Robert Browning (7 May 1812 – 12 December 1889) was an English poet and playwright whose dramatic monologues put him high among the Victorian poets. He was noted for irony, characterisation, dark humour, social commentary, historical settings and challenging vocabulary and syntax.
His early long poems Pauline (1833) and Paracelsus (1835) were acclaimed, but his reputation dwindled for a time – his 1840 poem Sordello was seen as wilfully obscure – and took over a decade to recover, by which time he had moved from Shelleyan forms to a more personal style. In 1846, he married fellow poet Elizabeth Barrett and moved to Italy. By her death in 1861, he had published the collection Men and Women (1855). His Dramatis Personae (1864) and book-length epic poem The Ring and the Book (1868–1869) made him a leading poet. By his death in 1889, he was seen as a sage and philosopher-poet who had fed into Victorian social and political discourse. Societies for studying his work survived in Britain and the US into the 20th century.
Biography Early years Browning was born in Walworth in the parish of Camberwell, Surrey, which now forms part of the Borough of Southwark in south London. He was baptised on 14 June 1812, at Lock's Fields Independent Chapel, York Street, Walworth, the only son of Sarah Anna (née Wiedemann) and Robert Browning.Browning, Robert. Ed. Karlin, Daniel (2004) Selected Poems Penguin, p. 9 His father was a well-paid clerk for the Bank of England, earning about £150 per year.John Maynard, Browning's Youth Browning's paternal grandfather was a slave owner in Saint Kitts, West Indies, but Browning's father was an abolitionist. Browning's father had been sent to the West Indies to work on a sugar plantation but returned to England following a slave revolt. Browning's mother was the daughter of a German shipowner who had settled in Dundee, Scotland with his Scottish wife. His paternal grandmother, Margaret Tittle, had inherited a plantation in St Kitts and was rumoured in the family to have a mixed-race ancestry including some Jamaican blood, but author Julia Markus suggests she was Kittitian rather than Jamaican.Dared and done: the marriage of Elizabeth Barrett and Robert Browning Knopf, 1995, University of Michigan, p. 112. The evidence is inconclusive.The dramatic imagination of Robert Browning: a literary life, 2007. Richard S. Kennedy, Donald S. Hair, University of Missouri Press, p. 7. Robert's father, a literary collector, had a library of some 6,000 books; many of them were rare so that Robert grew up in a household with significant literary resources. His mother, to whom he was close, was a devout nonconformist and a talented musician. His younger sister, Sarianna, also gifted, became her brother's companion in his later years, after the death of his wife in 1861. His father encouraged his children's interest in literature and the arts.
By the age of 12, Browning had written a book of poetry, which he later destroyed for want of a publisher. After attending one or two private schools and showing an insuperable dislike of school life, he was educated at home by a tutor, using the resources of his father's library. By 14 he was fluent in French, Greek, Italian and Latin. He became an admirer of the Romantic poets, especially Shelley, whom he followed in becoming an atheist and a vegetarian. At 16, he studied Greek at University College London, but left after his first year. His parents' evangelical faith prevented his studying at either Oxford or Cambridge University, both then open only to members of the Church of England. He had inherited substantial musical ability through his mother, and composed arrangements of various songs. He refused a formal career and ignored his parents' remonstrations by dedicating himself to poetry. He stayed at home until the age of 34, financially dependent on his family until his marriage. His father sponsored the publication of his son's poems.
First published works In March 1833, "Pauline, a Fragment of a Confession" was published anonymously by Saunders and Otley at the expense of the author, Robert Browning, who received the money from his aunt, Mrs Silverthorne. It is a long poem composed in homage to the poet Shelley and somewhat in his style. Originally Browning considered Pauline as the first of a series written by different aspects of himself, but he soon abandoned this idea. The press noticed the publication. W. J. Fox writing in The Monthly Repository of April 1833 discerned merit in the work. Allan Cunningham praised it in the Athenaeum. However, it sold no copies. Some years later, probably in 1850, Dante Gabriel Rossetti came across it in the Reading Room of the British Museum and wrote to Browning, then in Florence, to ask if he was the author. John Stuart Mill, however, wrote that the author suffered from an "intense and morbid self-consciousness". Later Browning was rather embarrassed by the work, and only included it in his collected poems of 1868 after making substantial changes and adding a preface in which he asked for indulgence for a boyish work.
In 1834, he accompanied the Chevalier George de Benkhausen, the Russian consul-general, on a brief visit to St Petersburg and began Paracelsus, which was published in 1835. The subject of the 16th-century savant and alchemist was probably suggested to him by the Comte Amédée de Ripart-Monclar, to whom it was dedicated. The publication had some commercial and critical success, being noticed by Wordsworth, Dickens, Landor, J. S. Mill and the already famous Tennyson. It is a monodrama without action, dealing with the problems confronting an intellectual trying to find his role in society. It gained him access to the London literary world.
As a result of his new contacts he met Macready, who invited him to write a play. Strafford was performed five times. Browning then wrote two other plays, one of which was not performed, while the other failed, Browning having fallen out with Macready.
In 1838, he visited Italy looking for background for Sordello, a long poem in heroic couplets, presented as the imaginary biography of the Mantuan bard spoken of by Dante in the Divine Comedy, canto 6 of Purgatory, set against a background of hate and conflict during the wars of the Guelphs and Ghibellines. This was published in 1840 and met with widespread derision, gaining him the reputation of wanton carelessness and obscurity. Tennyson, jokingly, commented that he only understood the first and last lines. Jane Welsh Carlyle, wife of Thomas Carlyle (a friend of Browning's who deeply influenced Browning's poetry), quipped that she read the poem through and "could not tell whether Sordello was a [sic] 'a book, a city, or a man'".Browning, Robert. Ed. Karlin, Daniel (2004) Selected Poems Penguin
Browning's reputation began to make a partial recovery with the publication, 1841–1846, of Bells and Pomegranates, a series of eight pamphlets, originally intended just to include his plays. Fortunately for Browning's career, his publisher, Moxon, persuaded him to include some "dramatic lyrics", some of which had already appeared in periodicals.
Marriage
In 1845, Browning met the poet Elizabeth Barrett, six years his senior, who lived as a semi-invalid in her father's house in Wimpole Street, London. They began regularly corresponding and gradually a romance developed between them, leading to their marriage and journey to Italy (for Elizabeth's health) on 12 September 1846.Browning, Robert. Ed. Karlin, Daniel (2004) Selected Poems Penguin p10 The marriage was initially secret because Elizabeth's domineering father disapproved of marriage for any of his children. Mr. Barrett disinherited Elizabeth, as he did each of his children who married: "The Mrs. Browning of popular imagination was a sweet, innocent young woman who suffered endless cruelties at the hands of a tyrannical papa but who nonetheless had the good fortune to fall in love with a dashing and handsome poet named Robert Browning."Peterson, William S. Sonnets From The Portuguese. Massachusetts: Barre Publishing, 1977. At her husband's insistence, the second edition of Elizabeth's Poems included her love sonnets. The book increased her popularity and high critical regard, cementing her position as an eminent Victorian poet. Upon William Wordsworth's death in 1850, she was a serious contender to become Poet Laureate, the position eventually going to Tennyson.
From the time of their marriage and until Elizabeth's death, the Brownings lived in Italy, residing first in Pisa, and then, within a year, finding an apartment in Florence at Casa Guidi (now a museum to their memory). Their only child, Robert Wiedemann Barrett Browning, nicknamed "Penini" or "Pen", was born in 1849. In these years Browning was fascinated by, and learned from, the art and atmosphere of Italy. He would, in later life, describe Italy as his university. As Elizabeth had inherited money of her own, the couple were reasonably comfortable in Italy, and their relationship together was happy. However, the literary assault on Browning's work did not let up and he was critically dismissed further, by patrician writers such as Charles Kingsley, for deserting England.
Political views Browning identified as a liberal, supported the emancipation of women, and opposed slavery, expressing sympathy for the North in the American Civil War. Later in life, he even championed animal rights in several poems attacking vivisection. He was also a stalwart opponent of anti-Semitism, leading to speculation that Browning himself was Jewish. In 1877 he wrote a poem explaining "Why I am a Liberal" in which he declared: "Who then dares hold – emancipated thus / His fellow shall continue bound? Not I." Critical attention to Browning's politics has, in general, been sparse. Isobel Armstrong's writing on dramatic monologues, as well as more recent work on the influence of Coriolanus on Browning's politics, has attempted to situate the poet's political sensibility at the centre of his practice.Isobel Armstrong, Victorian Poetry: Poetry, Poetics and Politics (London and New York: Routledge, 1993); Joseph Hankinson, 'King Multitude: Browning and Coriolanus', Essays in Criticism, vol. 72, iss. 2 (2022), pp. 148–169.
Religious beliefs Browning was raised in an evangelical non-conformist household. However, after his reading of Shelley he is said to have briefly become an atheist.Everett, Glenn. Browning's Religious Views at Victorian Web. Retrieved 19 February 2018 Browning is also said to have made an uncharacteristic admission of faith to Alfred Domett, when he is said to have admired Byron's poetry "as a Christian".Domett, Alfred. Robert Browning's Religious Context and Belief, cited at Victorian Web. Retrieved 19 February 2018 Poems such as "Christmas-Eve and Easter-Day" seem to confirm this Christian faith, strengthened by his wife. However, many have dismissed the usefulness of these works at discovering Browning's own religious views due to the consistent use of dramatic monologue which regularly expresses hypothetical views which cannot be ascribed to the author himself.
Spiritualism incident