List of paintings by John Everett Millais

This is an incomplete list of paintings by the Pre-Raphaelite artist John Everett Millais (1829–1896). It focuses on oil paintings, with just a few watercolours listed; it includes a few notable oil sketches/studies. All dimensions are given in centimetres, in the form "height x width".

Youthworks (1841) Cupid Crowned with Flowers. Oil on canvas, 58.4 cm x 45.7 cm. (c. 1843) Emily Millais. Oil on canvas, 59.7 cm × 49.5 cm. Private collection: Geoffroy Richard Everett Millais Collection, on long-term loan to Perth Art Gallery, Perth. (1846) Pizarro Seizing the Inca of Peru. Oil on canvas, 128.3 cm × 172.1 cm. Victoria & Albert Museum, London. (1847) Self Portrait. Oil on millboard, 27.3 cm × 22.2 cm. Walker Art Gallery, Liverpool. (c. 1847) The Artist Attending the Mourning of a Young Girl. Oil on board, 18.7 cm × 25.7 cm. Tate Gallery, London. (c. 1847) The Conjuror. Oil on canvas, 35.2 cm x 45.5 cm. Norwich Castle Museum, Norwich. (c. 1847) Infancy. Oil on canvas, 38.6 cm x 129.5 cm. Leeds Art Gallery, Leeds. (c. 1847) Youth. Oil on canvas, 38.6 cm x 129.5 cm. Temple Newsam, Leeds. (c. 1847) Manhood. Oil on canvas, 38.6 cm x 129.5 cm. Leeds Art Gallery, Leeds. (c. 1847) Old Age. Oil on canvas, 38.6 cm x 129.5 cm. Leeds Art Gallery, Leeds. (c. 1847) Music. Oil on canvas, 38.6 cm x 129.5 cm. Leeds Art Gallery, Leeds. (c. 1847) Poetry. Oil on canvas, 38.6 cm x 129.5 cm. Temple Newsam, Leeds.

Pre-Raphaelite Brotherhood (1847–48) Cymon and Iphigenia. Oil on canvas, 114.3 cm × 147.3 cm. Lady Lever Art Gallery, Port Sunlight, Merseyside. (1848) Serjeant Ralph Thomas. Oil on wood, 40.7 cm x 30.3 cm. Tate Gallery, London. (1848) Portrait of Hugh Fenn or William Hugh Fenn or Portrait of W. Hugh Fenn. Oil on wood panel, 29.1 cm x 24.5 cm. Owens Art Gallery, Mount Allison University, Sackville, New Brunswick. (c. 1848) The Death of Romeo and Juliet. Oil on millboard, 16.1 cm x 26.9 cm. Manchester Art Gallery, Manchester. (c. 1848) Landscape, Hampstead or Hampstead Heath. Oil on panel, 23.1 cm x 33.6 cm. Sudley House, Liverpool. (1848–49) Isabella or Lorenzo and Isabella. Oil on canvas, 102.9 cm × 142.9 cm. Walker Art Gallery, Liverpool. (1849) Ferdinand Lured by Ariel. Oil on canvas study, oval, 14.6 cm x 10.9 cm. Sudley House, Liverpool. (Not to be confused with the 1849–50 painting of the same name) (1849) James Wyatt and his Granddaughter Mary or Portrait of a Gentleman and his Grandchild. Oil on panel, 35.6 cm x 45.1 cm. Private collection: Andrew Lloyd Webber Collection. (1849) Portrait of Four Children of the Wyatt Family. Oil on board, 45.5 cm x 30.5 cm. Private collection: Andrew Lloyd Webber Collection. (1849) The Kingfisher's Haunt. 24.5 cm x ? cm. Destroyed during World War 2. (1849–50) Christ in the House of His Parents or The Carpenter's Shop. Oil on canvas, 86.4 cm × 139.7 cm. Tate Britain, London. (1849–50) Ferdinand Lured by Ariel. Oil on canvas, 65 cm × 51 cm; 64.8 cm diameter. Private collection. (Not to be confused with the 1849 painting of the same name). (1850) Portrait of Wilkie Collins. Oil on panel, 26.7 cm × 17.8 cm. National Portrait Gallery, London. (1850) Thomas Combe. Oil on panel, 33 cm x 27 cm. Ashmolean Museum, Oxford. (c. 1850) Mrs James Wyatt Jr and her Daughter Sarah. Oil on mahogany, 35.3 cm x 45.7 cm. Tate Gallery, London. (1850–51) The Woodman's Daughter. Oil on canvas, 89 cm × 65 cm. Guildhall Art Gallery, London. (1851) Mariana or Mariana in the Moated Grange. Oil on mahogany panel, 59.7 cm × 49.5 cm. Tate Britain, London. (1851) The Return of the Dove to the Ark. Oil on canvas, 88.2 × 54.9 cm. Ashmolean Museum, Oxford. (1851) The Bridesmaid. Oil on canvas, 27.9 cm × 20.3 cm. Fitzwilliam Museum, Cambridge. (Not be confused with Millais' 1879 portrait with the same name.) (1851) Mrs Coventry Patmore or Portrait of Mrs Coventry K. Patmore or Emily Augusta Patmore, née Andrews (1824–1862). Oil on panel, 19.7 cm x 20.3 cm. Fitzwilliam Museum, Cambridge. (1851–52) A Huguenot, on St Bartholomew's Day, refusing to shield himself from danger by wearing the Roman Catholic badge or The Huguenot. Oil on canvas, 92.7 cm × 64.1 cm. Private collection: The Makins Collection. (1851–52) Ophelia. Oil on canvas, 76.2 cm × 111.8 cm. Tate Britain, London. (1852) Memory. Oil on panel, 30.5 cm x 25.4 cm. (1852–53) The Order of Release, 1746. Oil on canvas, 102.9 cm × 73.7 cm. Tate Britain, London. (1852–53) The Proscribed Royalist, 1651. Oil on canvas, 102.8 cm × 73.6 cm. Private collection: Andrew Lloyd Webber Collection. (1853) The Waterfall or A Waterfall at Glenfinlas or Effie at Glenfinlas. Oil on canvas, 33.3 cm x 23.2 cm. Delaware Art Museum, Wilmington, Delaware. (1853) Effie with Foxgloves in Her Hair or Euphemia 'Effie' Chalmers Gray, Mrs John Ruskin (1828–1898), later Lady Millais, with Foxgloves in her Hair or The Foxglove. Oil on millboard, 37.3 cm x 35.1 cm. National Trust: Wightwick Manor, Wolverhampton. (1853–54) John Ruskin or Portrait of John Ruskin, Esq.. Oil on canvas, 78.7 cm × 68 cm. Ashmolean Museum, Oxford.

Associate member of the Royal Academy of Arts (A.R.A.), elected 7 November 1853 (1854) The Highland Lassie or Head of a Scotch Girl. Oil on board, 21.6 cm x 17.1 cm. Delaware Art Museum, Wilmington, Delaware. (1854) Waiting or Girl at the Stile or A Girl at a Stile or The Stile. Oil on panel, 32.4 cm x 25 cm. Birmingham Museums Trust, Birmingham. (1854) The Violet's Message or A Girl with Violets. Oil on panel, 25.4 cm x 19.7 cm. Private collection. (1854) Annie Miller. Oil on panel, 22.7 cm x 14.9 cm. Private collection: Harry Oppenheimer Collection. (1854) The Wedding Cards or Wedding Cards: Jilted. Oil on panel, 22.2 cm x 16.5 cm. Private collection. (c. 1854) Wandering Thoughts. Oil on canvas, 35.2 cm x 24.9 cm. Manchester City Art Gallery, Manchester. (1854–55) L'Enfant du Régiment or A Random Shot. Oil on paper laid on canvas and board, 61 cm x 45.1 cm. Yale Center for British Art, New Haven, Connecticut. (1855) The Rescue. Oil on canvas, 121.5 cm × 83.6 cm. National Gallery of Victoria, Melbourne. (1855–56) Autumn Leaves. Oil on canvas, 104 cm × 74 cm. Manchester City Art Gallery, Manchester. (1856) The Blind Girl. Oil on canvas, 83 cm × 62 cm. Birmingham Museum & Art Gallery, Birmingham. (1856) Peace Concluded, 1856, or Conclusion of Peace, 1856. Oil on canvas, 120 cm × 91 cm. Minneapolis Institute of Arts, Minneapolis. (1856) News from Home. Oil on panel, 35.5 cm x 25 cm. Walters Art Museum, Baltimore, Maryland. (1856) Pot Pourri. Oil on canvas, 44.5 cm x 35.6 cm. Private collection. (1856–57) A Dream of the Past: Sir Isumbras at the Ford. Oil on canvas, 120 cm × 170 cm. Lady Lever Art Gallery, Port Sunlight, Merseyside. (1856–57) The Escape of a Heretic, 1559. Oil on canvas, 109.5 cm x 79.1cm. Museo de Arte de Ponce, Ponce. (1857) Sophie Gray or Head of a Girl or Portrait of a Girl or Portrait of a Young Lady. Oil on paper laid over panel, 30 cm x 23 cm. Private collection. (1857) Alice Gray or Head of a Girl. Oil on canvas, 30.5 cm x 20.3 cm. (Sitter Alice Gray wears a jewelled cap, not to be confused with Head of a Girl, sitter Sophie Gray, also 1857). Private collection. (1857–58) Only a Lock of Hair. Oil on panel, 35.3 cm x 25 cm. Manchester City Art Gallery, Manchester. (1858–59) The Vale of Rest. Oil on canvas, 102.9 cm × 172.7 cm. Tate Britain, London. (1858–59) The Love of James the First, of Scotland. Oil on canvas, 104.1 cm x 53.3 cm. Private collection. (1856–59) Spring or Apple Blossoms. Oil on canvas, 176.3 cm x 113 cm. Lady Lever Art Gallery, Port Sunlight, Merseyside. (1859) Meditation. King’s College, Cambridge. (1860) The Black Brunswicker. Oil on canvas, 104 cm × 68.5 cm. Lady Lever Art Gallery, Port Sunlight, Merseyside. (1860) The Rivals (c. 1860) Parable - The Leaven. Watercolour on paper, 13.6 cm × 10.7 cm. Aberdeen Art Gallery, Aberdeen. (c. 1860) Parable - The Hidden Treasure. Watercolour on paper, 13.6 cm × 10.9 cm. Aberdeen Art Gallery, Aberdeen. (c. 1860) Parable - The Pharisee and the Publican. Watercolour on paper, 13.8 cm × 10.7 cm. Aberdeen Art Gallery, Aberdeen. (1860–62) The Ransom or The Hostage. Oil on canvas, 134 cm × 115.9 cm. Getty Center, Los Angeles, California. (1860–62) Trust Me. Oil on canvas, 111.7 cm x 77.4 cm. Private collection. (1862) Mrs Charles Freeman. Oil on panel, 35.5 cm x 22.5 cm. Private collection. (1862) The White Cockade. Oil on canvas, 61 cm x 45.1 cm. Delaware Art Museum, Wilmington, Delaware. (1862) The Bride (passion flowers in her hair; bought by B G Windus.) (1862–63) The Wolf's Den. Oil on canvas, 83.8 cm x 114.3 cm. National Museum of Western Art, Tokyo. (1863) The Eve of St Agnes. Oil on canvas, 118.1 cm × 154.9 cm. Royal Collection. (1863) My First Sermon. Oil on canvas, 97 cm × 77 cm. Guildhall Art Gallery, London. (1863) Portrait of Henry Manners (now Marquess of Granby). Oil on canvas, 35.5 cm x 29.5 cm. Southwark Heritage Centre, London. (1863) Suspense (1863) The Bridesmaid throwing the Lucky Slipper (c. 1863) Milking Time or The Farmer's Daughter or The Milkmaid or Girl in Cornfield (Miss Ford). Oil on canvas, 45.8 cm x 35.3 cm.

Member of the Royal Academy of Arts (R.A.), elected 18 December 1863 (1863–64) Lily Noble or Lily, Daughter of John Noble or Portrait of Lily, Daughter of J. Noble, Esq.. Oil on canvas, 90.2 cm x 69.9 cm. (1864) "Charlie Is My Darling". Oil on canvas, 109 cm × 68.5 cm. Private collection. (1864) My Second Sermon. Oil on canvas. 97 cm x 72 cm. Guildhall Art Gallery, London. (1864) Harold Heneage Finch-Hatton or Portrait of Harold, Son of the Dowager Countess of Winchilsea. Oil on panel, 28 cm x 23 cm (oval). (1864) Leisure Hours. Oil on canvas, 118.1 cm x 88.9 cm. Detroit Institute of Arts, Detroit. (1864) A Portrait of John Wycliffe Taylor at the Age of Five. Oil on panel, 35.5 cm x 26.5 cm. (1864) "Swallow! Swallow!". Oil on canvas, 99.1 cm x 73.7 cm. (1865) Joan of Arc. Oil on canvas, 82 cm x 62 cm. Private collection. Joan of Arc (1865) Esther. Oil on canvas, 106 cm × 77.4 cm. Private collection. (1865) The Parable of the Tares or The Enemy Sowing Tares. Oil on canvas, 111.8 cm x 86 cm. Birmingham Museums Trust, Birmingham. (1865) The Romans Leaving Britain. Oil on canvas, 121.9 cm x 190.5 cm. (1865–66) Master Cayley or Hugh Cayley of Wydale (1865–67) Asleep or Sleeping. Oil on canvas, 89 cm x 68.5 cm. Private collection. (1865–67) Just Awake or Waking. Oil on canvas, 87 cm x 67 cm. Perth Art Gallery, Perthshire. (1866) The Minuet. Watercolour on canvas, 25.5 cm x 10 cm. (1867) Jephthah. Oil on canvas, 162.7 cm x 127 cm. National Museum Cardiff, Cardiff. (c. 1867–68) Rosalind in the Forest. Oil on board, 22.6 cm x 32.7 cm. Walker Art Gallery, Liverpool. (1868) Sisters. Oil on canvas, 108 cm x 108 cm. (1868) A Souvenir of Velasquez or Souvenir of Velasquez. Oil on canvas, 102.7 cm × 82.4 cm. Royal Academy of Arts, London. (1868) Vanessa. Oil on canvas, 112.7 cm x 91.5 cm. Sudley House, Liverpool. (1868) Stella. Oil on canvas, 112.7 cm x 92.1 cm. Manchester Art Gallery, Manchester. (1868) Portrait of Sir John Fowler, Bart. Oil on canvas, 124.5 cm x 99.1 cm. (1868) Rosalind and Celia. Oil on canvas, 116.8 cm x 160 cm. (1868) Greenwich Pensioners at the Tomb of Nelson or Pilgrims to St Paul's. Oil on canvas, 142.2 cm x 109.2 cm. (1869) The Gambler's Wife. Oil on canvas, 86.4 cm x 38.1 cm. (1869) Portrait of Nina, Daughter of Frederick Lehmann, Esq.. Oil on canvas, 132.1 cm x 88.9 cm. Private collection. (1870) The Boyhood of Raleigh. Oil on canvas, 120.6 cm × 142.2 cm. Tate Gallery, London. (1870) The Marchioness of Huntly or Amy, Marchioness of Huntly. Oil on canvas, 223.5 cm x 132 cm. (1870) Chill October. Oil on canvas, 141.0 cm × 186.7 cm. Private collection: Andrew Lloyd Webber Collection. (1870) A Flood. Oil on canvas, 144.9 cm x 99.3 cm. Manchester Art Gallery, Manchester.