Katherine Joan Greer"New Jersey, Reclaim the Records, Geographic Birth Index, 1901-1929", FamilySearch (https://www.familysearch.org/ark:/61903/1:1:6N35-48NY : Mon Mar 11 00:28:14 UTC 2024), Entry for Katherine Greer, 3 Apr 1927. (April 3, 1927 – May 24, 2001), known professionally as Jo Ann Greer, was an American ghost and big band singer, known both for her long tenure as featured vocalist with Les Brown and His Band of Renown and as Rita Hayworth's most frequent onscreen singing voice. Others who borrowed her vocal stylings include Kim Novak, Gloria Grahame, Esther Williams, June Allyson and Claire Trevor.
Early life and career Born on April 3, 1927, in Atlantic City, New Jersey, and raised in Los Angeles, Greer was the daughter of William J. Greer and Florence M. Obenour."United States, Social Security Numerical Identification Files (NUMIDENT), 1936-2007", FamilySearch (https://www.familysearch.org/ark:/61903/1:1:6K4S-6YGG : Tue Feb 25 16:41:56 UTC 2025), Entry for Clinton Owen McMahan and William J Greer. Following her graduation from John Marshall High School, Greer first worked as a secretary, then took a job as a chambermaid in Laguna so that she could spend her off-hours at the beach.Ames, Walter (March 20, 1952). "Comic's All-American Girl Led Al-Around Career Before Video". The Los Angeles Times. pt. IV, p. 7. Retrieved March 30, 2025.
Jo Ann Greer initially became known to Hollywood casting people from an early marriage to pianist Freddie Slack in the 1940s and later through her long employment with Les Brown and His Band of Renown. Following some early appearances with Sonny Burke and his orchestra, Greer recorded for Decca Records and joined Ray Anthony's band, with whom she scored her two biggest hits, "Wild Horses" (No. 28 in Billboard) and "The Hokey Pokey" in 1953.Eichler, Alan (2012). "Jo Ann Greer". Hollywood's Secret Singing Star. Jasmine Records (JASCD 228). p. 3. Retrieved March 31, 2025. "Jo Ann teamed with Ray Anthony in 1953, resulting in the chart hit 'Wild Horses' (No. 2 in Billboard), backed by a cover of the same label's country hit 'You're a Heartbreaker.' This was followed by her most famous recording—'The Hokey Pokey'—initially released as the 'B' side of Anthony's 'The Bunny Hop,' but destined to take its place as a perennial party favorite [...] Jo Ann then joined forces with Les Brown and his Band of Renown, which she found to be a much more comfortable fit." She was unhappy here, and, in July 1953, she replaced Lucy Ann Polk as vocalist with Les Brown's band.Pullen, Glen C. (July 19, 1953). "Swinging Down the Avenue; Clovers Rock Boat". The Cleveland Plain Dealer. p. 27-D. Retrieved April 12, 2025. "Cleveland’s Marcie Miller will miss Jo Ann Greer, her vocal playmate in Ray Anthony's unusually lively 'That's My Weakness Now' (Capitol). Miss Greer quit the crew to join the Les Brown band.""Les Brown's Band Returns Aug. 5 to Crystal Ballroom". Lancaster Eagle-Gazette. August 3, 1953. p. 15. Retrieved April 12, 2025. "This year the Brown band has changed vocalists. Les has always been noted for his great vocalists. To name a few of the former, who are now stars in their own right - Doris Day, Eileen Wilson, Lucy Ann Polk. Now Les is proud to present new one destined for stardom, Jo Ann Greer." They made numerous singles for Coral Records and later Capitol Records and toured internationally for nearly 40 years, well into the early 1990s. She won the 1956 Down Beat Readers Poll for "best girl band vocalist."ANP (December 14, 1956). "Sinatra, Basie, Domino Tops in Down Beat Poll". p. 8. Retrieved March 31, 2025. Greer became increasingly associated with her distinctive version of Brown's hit song "Sentimental Journey", which he had originally recorded with Doris Day.
Greer's other career was as a ghost singer for famous movie stars. In 1952 Rita Hayworth had returned to Hollywood following the break-up of her marriage to Prince Aly Khan and began work on her comeback film, Affair in Trinidad. After several failed attempts to let Hayworth try to do her own singing, musical director Morris Stoloff brought in Greer, who was deemed a good vocal match and even had a slight lisp similar to Hayworth's. Greer's vocals on "Trinidad Lady" and "I've Been Kissed Before" helped the movie become a success, out-grossing Gilda by more than a million dollars.
Greer was in demand as a dubber, especially at Columbia Pictures, and went on to do the vocal tracks for such stars as Gloria Grahame (in Naked Alibi, Universal-International), Kim Novak (in 5 Against the House), May Wynn (in The Caine Mutiny), Esther Williams (in Jupiter's Darling, MGM), June Allyson (in The Opposite Sex, MGM), and Susan Kohner (in Imitation of Life, Universal-International). Other dubbing work at Columbia included the Dan Dailey-starrer Meet Me at the Fair (for Carole Mathews) and Frankie Laine's Rainbow 'Round My Shoulder (for Charlotte Austin, daughter of entertainer/songwriter Gene Austin).
Greer also sang for Hayworth in two more of her biggest successes, Miss Sadie Thompson and Pal Joey. When the latter two soundtrack albums were released by Mercury Records and Capitol Records, respectively, however, Greer's name was not even listed, in order to preserve the illusion that it was Hayworth who sang. Greer and Hayworth enjoyed a good working relationship on all three of the films they did together. Hayworth would attend Greer's recording sessions and dance barefoot for her in front of the microphone so that Greer could follow her breathing and movements as she sang.
Stoloff also utilized Greer's talents for two projects on the newly formed Colpix Records label, having her record "My Funny Valentine" (he supposedly had never liked the version done by another singer for Kim Novak in Pal Joey) and Hayworth's signature song "Put the Blame on Mame" for the album Voices, Soundtracks and Themes From Great Movies (Greer's name was once more left off both the label and the jacket)."'Voices, Soundtracks And Themes From Great Movies' by Morris Stoloff, Col Pix (CP 503)". Internet Archive. Retrieved April 12, 2025. The second Colpix album was more ambitious, an original film noir-style musical entitled The Naked City, named to tie in with the popular film and TV series, with music by George Duning, text and lyrics by Ned Washington, and narration by veteran actor John McIntire. The singing was done by Greer, James Darren, and the Jud Conlon Singers. This time their names were listed in tiny print on the record label but left off of the LP cover. It was released in stereo as Colpix SCP 505."'The Naked City' by George Duning, Colpix Records (CP 505)". Internet Archive. Retrieved April 12, 2025.
Greer never got to record a vocal album of her own, but some of her many singles have been reissued on CD, most of her films are available on DVD, and many CD collections have been released of her broadcasts and live performances with the bands of Anthony, Burke, and Brown, including shows from the Hollywood Palladium, Denver's Elitch Gardens, and the 1983 Aurex Jazz Festival in Tokyo, Japan. She also made one on-screen appearance as herself in the 1957 Universal-International musical short Dance Demons, in which she sings "Moonlight in Vermont" with the Les Brown band.Meeker, David (1981). Jazz in the Movies. New York : Da Capo Press. p. 71. . "Dance Demons: USA 1957 – 14 mins. dir – Will Cowan. Universal music featurette with Lois Ray, Page and Bray, and Les Brown and his Band of Renown (Lloyd Morales, drs) who accompany Butch Stone singing ‘Let’s talk about a party’; ‘Stumpy’ Brown and Butch Stone doing a comedy dance routine; Jo Ann Greer singing ‘Moonlight in Vermont".
In 1991, while still performing occasionally with the Brown band (now mostly led by Les, Jr.), she was part of a successful cabaret show called Voices, which also featured two other prominent ghost singers, Annette Warren and India Adams."'Voices' Revue to Open Aug. 27", Los Angeles Times, August 16, 1991. They were invited to perform at one of that year's Oscar events by the Motion Picture Academy.
A CD compilation of her work was produced by her last manager Alan Eichler and released in 2012 by Jasmine Records."Jo Ann GREER - Hollywood's Secret Singing Star", Jasmine Records.
Personal life On April 12, 1950, Greer married her employer, bandleader/boogie woogie pianist Freddie Slack.Rich, Alan; Bush, Bill (April 7, 1950). "Dining, Dancing, Entertainment". Valley Times. p. 24. Retrieved March 31, 2025. "Just a few more days to catch Freddie Slack and Joan Greer at Astors. They close Monday, get married Wednesday! Then off to Hawaii." On July 24 of the following year, she succeeded in obtaining a divorce, on the grounds that Slack had become abusive just days after the wedding, routinely swearing at—and/or demeaning—her on the bandstand within easy earshot of the audience. "He was jealous, and I was afraid to talk to anyone," she continued, adding, "I think he's a genius, but one cannot cope with his eccentricities.""Bandleader Freddie Slack Divorced by Wife". The Los Angeles Times. July 25, 1951. p. 2. Retrieved March 31, 2025. In an interview conducted nine months after her divorce, when asked whether romance was in the offing with any of her male bandmates, Greer replied, "Gosh, no! I'm interested only in my work. Like my boss, Al Pearce, they're wonderful fellows to work with, but I'm strictly a career girl. Definitely!" The interviewer pressed further, noting that "some man or men ought to be interested in you." I’ll say I have some men interested in me. Six, in fact. Six well-known songwriters: Don Raye, Gene de Paul, Harold Spina, Bob Russell, Ben Oakland, and Paul F. Webster have ‘adopted’ me as my godfathers. They coach me, build me up in the music business, advise me, write special material, and have made possible many of my band jobs, recordings, and radio appearances. As far as other men go, I have become an expert at spear-fishing. I can handle a spear on any kind of fish, whether it’s a poor old mackerel or an octopus with lots of arms.Danson, Tom E. (April 14, 1952). "Six Songwriting Godfathers for Singer Jo Ann Greer". Press-Telegram. p. 12. Retrieved March 31, 2025.
On October 3, 1954, Greer entered into her second marriage, with trumpeter and Les Brown bandmate Stan Stout.Sobol, Louis (November 10, 1954). "New York Cavalcade". Springfield Daily News. p. 10. Retrieved March 31, 2025.Winchell, Walter (November 24, 1954). "Broadway". The Evansville Courier. p. 8. Retrieved March 31, 2025. It ended on May 25, 1956, when Greer waived alimony while obtaining an uncontested divorce. The thrust of her argument was quoted by the Associated Press: He felt that a woman should be under the subjugation of her husband. I just couldn't reason with him or talk over anything with him.Associated Press (May 26, 1956.). "Singer Jo Ann Greer Divorces Stanley Trout". The Boston Globe. p. 24. Retrieved March 31, 2025. "LOS ANGELES, May 25 (AP) "Singer Jo Ann Greer got a divorce today when she testified her husband was opposed to equal rights for women. Stanley B. Stout, auto company employee, did not contest the superior court action. 'He felt that a woman should be under the subjugation of her husband. I just couldn't reason with him or talk over anything with him,' she said. The singer, who was formerly married to boogie woogie pianist Freddie Slack, waived alimony. She and Stout were married on Oct. 3, 1954."