The textiles of Mexico have a long history. The making of fibers, cloth and other textile goods has existed in the country since at least 1400 BCE. Fibers used during the pre-Hispanic period included those from the yucca, palm and maguey plants as well as the use of cotton in the hot lowlands of the south. After the Spanish conquest of the Aztec Empire, the Spanish introduced new fibers such as silk and wool as well as the European foot treadle loom. Clothing styles also changed radically. Fabric was produced exclusively in workshops or in the home until the era of Porfirio Díaz (1880s to 1910), when the mechanization of weaving was introduced, mostly by the French. Today, fabric, clothes and other textiles are both made by craftsmen and in factories. Handcrafted goods include pre-Hispanic clothing such as huipils and sarapes, which are often embroidered. Clothing, rugs and more are made with natural and naturally dyed fibers. Most handcrafts are produced by indigenous people, whose communities are concentrated in the center and south of the country in states such as Mexico State, Oaxaca and Chiapas. The textile industry remains important to the economy of Mexico although it has suffered a setback due to competition by cheaper goods produced in countries such as China, India and Vietnam.
History
Pre-Hispanic period The oldest known fabric fragments in Mexico have been found in the arid north of the country in states such as Coahuila, Chihuahua and Durango and date to approximately between 1800 and 1400 BCE. In pre-Hispanic times, the most common woven fibers in dry areas were from the yucca and palm trees, with cotton grown in the hot humid areas near the coast. It was unknown to the Aztecs until they conquered cotton growing areas and began demanding it as tribute. Then, only the upper classes were permitted to wear it. Given the important status cotton cloth had, it is often used as money. For some ceremonial garments, amate or bark paper was used.
Each of the sedentary Mesoamerican cultures had a god of weaving. Women were often buried with woven items they had made. Cortés mentions the Aztecs' skill in weaving in one of this letters to the king of Spain, in very favorable terms.
Colonial era
After the Spanish conquest of the Aztec Empire, the production of cloth and the wearing of clothes in Mesoamerica changed drastically. Most pre-Hispanic forms of dress and body adornment were banned by the Spanish as "uncivilized." Indigenous, European and Asian fabrics influenced Mexican cloth production by the mid colonial period. The Spanish did not favor the native cotton, nor did they find the material produced on traditional backstrap looms wide enough. New techniques and materials were introduced. Spanish modes of dress, itself a mixture of European, Asia Minor and Egyptian influences, were introduced as well. At first wool and silk fabric was imported, then sheep and silkworms as well as European foot pedal looms all by the late 1530s. By 1580, Mexico had become one of the most productive areas for wool and silk cloth. Most of the production was concentrated in the present day states of Oaxaca, Tlaxcala and Puebla. At first Spanish weavers dominated production, but they were soon replaced by native weavers who were making material cheaper. Instead of prohibiting Indian made fabric, European weavers decided instead to hire them, creating workshops. While the indigenous weavers were not paid much, the Spanish owners did make money. These workshops eventually produced enough fabric for both internal consumption and for export to Spain, the Philippines, Central America and Peru. Silk cloth production was particularly dominant from 1540 to 1580; However, the end of this period, the yearly Manila Galleon was regularly bringing cheaper silk from Asia.
While cotton cloth was not favored by the Europeans, it was still made and offered as tribute to Spanish overlords. Commercializing the fiber was difficult as the plant grows in the lowlands near the oceans and not near the manufacturing areas in the highlands, and transportation costs were high. Large cotton weaving workshops were not founded until the second half of the 17th century. Eventually, the production of this fabric as well as wool fabric filled the gap left by the disappearance of Mexican silk fabric production. Wool fabric remained important because it was favored by the upper tiers of colonial society, and because sheep could be raised near major weaving areas, such as Puebla, Querétaro, Valladolid, Acámbaro, and San Miguel de Allende.
19th century to present
In times past, fabric and clothing were made to last for decades, but today fabric is much cheaper and much of what clothing is bought is soon thrown away. This is mostly due to the mechanization of weaving, which has made fabric inexpensive. In Mexico, as in other parts of the world, the introduction of modern transportation and communications brought about major changes in the production and distribution of goods and in firms' management and structure. In the 19th century, industrialization affected textile production with the introduction of steam-powered machines and the efforts of French immigrants from Barcelonnette, who began to arrive in Mexico in the early 19th century. The mass production of textiles, especially cotton textiles, developed earlier than in other countries outside of Western Europe and the United States, nearing the same level as in England in the mid-18th century despite social unrest at that time. Mechanization of cloth production began in the 1830s; however, high internal taxes among states kept production facilities small and unconsolidated. While Mexican production lagged behind that of Europe, certain regions of the country such as La Laguna, in the modern states of Durango and Coahuila, became important producers of cotton fabric. The most widely produced fabric was called "manta," a natural cotton favored by many indigenous groups.
The development of steamship lines and railroad networks allowed Mexico-produced fabrics to be exported. The consolidation of power by Porfirio Díaz in the 1880s opened up business opportunities and made foreign investment possible. By the end of the 19th century, textile production and distribution was the country's largest manufacturing sector, mostly controlled by French immigrants. The immigrants worked together, forming the "Barcelonnette network." They started off with small textile mills and dry goods stores, which eventually grew into large factories and department stores, including Palacio de Hierro, which still exists. These French immigrants consolidated textile operations by the end of the 19th century, and by the start of the Mexican Revolution changed their power source from steam to electricity. They also changed textile mills from mostly family-owned organizations to more modern enterprises with professional managers and stock sold on exchanges.
The sewing machine appeared in the early 20th century and became widely used to join fabric and for embroidery. This led to another level of textile production: finished clothing.
Craft and indigenous textiles today
Indigenous tradition
Textiles is one of Mexico's more important crafts as it represents the continuation of tradition as well as its fusion with modern designs and techniques. Both pre-Hispanic and colonial era style textiles are still made in Mexico. In addition, many of the textile factories use machines based on old foot pedal looms from the colonial period. There are basically four types of fibers used for fabric production:
Vegetable products such as cotton Animal products such as wool and silk Minerals such as gold and silver thread Synthetics
Raw materials for textiles fall into two groups: smooth fibers such as silk and wool, introduced to the American continent by the conquistadors; and hard fibers native to Mexico such as ixtle, lechuguilla, reeds, palm, twigs, cotton, and willow. In indigenous regions of Mexico, women are responsible for clothing the community, a process which often begins with harvesting natural fibers and then spinning, dyeing, and weaving textiles. In various parts of Mexico, both native backstrap looms and pedal-driven looms of European origin are used to weave principally cotton and wool.
Most handcrafted textiles are produced by the sixty or so indigenous ethnic groups in Mexico, who mostly live in rural areas in the center and south of the country. In these textiles, traditional indigenous designs, and in some cases techniques still survive. One common technique in craft fabric is brocade, which allows for raised designs to be woven into the cloth. Most indigenous textiles are made at home by women and used for clothing, home use, decorative use and ceremonial use. Items include those that are hand woven, hand embroidered, knitted and more. Clothing is one of the ways that these groups distinguish themselves from each other and the world at large. Some of these garments include the huipil, the quechquemitl, tilmas, sandals and rebozos. A number of ethnic groups, such as the Nahua in central Mexico commercialize their original and traditional creations as well as produce them for domestic consumption. People in coastal areas continue to plant cotton, spin it, dye it with natural elements such as indigo.
Indigenous clothing
Most of the pre-Hispanic clothing that survives is for women. These include "enredos", or wrap dresses, fajas, or cloth belts, huipils, a type of tunic, quechquemitl, which is a kind of rectangular or square short poncho. The last was originally worn directly on the upper body of a woman but today it is worn over a blouse. Loose-fitting sack dresses, called in Oaxaca and in Michoacán, are often heavily embroidered with straight stitching, cross stitching and tucks with floral and geometric motifs.
A widely used garment in both indigenous and mixed race communities is the rebozo. This is a long rectangular shawl used both as a wrap and as a means to carry children or heavy objects tied onto the body. The rebozo came about during the colonial period, not in the pre-Hispanic era. The rebozo is a synthesis of three historical influences, the pre-Hispanic "mámatl," the Spanish mantilla and the "repacejo," an Oriental garment. This is a long rectangular piece of cloth with long fringes at both ends. Most rebozos are made with multicolored designs woven into the pieces using threads of different colors. Those of a single color are usually made of yarn or thread that has been tie-dyed to produce color variations in the final piece. This latter style is called "jaspe" or jasper and are usually woven on backstrap looms.
The rebozo has been produced mostly in central Mexico since the colonial period, with some of the best known producers in Mexico State and Michoacan. Tenancingo is one of the best known producers of craft rebozos, usually made of cotton but wool is also used. Traditional rebozos in the Lake Pátzcuaro area are often of white and blue over a black background and may be embroidered in tiny cross stitch.
Few pre-Hispanic male clothing pieces survive since many Mesoamerican males went about nude or semi nude, causing Spanish authorities to force them to adopt European shirts and pants early. This early colonial style shirts and pants have changed little in indigenous communities and are now identified with indigenous groups, especially the Tarahumara in Chihuahua, the Tacuates in Oaxaca and the Tzeltals in Chiapas. Many male garments are heavily embroidered in multiple colors. Since indigenous pants lack pockets, many men carry decorated bags called morrals. The only pre-Hispanic male garment to survive is the sarape, which is used only in certain areas of Mexico.