The Éden-Théâtre was a large theatre (4,000 seats) in the rue Boudreau, Paris, built at the beginning of the 1880s by the architects William Klein and Albert Duclos (1842–1896) in a style influenced by orientalism. It was demolished in 1895.
History
Éden-Théâtre Inspired by Moghol architecture, it was inaugurated on 7 January 1883 with the ballet Excelsior! with music by Romualdo Marenco,Noel & Stoullig, vol. 9 (année 1883), p. 299. and this was followed in subsequent years by other spectacular ballets. The theatre witnessed the single performance of the first Paris production of Wagner's Lohengrin, on 3 May 1887 (in French) with Ernest van Dyck and Fidès Devriès, conducted by Charles Lamoureux, which aroused enormous opposition among the Parisian public.Noel & Stoullig, vol. 13 (année 1887), p. 465; Langham-Smith 1992, p. 873. This was followed in 1888 by La fille de Madame Angot with Anna Judic and Jeanne Granier and Le petit duc with José Dupuis and Granier.Noel & Stoullig, vol. 14 (année 1888), p. 372 (La fille de Madame Angot), p. 379 (Le petit duc). The four-act version of Orphée aux enfers with Christian and Granier, a revival of Excelsior!, and the Paris premiere of Charles Lecocq's Ali-Baba were presented in 1889.Noel & Stoullig, vol. 15 (année 1889), p. 385 (Orphée aux enfers), p. 389 (Excelsior!), p. 392 (Ali-Baba).
Théâtre Lyrique After a ballet and a grand revue, the theatre was renamed Théâtre Lyrique in October 1890, and the first Paris performance of Samson et Dalila with Talazac and Bloch and La jolie fille de Perth with Émile Engel and Cécile Mézeray were presented, but the theatre closed before the end of the year due to lack of funds.Noel & Stoullig, vol. 16 (année 1890), pp. 509–522.
Grand Théâtre
On 12 November 1892 the theatre became the Grand Théâtre, opening with Daudet's play Sapho (with incidental music by Mendelssohn, Delibes and Massenet), followed by a production of Le Malade imaginaire with Charpentier's music arranged by Saint-Saëns.Noel & Stoullig, vol. 18 (année 1892), p. 281. The year 1893 saw a production of L'Arlésienne (music director Gabriel Marie), Pêcheur d'Islande by Loti with Guitry and music by Ropartz, and in November that year the Société des Grand Concerts of Colonne gave Marie-Magdeleine (with Gabrielle Krauss) and La damnation de Faust (with Engel).Noel & Stoullig, vol. 19 (année 1893), pp. 335–342.
Comédie-Parisienne In 1893 a foyer of the Grand Théâtre was converted into a much smaller theatre called the Comédie-Parisienne (later renamed Théâtre de l'Athénée). The colossal theatre suffered continual financial difficulties, closed in 1894, and was demolished in May 1895.
References
Sources
Fauquet, Joël-Marie, editor (2001). Dictionnaire de la musique en France au XIXe siècle. Paris: Fayard. . Langham-Smith, Richard (1992). "Paris: 1870–1902" in Sadie 1992, vol. 3, . Noel, Édouard; Stoullig, Edmond (1875–1918). Les Annales du Théâtre et de la Musique (41 volumes). Paris. View at HathiTrust. Sadie, Stanley, editor (1992). The New Grove Dictionary of Opera (4 volumes). London: Macmillan. . Tydeman, William; Price, Steven (1991). Wilde: Salome Cambridge: Cambridge University Press. . Wild, Nicole (2003) "Éden-Théâtre" in Fauquet 2003, p. 422.