Painter in his Studio (‘Idea’)c. 1628Oil on panel24.8 × 31.7Museum of Fine Arts, Boston24The Supper at Emmaus1629Oil on panel37.4 × 42.3Musée Jacquemart-André, Paris25An Old Man Asleep by the Fire (perhaps typifying ‘Sloth’)1629Oil on panel51.9 × 40.8Sabauda Gallery, Turin26Two Old Men Disputing (St. Peter and St. Paul)1628Oil on panel72.3 × 59.5National Gallery of Victoria, Melbourne27The apostle Paul at his Writing Deskc. 1629/1630Oil on panel47.2 × 38Germanisches Nationalmuseum, Nuremberg28The painting is covered with a thick layer of yellowed varnishSelf-portrait with Plumed Beret1629Oil on panel89.7 × 73.5Isabella Stewart Gardner Museum, Boston29Self-portrait with a Gorgetc. 1629Oil on panel38.2 × 31Germanisches Nationalmuseum, Nuremberg30The painting is covered by a layer of yellowed varnish and shows darkened retouchesSelf-portrait Lit from the Left1629Oil on panel15.5 × 12.7Alte Pinakothek, Munich31Self-portrait with Beret and Gathered Shirt (‘stilus mediocris’)1630Oil on copper15 × 12.2Nationalmuseum, Stockholm33Bust of an Old Woman at Prayer (‘stilus gravis’)c. 1630Oil on copper15.5 × 12.2Residenzgalerie, Salzburg34Laughing Soldier (‘stilus humilis’)c. 1630Oil on copper15.3 × 12.2Mauritshuis, The Hague35Bust of an Old Man1630Oil on panel18.2 × 17.4Private collection36Reduced to an oval form, subsequently made into a rectangle by additionsSamson Betrayed by Delilahc. 1628–1630Oil on panel61.3 × 50.1Gemäldegalerie, Berlin37David Playing the Harp for King Saulc. 1630Oil on panel62 × 50Städel, Frankfurt am Main38The painting is poorly preserved in the thinner areasJeremiah Lamenting the Destruction of Jerusalem1630Oil on panel58.3 × 46.6Rijksmuseum Amsterdam39St. Peter in Prison1631Oil on panel59.1 × 47.8Israel Museum, Jerusalem40Andromeda Chained to the Rocksc. 1630Oil on panel34.5 × 25Mauritshuis, The Hague41The painting has been cropped on all sidesThe Good Samaritan1630Oil on panel24.2 × 19.8Wallace Collection, London42Bust of an Old Man Wearing a Fur Cap1629Oil on panel22.2 × 17.7Tyrolean State Museum, Innsbruck43Oil Study of an Old Man1630Oil on panel24.3 × 20.3Agnes Etherington Art Centre, Kingston44Oil Study of an Old Manc. 1630Oil on panel19.5 × 16Statens Museum for Kunst, Copenhagen45Bust of an Old Manc. 1630Oil on panel46.9 × 38.8Mauritshuis, The Hague46Simeon in the Temple1631Oil on panel60.9 × 47.9Mauritshuis, The Hague47The Raising of Lazarusc. 1630–1632Oil on panel96.2 × 81.5Los Angeles County Museum of Art48The panel was originally tallerThe Abduction of Proserpinac. 1631Oil on panel84.8 × 79.7Gemäldegalerie, Berlin49The panel, which was originally taller, must have been cropped at top and bottom. An ultramarine blue sky was discovered under a greyish overpainting and taken to be the original skyThe Abduction of Europa1632Oil on panel62.2 × 77J. Paul Getty Museum, Los Angeles50An Old Woman Reading, probably the Prophetess Anna1631Oil on panel59.8 × 47.7Rijksmuseum Amsterdam51Christ on the Cross1631Oil, transferred from panel to canvas and then stuck on to panel99.9 × 72.6Parish Church, Le Mas d'Agenais52The Artist in an Oriental Costume, with a Poodle at his Feet1631Oil on panel66.5 × 52Petit Palais, Paris53The dog added in late 1632 or early 1633Minerva in her Studyc. 1631Oil on panel60.5 × 49Gemäldegalerie, Berlin54Bust of an Old Man with a Cap and Gold Chainc. 1631Oil on panel59.9 × 51.1Private collection55A Man Wearing a Gorget and Plumed Capc. 1631Oil on panel66 × 50.8J. Paul Getty Museum, Los Angeles56Bust of a Young Man Wearing a Plumed Cap1631 – c. 1635Oil on canvas80.3 × 64.8Toledo Museum of Art57Half-figure of a Man Wearing a Gorget and Plumed Hat1631Oil on panel83.5 × 75.6Art Institute of Chicago58The painting was originally 7 cm tallerPortrait of Nicolaes Ruts1631Oil on panel116 × 87Frick Collection, New York59Portrait of a Man at a Writing Desk, possibly Jacob Bruyningh1631Oil on canvas104.4 × 91.8Hermitage Museum, Saint Petersburg60The painting originally seems to have been 9 cm tallerA Lady and Gentleman in Black1632Oil on canvas131.5 × 109Stolen from the Isabella Stewart Gardner Museum, Boston61The painting must have been substantially reduced on the left, now showing only part of the original composition; the chair on the left is probably a later addition, apparently intended to balance the composition on this side when the canvas was reducedPortrait of a Man1632Oil on panel90.8 × 68.57Kunsthistorisches Museum, Vienna62aCompanion piece to 62bPortrait of a Woman1632Oil on panel90 × 68Kunsthistorisches Museum, Vienna62bRembrandt and (mainly) workshop. Companion piece to 62aPortrait of a Man, probably a Member of the Van Beresteyn Family1632Oil on canvas112 × 89Metropolitan Museum of Art, New York63aCompanion piece to 63bPortrait of a Woman, probably a Member of the Van Beresteyn Family1632Oil on canvas112.5 × 88.8Metropolitan Museum of Art, New York63bRembrandt and (mainly) workshop. Companion piece to 63a. The woman’s left hand, which originally hung in a lower position, and the table on which it now rests, are probably executed by Rembrandt himselfPortrait of a Man Trimming his Quill1632Oil on canvas101.5 × 81.5Schloss Wilhelmshöhe, Kassel64aCompanion piece to 64bPortrait of a Woman Seated1632Oil on canvas92 × 71Academy of Fine Arts Vienna64bRembrandt (and workshop?) Companion piece to 64a. The painting was cropped on all sidesPortrait of Princess Amalia van Solms1632Oil on canvas69.5 × 54.4Musée Jacquemart-André, Paris65bCompanion piece to 65a: G. van Honthorst, Portrait of Prince Frederik Hendrik of Orange, 1631. The Hague, Huis ten Bosch (Dutch Royal Collection). The two paintings must originally have had identical surrounds. At a later stage 65b was cropped on all sides. The face has suffered from surface wearSelf-portrait as a Burger1632Oil on panel64.4 × 47.6Burrell Collection, Glasgow66Portrait of Maurits Huygens1632Oil on panel31.1 × 24.5Hamburger Kunsthalle67Portrait of Jacob de Gheyn III1632Oil on panel29.9 × 24.9Dulwich Picture Gallery, London68Self-portrait1632Oil on panel21.8 × 16.3Sold at auction (Sotheby's, July 28, 2020), buyer unknownRecord-Breaking Rembrandt to Richter Sale Reinvents the Auction 69Portrait of Joris de Caullery1632Oil, canvas on panel102.5 × 83.8Fine Arts Museums of San Francisco70Portrait of a Young Man1632Oil on panel63 × 46Suermondt-Ludwig-Museum, Aachen71Portrait of Marten Looten1632Oil on panel92.8 × 74.9Los Angeles County Museum of Art72Portrait of a 40-year-old Man1632Oil on panel75.6 × 52.1Metropolitan Museum of Art, New York73Portrait of a 39-year-old Woman1632Oil on panel74.5 × 55Nivaagaards Malerisamling74The hand and the booklet were added by another painterPortrait of a 62-year-old Woman, possibly Aeltje Pietersdr Uylenburgh1632Oil on panel73.5 × 55Museum of Fine Arts, Boston75The Anatomy Lesson of Dr. Tulp1632Oil on canvas169.5 × 216.5Mauritshuis, The Hague76Portraits of Jean Pellicorne and his Son Casper1632Oil on canvas155 × 123Wallace Collection, London 77aRembrandt and (almost entirely) workshop. Companion piece to 77bPortraits of Susanna van Collen and her Daughter Anna1632Oil on canvas153 × 121Wallace Collection, London77bRembrandt and (in the main parts) workshop. Companion piece to 77aBust of a Young Woman1632Oil on panel60.6 × 45Leiden Collection78Bust of a Young Woman in a Cap1632Oil on canvas mounted on panel60.6 × 45Private collection79Originally rectangular and larger on all sidesHalf-figure of a Young Woman in Profile with a Fan1632Oil on canvas72.5 × 54.8Nationalmuseum, Stockholm80Reduced on all sidesBearded Old Man1632Oil on panel66.5 × 51Fogg Museum, Cambridge, Massachusetts81Study of an Old Man with a Gold Chain1632Oil on panel59 × 46.5Schloss Wilhelmshöhe, Kassel82The Apostle Peter1632Oil on canvas81.3 × 66.2Nationalmuseum, Stockholm83Knee-length Figure of a Man in an Oriental Dress (‘The Noble Slav’)1632Oil on panel152.7 × 111.1Metropolitan Museum of Art, New York84A Scholar Near a Window (a study in ‘kamerlicht’)1631Oil on panel60.8 × 47.3Nationalmuseum, Stockholm85An engraved reproduction from c. 1650 by Pieter de Baillu is captioned "S. Anastasius"Philosopher in Meditation1632Oil on panel28.2 × 34.4Musée du Louvre, Paris86Possibly a scene from the Book of Tobit. The figure of a woman on the stairs is practically invisible todayPortrait of a Man1638Oil on panel63.5 × 47.3Herzog Anton Ulrich Museum, Braunschweig87aCompanion piece to 87bPortrait of a Woman1638Oil on panel63 × 48Herzog Anton Ulrich Museum, Braunschweig87bCompanion piece to 87aPortrait of a Man Rising from his Chair1633Oil on canvas124 × 98.5Taft Museum of Art, Cincinnati88aRembrandt and (perhaps) workshop. Companion piece to 88bPortrait of a Young Woman with a Fan1633Oil on canvas126.2 × 100.5Metropolitan Museum of Art, New York88bCompanion piece to 88aPortrait of Jan Rijcksen and his Wife Griet Jans1633Oil on canvas111 × 166Royal Collection89Portrait of Johannes Wtenbogaert1633Oil on canvas123 × 105Rijksmuseum Amsterdam90Rembrandt and workshop. The hands seem to be painted by a member of the workshopPortrait of Man1633Oil on canvas128.5 × 100.5Schloss Wilhelmshöhe, Kassel91Rembrandt and/or workshop? Originally this portrait was probably full sizePortrait of a Man Wearing a Red Doublet1633Oil