"All the Lovers" is a song recorded by Australian recording artist Kylie Minogue for her eleventh studio album, Aphrodite (2010). Parlophone released it on 11 June 2010 as the lead single from the album. The song was written and produced by Jim Eliot alongside Mima Stilwell; Stuart Price provided additional production. Musically, "All the Lovers" is an electropop-influenced disco and synth-pop track. The lyrics of the song serve as an invitation to the dance floor and an assertion that Minogue's past relationships do not "compare" to the one she shares with her present lover.

"All the Lovers" received critical acclaim and was commended for its chorus and production. Many critics found it similar to Minogue's 2004 single "I Believe in You". "All the Lovers" peaked at number 13 on the Australian Singles Chart. In Europe, it reached the top ten in numerous countries, including Austria, Belgium, France, Italy, Spain, Switzerland, and the United Kingdom. It has also topped the Dance Club Songs chart in the United States. The song was certified platinum in the United Kingdom, and gold in Australia and Italy.

The music video for "All the Lovers" was filmed in Downtown Los Angeles by Joseph Kahn and features Minogue singing the song from atop a pyramid of underwear-clad couples. Critical reception towards the video was favourable, with many critics enjoying its concept and imagery. The music video was banned in several Asian countries due to its sexual nature. Minogue performed the song on various television shows, such as Germany's Next Topmodel and Alan Carr: Chatty Man. In 2012, Minogue re-recorded the song for inclusion on her orchestral compilation album, The Abbey Road Sessions.

Background and release

Following her recovery from breast cancer, Minogue released her tenth studio album X in 2007. Slated to be released as Minogue's comeback album, X went platinum in her native-country Australia after it debuted at number one on the Australian Albums chart. In the United Kingdom, the album entered and peaked at number four on the UK Albums Chart and was eventually certified platinum. Critical reception towards X was generally favourable, but many critics felt that it lacked introspection from Minogue's side. Later on, critics argued that the album did not serve as a worthy comeback for Minogue.

Soon, Minogue began working on her eleventh studio album Aphrodite. Grammy Award-winning British electronic music producer Stuart Price was enlisted as the executive producer of the album. "All the Lovers" was one of the last tracks to be written for Aphrodite and "only really came up" during the last three weeks of the recording sessions. It was written by Jim Eliot and Mima Stilwell, known collectively as British electropop group Kish Mauve. The duo had previously collaborated with Minogue on "2 Hearts", the lead single from X. Eliot produced the track and Price handled additional production and mixing. Minogue also recorded a Spanish-language version of the song entitled "Los Amores".

Minogue felt "All the Lovers" summarised the "euphoria" of the album perfectly and chose it to be the lead single from Aphrodite. She premiered the song on radio stations in the United Kingdom on 14 May 2010. It was released worldwide as the lead single on 11 June 2010 in CD single formats. The song was also made available to download digitally at the iTunes Store on the same day. In the United Kingdom, "All the Lovers" was initially released digitally on 13 June and later received a physical release in various formats on 28 June 2010. "Los Amores" and "Go Hard or Go Home" were included as the B-sides to the song.

Composition

Musically, "All the Lovers" is an electropop-influenced disco and synth-pop track. According to the sheet music of the song published at Musicnotes.com by Sony/ATV Music Publishing, "All the Lovers" is composed in the key of C major and follows a midtempo of 142 beats per minute. Minogue's vocal range spans from the key of G3 to A4. Minogue's breathy and whisper-y vocal delivery and the electronic production of the song make it similar to "I Believe in You", a single from Minogue's greatest hits album Ultimate Kylie (2004).

Through the lyrics of the song, Minogue invites her lover to dance with her, beginning with a line in which she softly sings "Dance, it's all I wanna do, so won't you dance? I'm standing here with you, why won't you move?". During the anthemic chorus of the song, which is backed by a warbling synthesizer riff, Minogue asserts that her previous relationships do not "compare" to her present one, singing "All the lovers that have gone before, they don't compare to you / Don't be frightened, just give me a little bit more / They don't compare, all the lovers." UK-based music website Popjustice opined that the song is "not really about relaxing while you dance, it's about relaxing into a relationship." Fraser McAlpine from BBC Chart Blog felt the "elegiac" and sad-toned chorus "makes the verses transform from a straightforward plea for dancefloor action into what sounds like a demand that everyone join Kylie for one last dance before things become spoiled forever." The song features a bridge section in which Minogue again asks her lover to dance with her, after which an electronic breakdown takes place.

Critical reception "All the Lovers" was acclaimed by music critics and fans alike. Fraser McAlpine from BBC Chart Blog rated the single five out of five stars and applauded its chorus, calling it a "dancing/crying/loving feeling [...] applied to everyone in a universal gesture of affection and regret." The critic praised the electropop influences of the song and Minogue's vocal delivery. Nick Levine from Digital Spy also rewarded "All the Lovers" a perfect five-star score and called it a "shimmering midtempo electro-disco tune with a lovely arms-in-the-air chorus." He found the song similar to "I Believe in You". Entertainment Weekly critic Adam Markovitz opined that "All the Lovers" was not a "full-on dance track production-wise", but predicted the song would attain "near-ubiquity in gyms, gay clubs, and clothing stores." Robbie Daw from Idolator felt its production stayed true to Minogue's roots, labelling the song "100% pure Kylie", and found it comparable to "I Believe in You."

Daily Mirror critic Gavin Martin gave "All the Lovers" a four out of five rating and complimented the song's production and mixing, saying they "ensure Kylie's pint-size pop queen status is consolidated." Martin also enjoyed Minogue's "generously sensual" vocal performance. Chris Ryan from MTV Buzzworthy termed the song "classic Kylie", praising its subtle production and the chorus for being "ecstatic, breathtaking." MuuMuse editor Bradley Stern commended Minogue's breathy delivery and felt that its instrumentation and Minogue's vocals were reminiscent of "I Believe in You". Stern rated it five out of five stars and concluded that "["All the Lovers" is] a sing-along track, it's sad disco, it's everything you've been waiting for." The Popjustice review of the song was also positive; they pointed out that it would please fans of the singer and become the "sound of dancefloor stampedes from now until the end of time" due to its mature style. Rob Harvilla from The Village Voice wrote that the song features Minogue at her peak form and labelled it a "pleasingly vapid synth-cheese jam."

Upon the release of Aphrodite, critics viewed "All the Lovers" as one of the highlights of the album. Tim Sendra from AllMusic gave the song a "Track Pick", calling it "massively catchy" and praising the synthesizer riffs in its instrumentation. Ian Wade from BBC Music found "All the Lovers" a far more superior effort than X, saying it "emits everything that X didn't." Neil McCormick from The Daily Telegraph complimented the chorus and commented "once 'All The Lovers' gets in your head, it is impossible to dislodge." Mikael Wood from Entertainment Weekly encouraged readers to download the song, terming it a "thumping opener." Helen Clarke from musicOMH likened it to the works of British electronic music duo Goldfrapp and called it a "Kylie classic", but found its placement as the opening track of the album unusual. Christel Loar from PopMatters found its synth riffs similar to those in songs by British synthpop duo Erasure and felt the song was perfect to dance to. Sal Cinquemani from Slant Magazine, who gave Aphrodite a mixed review, picked the song as one of the better tracks from the album, comparing its hook to a "summer breeze." Sophia Money-Coutts from The National called the song a "euphoric, electro tune ripe for remixing and which will no doubt have the hordes waving their hands about in Ibiza" but criticised it for being too similar to "I Believe in You".

Accolades and recognition About.com critic Bill Lamb ranked the song number 25 on his list of "Top 100 Pop Songs of 2010", saying "'All the Lovers' sounds like a grand culmination of Kylie Minogue's international pop success." PopMatters placed "All the Lovers" at number 43 on their list of "The 60 Best Songs of 2010", with critic Jer Fairall writing "Celebratory yet wistfully elegiac, 'All the Lovers' is retro in the best possible way, Kylie's disco fetishism channelled towards its most meaningful purpose yet." Comparing it to Donna Summer's 1978 song "Last Dance" and Cher's 1998 song "Believe", the critic termed "All the Lovers" a "rare love song that acknowledges the existence of both personal and cultural history, and the euphoric realization that these are things that brought us to who and where we are now." At the 26th Annual International Dance Music Awards (IDMA) ceremony, "All the Lovers" was nominated for Best Pop Dance Track while Minogue was nominated for Best Solo Artist. At the 2011 Virgin Media Music Awards, "All the Lovers" was voted the Best Single by British music fans.

Commercial performance Commercially, "All the Lovers" underperformed in Minogue's native country Australia in comparison to lead singles from her previous albums. It entered the ARIA Singles Chart at number 14 and failed to chart inside the top 10, having reached its peak position of number 13. In total, "All the Lovers" charted for a total of nine weeks and was certified gold by the Australian Recording Industry Association (ARIA) in 2012 for completing shipments of 35,000 units.

In the United Kingdom, "All the Lovers" entered at number four on the UK Singles Chart. Two weeks later, it peaked at number three. The song spent four weeks inside the top ten of the chart and nineteen weeks inside the top hundred. In August 2010, the British Phonographic Industry (BPI) certified "All the Lovers" silver for completing shipments of 200,000 units in the United Kingdom. The certification was later updated to gold in February 2017, and later to platinum in October 2025 for sales and streaming units equivalent to 600,000 sales. The single had sold 383,000 pure sales in the country by May 2018.