The brothers Kostandin Zografi and Athanas Zografi (or as they were known locally, Kostë and Thanas Korçari) were Albanian painters of the 18th century from Dardhë, in modern Korçë municipality, southern Albania (then Ottoman Empire). They are regarded as the most prominent painters of the Albanian post-Byzantine icon art of the 18th century and generally of the region of Epirus.Kirchhainer p. 153 Along with David Selenica, Kostandin Shpataraku, Terpo Zografi, Efthim Zografi, Joan Çetiri, Naum Çetiri, Gjergj Çetiri, Nikolla Çetiri, and Ndin ÇetiriPopa, Th., Piktorët Grabovarë Çetiri nga familja Katro, Bul. shk. shoq. 3. 1960. they represent the School of Korçë painting.Popa, Th., Piktorët mesjetarë shqiptarë, Tiranë 1961Popa, Th., Piktorët korçarë Kostandin e Athanas Zografi dhe freskat e tyne me skenat e Apokalipsit, Bul. shk. shoq. nr. 1, 1959.
Works The Zografi brothers have decorated with their paintings several Orthodox churches and monasteries throughout central and southern modern Albania, as well as Mount Athos. In particular, their paintings and frescoes in Moscopole, especially in the church St. Athanasius ()Wiener Archiv für Geschichte des Slawentums und Osteuropas. Universität Wien. Institut für Osteuropäische Geschichte und Südostforschung. 1989. (German)E. Pavlidou, N. Civici, E. Caushi, L. Anastasiou, T. Zorba, E. Hatzikraniotis, K. M. Paraskevopoulos. Study of Painting Materials and Techniques in the 18th Century St.Athanasius Church in Moschopolis, Albania . Aristotle University of Thessaloniki, Thessaloniki, Greece. and the monastery of Saints Cosmas and Damian in Vithkuq are of unique value. They were active in the period 1736-1783 and usually signed their works in Greek "By the hands of Konstantinos and Athanasios from Korytsa (Korçë)" ().Kirchhainer p. 152 Konstantinos signed many of his works (usually portable icons) as "Κωνσταντίνος Aρβανίτης" (aka, Konstantinos the Albanian). Their surname, Zografi, means "painter" in , .
Technique The work of the Zografi brothers has a marked tendency towards the baroque, with linear depictions of the religious figures, and at the same time adopting an ornamental style using a wide variety of brown and bright colors.Kirchhainer p. 188 The main colors used in their works were white, bright blue, and dark red.Kirchhainer p. 189
Zografi brothers together with David Selenicasi continued the tradition of the Palaeologan art that was revived at Mount Athos during 18th century.
References
Sources
External links Karin Kirchhainer: Die Malereien in den Gewölbezonen der Kuppelbasiliken von Voskopoje (Moschopolis). Acta Studia Albanica 1, 2007, S. 60–96 Paintings on Deutsche Fotothek.