List of works by Rogier van der Weyden

Most of the works of Rogier van der Weyden consist of triptychs, diptychs or polyptychs, each including more than one panel. Some are dismembered and the parts are kept in different museums. Some panels are only fragmentary remains.

Works This list features the paintings accepted as authentic by Dirk de Vos (2000). They are listed chronologically following the datings of de Vos. All works are executed in oil on oak panels unless otherwise mentioned. +ImageTitleDateLocationSizeNoteVirgin and Child Enthronedc. 1425–1430, circa 1433Madrid, Museo Thyssen-Bornemisza, inv. 435 (1930.125)ca. 14 × 10 cmPossibly dyptichSaint George and the Dragonc. 1425–1430National Gallery of Art, Washington, inv. 1966.1.1ca. 14 × 10 cmCrucifixionc. 1425–1430Berlin, Gemäldegalerie, Berlin, inv. nr. 538 A.79 × 49 cmDiptych with the Virgin and Child Standing in a Niche, and Saint Catherine in a landscapec. 1430–1432Vienna, Kunsthistorisches Museum, inv. nr. 951 and 955both ca. 19 × 12 cmDescent from the Crossc. 1430–1435Madrid, Museo del Prado, inv. nr. 2825. 220 × 259 cm.Virgin and Child in a Niche, the so-called Durán Madonnac. 1430–1435Madrid, Museo del Prado, inv. nr. 272, 200 × 52 cm.Portrait of a Womanc. 1430–1435Gemäldegalerie, Berlin, inv. nr. 545 D.47 × 32 cmSometimes considered as the portrait of van der Weyden's wife Elisabeth GoffaertAnnunciation Triptychc. 1430–1435Center panel, with the Annunciation in Paris, Musée du Louvre, inv. nr. 198287 × 91 cmTriptychwings with the Visitation and a Clergyman Kneeled in Prayer in Turin, Galleria Sabauda, inv. nr. 210 and 320both 89 × 36,5 cmSaint Luke Drawing the Virginc. 1435–1440Boston Museum of Fine Arts, Higginson bequest, 93.153. 138 × 111 cm.Visitationc. 1435–1440Leipzig, Museum der bildenden Künste, inv. nr. 155058 × 36 cmTriptych with the crucifixion, so called: Abegg Triptychc. 1435–1440Riggisberg, Abegg-Stiftung, inv. nr. 14.2.63.Center panel: 103 × 72 cm. Wings, both: 103 × 33 cmTriptych of the Seven Sacraments, so called Chevrot Altarpiece.c. 1440–1445Antwerp, Koninklijk Museum voor Schone Kunsten Antwerpen, inv. nr. 393-395center panel: 200 × 97 cm, Both side panels: 119 × 63 cmTriptych of Our Fair Lady, so called Miraflores Altarpiece.c. 1440–1445Gemäldegalerie, Berlin, inv. nr. 534A. Three panels: 74 × 45 cm each.Crucifixion Triptych.c. 1440–1445Vienna, Kunsthistorisches Museum, inv. nr. 901. Center panel: 96 × 69 cm. Wings: 101 × 35 cm.Virgin and Child with Saints: .c. 1440–1445The Magdalen ReadingNational Gallery, London inv. nr. 64562 × 54 cmSaint CatherineLisbon, Calouste Gulbenkian Foundation, inv. nr. 75B and 79 ABoth fragments ca. 21 × 18 cm. Saint JosephTriptych with the Birth of Christ, so called Bladelin Triptychc. 1445–1450Gemäldegalerie, Berlin, inv. nr. 535Center panel: 94 × 92 cm, Wings each: 94 × 42 cm. + two outside faces of the side panels: the AnnunciationJean Wauquelin presenting his 'Chroniques de Hainaut' to Philip the Good, dedication miniature from the 'Chroniques de Hainaut'c. 1445–1450Brussels, Royal Library of Belgium, ms. 9242, fol.1paint on parchment, 15,4 × 20 cm (illustration), 42,3 × 28,8 (leaf).Apparently Rogier's only surviving miniature.Beaune Altarpiece, so called: Last Judgementc. 1445–1450Beaune, Hôtel-Dieu, BeauneThe large center part measures 210 × 100 cm, the small upper wings measure 72 × 45 cm. Opened the polyptych measures 210 × 548 cm.Originally oil on oak panels, today some panels are transferred to canvas. The polyptych consists of 15 different partsSaint Margareth and Saint Apolloniac. 1445–1455Gemäldegalerie, Berlin, inv. nr. 534C.51,5 × 27,5 cm.Right wing of a lost triptych. Other sourses: "...with workshop"The Braque Triptychc. 1450–1455Paris, Musée du Louvre, inv. nr. RF 2063Center panel: 34 × 62 cm, wings each 34 × 27 cm.Portrait of a manc. 1450–1455Madrid, Museo Thyssen-Bornemisza, inv. nr. 1930.26. 32 × 23 cm.Triptych with the Adoration of the Magi, so-called Columba Altarpiecec. 1450–1455Munich, Alte Pinakothek, inv. nr. WAF 1189-1191Center panel: ca. 140 × 153, Wings each: ca. 140 × 73 cm.Triptych with scenes from the life of John the Baptist, so called Saint Johns Altarpiecec. 1450–1455Gemäldegalerie, Berlin, inv. nr. 534BEach panel ca. 77 × 48 cm.The crucified Christ between the mourning Mary and Saint John, so called Crucifixion of Scheutc. 1450–1455El Escorial, inv. nr. 10014602.325 × 192 cm.Pietàc. 1455–1464Brussels, Royal Museums of Fine Arts of Belgium, inv. nr. 3515. 33 × 47 cm.Diptych of Jean Gros:c. 1455–1460Both wings ca. 39 × 29 cm.DyptichLeft wing: Virgin with ChildMusée des Beaux-Arts Tournai, inv. nr. 481Right wing: Portrait of Jean GrosArt Institute of Chicago, Ryerson Collection nr. 1933.1052.Portrait of Francesco d'Estec. 1455–1464New York, Metropolitan Museum of Art, Friedsam Collection, inv. nr. 32.100.43.ca. 30 × 20 cm.Diptych of Philip de Croÿ with The Virgin and Childboth wings ca. 49 × 30 cm.Recent research by Ron Spronk proved that the two panels indeed formed a diptych together. The temporarily rejoined diptych was displayed in the loan exhibition 'Unfolding the Netherlandish Diptych' at the National Gallery of Art in Washington, D.C., and the Koninklijk Museum voor Schone Kunsten Antwerpen in Antwerp in Fall 2006/Spring 2007.DyptichLeft wing: Virgin and ChildSan Marino (California), The Huntington Library, inv. nr. 26.105Right wing: Portrait of Philippe de CroyAntwerp, Koninklijk Museum voor Schone Kunsten Antwerpen, inv. nr. 254Portrait of a Womanc. 1460National Gallery of Art, Washington, D.C., inv. 1937.1.4434 cm x 25.5 cmPortrait of Charles the Boldc. 1461–1462Gemäldegalerie, Berlin, inv.nr. 545.51 × 34 cm.Now believed to be by workshop and circle (Gemäldegalerie Berlin)Portrait of Antoine, 'Grand Bâtard' of Burgundyc. 1461–1462, Brussels, Royal Museums of Fine Arts of Belgium, inv.nr. 1449.38 × 28 cmVirgin and Childc. 1461–1462Houston, Museum of Fine Arts, Edith A. and Percy S. Strauss Collection, inv. nr. 44-535. 32 × 23 cm.Virgin and Child with four Saints, the so-called Medici Madonnac. 1460–1464Städel, Frankfurt, inv. nr. 850.51 × 38 cm.Diptych of Jean de Froimontc. 1463–1464both wings ca. 51 × 33 cm(According to a publication by Dominique Vanwijnsberghe)Left wing: Virgin and Child Caen, Musée des Beaux-Arts, inv.nr. M.91Right wing: Portrait of Jean de FroimontBrussels, Royal Museums of Fine Arts of Belgium, inv.nr. 4279Entombment of Christ, or Lamentation of Christc. 1463–1464Florence, Uffizi Gallery, inv.nr. 111496 x 110 cmCalvary diptych, left wing: Mary in grief, supported by Saint John, right wing: Crucifixionc. 1463–1464Philadelphia, Philadelphia Museum of Art, The John G. Johnson Collection, inv.nr. 334-335Left panel: 180.3 × 93.8 cm (71.0 × 36.9 in); right panel: 180.3 × 92.6 cm (71.0 × 36.5 in)Probably the outside of the wings of a lost carved altarpiece

Works not listed by De Vos A Man Reading (Saint Ivo?), National Gallery, London. The National Gallery attributes it to the workshop of Rogier van der Weyden Portrait of Isabella of Portugal (van der Weyden), Getty Center. The portrait was probably completed by a member of Rogier van der Weyden's workshop, although it was earlier attributed to him. Portrait of Philip the Good (van der Weyden) from Dijon Saint Hubert Altarpiece in the Chapel of St Hubert in the church of St Gudule, Brussels Saint Jerome and the Lion (van der Weyden) in Detroit

Copies after Van der Weyden A 15th-century copy after the Madrid Descent from the Cross by an anonymous master (the so-called Edelheer-triptych) is preserved in the Sint-Pieterskerk, Leuven, Belgium.

Other

Tapestry: The Justice of Trajan and Herkinbald Drawing: Portrait of a Young Woman (van der Weyden), British museum

References

Sources de Vos, Dirk (2000). Rogier van der Weyden: The Complete Works. Harry N Abrams.