Isidora Žebeljan (27 September 1967 – 29 September 2020) was a Serbian composer and conductor. She was a professor of composition at the Belgrade Music Academy and a Fellow of the Serbian Academy of Sciences and Arts.
She won many national awards for her music, among them the Stevan Mokranjac National Music Award in 2004.
Biography Isidora Žebeljan studied composition at the Faculty of Music in Belgrade with Vlastimir Trajković (a student of Olivier Messiaen). She was Professor of Composition at the same Faculty from 2002. Her work as a composer earned her several significant awards in her country, including the Mokranjac Award in 2004. She won the New York Civitella Ranieri Foundation Fellowship in 2005. In 2006 she was elected to the Serbian Academy of Sciences and Arts (becoming a full member in 2012) and in 2012 she was elected to the World Academy of Art and Science (WAAS). In 2014 she received a Parliamentary Assembly of the Mediterranean Award for her achievement in art.
She attracted international attention with her opera Zora D. which was commissioned by the Genesis Foundation in London. The opera, directed by David Pountney and Nicola Raab, was premiered in Amsterdam in 2003. The same production opened the 50th season of the Vienna Chamber Opera in 2003.
Isidora Žebeljan received commissions from notable institutions and festivals, such as: the Venice Biennale (The Horses of Saint Mark, illumination for orchestra, 2004), Bregenz Festival (opera The Marathon; Hum away, hum away, for String orchestra), Genesis Foundation, London (for the opening of Bill Viola's exhibition 'The Passion' at the National Gallery in London in 2003), University of Kent, Muziektheater im Revier Gelsenkirchen (opera Simon the Chosen), International Horn Society, Accademia Musicale Chigiana, Siena (opera Two Heads and a Girl), City of London Festival
She composed works for notable musical ensembles, such as the Wiener Symphoniker, The Academy of St. Martin in the Fields, the Brodsky Quartet, Berlin Philharmonic Octet, Dutch Chamber Choir and London Brass. Her compositions were regularly performed throughout Europe, Israel, USA, and Asia, including the Venice Biennale, Bregenz Festival, Festival RAI Nuova Musica, City of London Festival, ISCM Festivals (Gothenburg, Wrocław), Festival Classique The Hague, Galway Arts Festival, Tallinn Summer Music Festival, WDR-Musikfest, Settembre musica Milano-Torino, Ultima Festival (Oslo), Swaledale Festival, Walled City Music Festival, Dulwich Music Festival (UK), Eilat Festival (Jerusalem), Festival Nous Sons (Barcelona), Festival L' Est (Milano), Crossing Border Festival (The Netherlands), Settimana Musicale Senese, Musical Biennale Zagreb, BEMUS (Belgrade), etc. Among the ensembles and musicians who performed music of Isidora Žebeljan are the Gothenburg Symphony Orchestra, Symphony Orchestra of RAI Torino, Real Filharmonía de Galicia, Janáček Philharmonic Orchestra, I Solisti Veneti, Neue Philharmonie Westfalen, No Borders Orchestra, Lutosławski Quartet, Nieuw Ensemble (Amsterdam), Zagros Ensemble (Helsinki), ensemble Sentieri Selvaggi (Milan), conductors Paul Daniel, Claudio Scimone, David Porcelijn, Christoph Poppen, Pierre-André Valade, pianists Kyoko Hashimoto and Aleksandar Madžar, hornist Stefan Dohr, clarinetists Joan Enric Lluna and Alessandro Carbonare, violinist Daniel Rowland and others.
Isidora Žebeljan was also one of the most prominent Serbian contemporary composers of theater and film music. She has composed music for more than thirty theater productions in Serbia, Norway, Croatia, and Montenegro. For her work in the field of theater music she was awarded the Sterija Award three times. She was also awarded the Yustat Biennial of Stage Design Award for best theatre music four times. In addition, Isidora Žebeljan worked on a number of film scores, including the orchestration of Goran Bregović's music for the films Time of the Gypsies, Arizona Dream and Underground (directed by Emir Kusturica), La Reine Margot (directed by Patrice Chéreau) and The Serpent's Kiss (directed by Philippe Rousselot). She composed the music for Miloš Radivojević's film How I was Stolen by the Germans. For this score she was awarded the Prize of the Film Festival in Sopot in 2011 (Serbia) and the FIPRESCI Prize of the Serbian Film Association in 2012.
Isidora Žebeljan also regularly appeared as a performer (conductor and pianist) of her own works and the works by other, mainly Serbian composers. She conducted concerts in London (with The Academy of St Martin in the Fields) and in Amsterdam (Muziekgebouw aan 't IJ), and performed as a pianist with the Brodsky Quartet.
In 2017, Isidora Žebeljan signed the Declaration on the Common Language of the Croats, Serbs, Bosniaks and Montenegrins.
She died on 29 September 2020 in Belgrade, Serbia.
Recordings In 2012, the German CD label Classic Produktion Osnabrück (CPO) released a CD with her orchestral music, performed by the Janáček Philharmonic Orchestra, Žebeljan Orchestra and conductor David Porcelijn (CPO 7776702). In 2015 the same label released a CD with her chamber music for strings, played by the Brodsky Quartet (CPO 777994–2). In 2013 the CD label Oboe Classics from London released a CD Balkan Bolero with her chamber music for winds (11 compositions). Other CD's with music of Isidora Žebeljan were released by the CD labels Deutsche Grammophon (The Horses of Saint Mark by No Borders Orchestra), Chandos Records (UK), Mascom Records (Serbia), Acousense (Germany), etc.
Reception Describing Žebeljan's music, David Pountney wrote:
Music The exclusive publisher of her music is Ricordi-Universal.
Compositions 2003–2017
1993–2002
1985–1992
Incidental music Erlend Loe: Doppler; Production: Trøndelag Teater, Trondheim (Norwegen), 2016 – for reeds, oboe, cor anglais, ocarina's, tuba, double bass, bass guitar, ukulele, piano, percussion and elektronic. Director: Tomi Janežič. Anton Pavlovich Chekhov: Seagull; production of the Serbian National Theatre in Novi Sad, 2012 – for singers, flute/piccolo, oboe, trompet, double bass, percussion and piano. Director: Tomi Janežič. Uglješa Šajtinac: Banat; production of the Yugoslav Drama Theatre, 2007 – for oboe, English horn, violin, cello and piano. Director: Dejan Mijač. (CD 'Illuminations') Thomas Bernhard: Heldenplatz; production of the "Atelje 212" Theatre in Belgrade, 2006 – for string quartet and piano. Director: Dejan Mijač. (CD 'Illuminations') Anton Pavlovich Chekhov: Three Sisters; production of the National Theatre in Belgrade, 2006 – for violin and piano. Director: Vida Ognjenović. Peter Shaffer: Amadeus; production of Croatian National Theatre "Ivan pl. Zajc", Rijeka (Croatia), 2006 – for soprano and harpsichord. Director: Tomi Janežič. Biljana Srbljanović: Locusts; production of the Yugoslav Drama Theatre, 2005 – for soprano and electronic. Director: Dejan Mijač. William Shakespeare: King Lear; production of the "Atelje 212" Theatre in Belgrade, 2005 – for prepared piano. Director: Tomi Janežič. (CD 'Illuminations') Slobodan Šnajder: The Bride of the Wind; production of the National Theatre in Belgrade, 2003 – for female voice, English horn, violoncello, double bass and keyboards. Director: Boris Miljković. (CD 'Illuminations') Martin Crimp: The Country; production of the National Theatre in Belgrade, 2002 – for electronic. (CD 'Illuminations') Ljubomir Simović: The Miracle in Schargan; production of the "Atelje 212" Theatre in Belgrade, 2002 – for piano, percussion and chamber orchestra. Director: Dejan Mijač. (CD 'Illuminations') Vida Ognjenović: Mileva Einstein; production of the National Theatre in Belgrade, 2001 – for flute, clarinet, violin, viola, double bass and piano. Director: Vida Ognjenović. (CD 'Illuminations') William Shakespeare: The Tempest; production of the City Theatre Budva Festival (Montenegro), 2001 – for flute, clarinet, trumpet, soprano voice, violin, violoncello, double bass, keyboards and percussions. Director: Slobodan Unkovski. (CD 'Illuminations') Hugo Betti: The Crime on the Goat Island; production of the City Theatre Budva Festival, Montenegro, 2001 – for electronic. Director: Nebojša Bradić. Miroslav Krleža: Leda; production of the "Atelje 212" Theatre in Belgrade, 2001 – for violin, soprano and alto saxophone, trumpet, piano, drums and double bass. Director: Dejan Mijač. (CD 'Illuminations') Vida Ognjenović: Jegor's Road; production of the City Theatre Budva Festival (Montenegro), 2000 – for flute, clarinet, violin, viola, piano and double bass Jean Paul Sartre: Dirty Hands; production of the Yugoslav Drama Theatre, 2000 – for trumpet, piano, violin, viola and violoncello Radoslav Pavlović: Eleven Weeks; production of the Yugoslav Drama Theatre, 2000 – techno music Franz Xaver Kroetz: The Impuls; production of the "Atelje 212" Theatre in Belgrade, 2000 – techno music Anton Pavlovich Chekhov: The Cherry Orchard; production of the Yugoslav Drama Theatre, 2000 – for piano and string quartet (CD 'Illuminations') Alexander Dumas / Stevan Koprivica: The Three Musketeers; production of the "Boško Buha" Theatre in Belgrade, 1999 – for flute, trumpet, violin, guitar, piano, female voice, double bass and percussion (CD 'Illuminations') Miodrag Karadžić: You Just Go and We Will Croak and Howl; production of the Belgrade Dramatic Theatre, 1999 – for violin, accordion, clarinet, piano and double bass Ivo Andrić / Nebojša Bradić: The Damned Yard; production of the National Theatre in Kruševac, 1999 – for female voice, mixed choir, flute, clarinet, violin, piano and double bass Mirjana Bobić Mojsilović: Tears Are O.K.; production of the National Theatre in Belgrade, 1999 – for female voice, alto saxophone, violin, piano and double bass (CD 'Illuminations') Ljubivoje Ršumović: Emperor Trayan Had Goat's Ears; production of the "Boško Buha" Theatre in Belgrade, 1999 – for female voice, female and mixed choir, pipes, violin, flute, piano, double bass and percussion (CD 'Illuminations') Maksim Gorky: The Philistines; production of the Belgrade Drama Theatre, 1998 – for string quartet Molière: The School for Women; production of the Montenegro National Theatre, Pogrorica (Montenegro), 1998 – for male voice, violin, clarinet, bass clarinet, piano and double bass (CD 'Illuminations') Georg Büchner: Leonce and Lena; co production of the City Theatre Budva Festival (Montenegro) and the Yugoslav Drama Theatre, 1998 – for soprano voice, flute, oboe, viola, piano, double bass, tubular bells and tom-toms (CD 'Illuminations') Jeremy Brack: Oliver Twist; production of the "Boško Buha" Theatre in Belgrade, 1998 – for violin, clarinet, E flat clarinet, bass clarinet, piano and double bass Arthur Miller: All My Sons; production of the Belgrade Drama Theatre, 1998 – for piano and string quartet Goran Marković: Speech Impediment; production of the National Theatre in Belgrade, 1997 – for trumpet, piano, double bass and drums Richard Brinsley Sheridan: The Rivals; production of the Belgrade Drama Theatre, 1997 – for violin, piano, bassoon and double bass Berthold Brecht: A Man Is A Man; production of the Belgrade Drama Theatre, 1996 – for violin, alto saxophone, guitar, accordion, piano, drums and double bass Agatha Christie: The Mousetrap; production of the Belgrade Drama Theatre, 1995 – for violin, alto saxophone and piano (CD 'Illuminations') Frank Wedekind: Spring's Awakening; production of the National Theatre in Kragujevac, 1990 – for electronic Dušan Kovačević: Hilarious Tragedy; production of the National Theatre in Šabac, 1989 – for electronic Dušan Kovačević: The Professional; production of the National Theatre in Šabac, 1989 – for electronic Dubravka Ugrešić: Life is a Fairy Tale; production of the Student Cultural Centre, Belgrade, 1987 – for electronic
Film scores How I was stolen by the Germans, directed by Miloš Radivojević, 2010 – for cello and piano